We are @criticschoice nominees! Our @nytimes Op-Doc #MyDisabilityRoadmap is nominated for Best Short Documentary at the 7th Annual #CriticsChoice Documentary Awards! Thank you to the CCA for including us in this incredible collection of films. https://t.co/WyfhrIGuhd #CCDOC
Thank you to the @nytimes and @amandahess for celebrating the buoyancy of THE JANES, and particularly for mentioning my "soundtrack fit for a mod spy movie" 🕵️😊
I wrote about a wave of complex, unruly abortion stories that turn the abortion experience into a caper, a thriller and a farce: https://t.co/F9HAxa6o3M
Vibrant melodies, hypnotic beats, and warm analog synths make a nice soundtrack for a beautiful film, and maybe for your day too. Out now: https://t.co/U7pPnHGLq0
Coming Soon: THE JANES premieres June 8th on @hbomax. The film was scored by @MaxAvery Lichtenstein who spoke w/ @postPerspective after the film's premiere at the 2022 Sundance Film Festival.
https://t.co/h1eQF8ZKpw
Samuel Habib went on a quest for wisdom from disability activists across the US. I'm proud that my music helps tell his candid, witty, and empowering story @MyDisRoadmap. Watch now on @nytimes: https://t.co/DC0iuN9Yei
@seantbailey Thanks much Seán! FYI, we're releasing the score for streaming (Spotify, Apple, etc) on June 17th, and there's a preorder available now on Bandcamp: https://t.co/lrUFgXqCtJ
So proud of my energetic, rebellious score for this; I couldn’t have asked for better inspiration than these gutsy women. Please spread the word… it’s more important now than ever.
They didn’t have a choice.
#TheJanesHBO is a timely portrait of a group who risked it all to support women with unwanted pregnancies in 1970s Chicago, and a stark reminder of a time in the US before Roe v. Wade. The new @HBO original documentary premieres June 8 on @HBOMax.
Four years ago this month The Rest I Make Up had its world premiere at @MuseumModernArt. To celebrate, watch @RestIMakeUpFilm for free in February! I'm a bit biased but I think #mariairenefornes makes the best company https://t.co/nRjjY9PGdk
"There’s terrific energy too in @MaxAvery Lichtenstein’s score, its subtle mix in tune with the saga’s layers of spiritedness and suspense."
~@THR review of the #SundanceFilmFestival documentary THE JANES
https://t.co/bgKaEOK2G5
Perspective Forum & Film Music House present:
Score From the Underground: The Music of THE JANES
w/ composer @MaxAvery Lichtenstein
The film is directed by Tia Lessin & Emma Pildes and premieres at #SundanceFilmFestival in the U.S. Feature Doc Competition.
https://t.co/CC8dbwermN
THE JANES is premiering @sundancefest on Jan 24th! Excited for people to see this timely, sharp-witted film. And I couldn't be prouder of my score, which takes inspiration from classic heist/caper films of the 60s. Virtual tix at https://t.co/jOELm2bRz1
Just released GHOST LIGHT, a new Camphor song featuring a sweet harmony vocal from my own little doppelgänger Mason. Only @bandcamp for now
https://t.co/jmz6WoYtuo
Big thank you to DJ Alex at @kexp for including Camphor in last Sunday's blissful Pacific Notions show. Just the vibe we need these days 🙏 https://t.co/5QTa5v8nlq