Tuola Ge

Built for 50M @ViggleAI users at 23.
Now GTM engineer & Social Media Lead @OpenDesignHQ
Building anything I can imagine with AI.

[Tuola Ge @Mayii0205]

Codex 现在做口播视频工作流太强大了！直接让他操控@HeyGen +@MiniMax_AI +剪映/@capcutapp + @HyperFrames_ 就能生成真人口播+产品演示视频的口播视频，完全解放自媒体 & 产品宣推生产力！

不知道大家需不需要我开源这两个 skill，我自己用下来还是很棒的😊

以下是我针对于Codex 即将推出的@OpenDesignHQ 设计插件和 团队版Open Design制作的两条口播视频，从口播稿到视频全部由 Codex帮我操作完成。

在参考了@Zesee 的数字人口播 skill 的基础上，还加入了剪映换音色+音色克隆部分，使得整体的发音更地道，音色更逼真自然。

整体花费如@ZhenZhu200分享的一般，非常实惠，两条40 秒的视频才 20 多块钱。

如果想视觉效果更逼真可以不要像我一样磨皮 ORZ

顺便宣传一下 Open Design 即将发布的重大更新版本的内测机会，如果你或者你的团队想体验我们颠覆式的Codex设计协作体验，欢迎私信我👏

Open Design即将上线 Codex插件市场。

[Tuola Ge @Mayii0205]

@dqnamo fr

[yetone @yetone]

这是我开始做 ToB 的原因。做了 ToB 之后，看着那些 ToC 的 Agent 的软件的各种打磨，我都觉得眉清目秀的。当然我既不是高高在上也盲目崇拜，是因为很多 ToC Agent 打磨的那些优雅的细节，在真实的 B 端场景中，那些客户压根就不 care，他们真正 care 的就是你别让我用任何的 Agent 软件，但是能完成所有工作流的自动化。

ToC Agent 只满足了软件爱好者这个小众群体，真正的把软件当成核桃手把件每天在手中把玩包浆的人还是太小众了。

[Tuola Ge @Mayii0205]

it seems that the fire inside is still alive❤️

[Ryo Lu @ryolu_]

i left Cursor.

after 10 years inside the tech bubble in San Francisco, Cursor felt like the sharpest version of that world – fast, intense, ambitious, full of people trying to pull the future closer.

i’m leaving with gratitude, but also with the feeling that i need a different rhythm.

slower time. different weather. more culture, aliveness, and humans in the everyday.

Asia feels like the right place to begin again.

to stay grounded, experience life more fully, and build freely.

i’ll share what i find along the way!

[Ryo Lu @ryolu_]

when the dream becomes the job

i used to think the dream was to make my hobby my work.

to spend my life close to the things i loved: computers, tools, interfaces, systems, tiny details, the feeling of making something from nothing. the things i used to do at night, after school, after work, in the margins of life, somehow became the center of my life.

and it is a dream. i don’t want to pretend otherwise.

there is a very specific happiness in getting paid to care. in meeting other people who care. in building a language around your obsession. in seeing something that lived only in your head become real enough for other people to touch.

but there is also a quiet pain in it.

because the thing that once belonged only to you no longer belongs only to you.

it becomes attached to deadlines, teams, customers, strategy, money, reputation, momentum... curiosity becomes roadmap. taste becomes decision-making. play becomes output. the thing you once used to escape the world becomes the thing through which the world reaches you.

and now there is another strange layer: the machines are getting good at the work too.

not just the boring parts. the parts that used to feel close to the heart. writing, coding, designing, reasoning, making taste-like decisions, turning vague ideas into something real. the things we once used as proof that we had something special inside us are becoming things a model can approximate, remix, and sometimes do faster.

that can feel scary in a very specific way.

not only because of jobs or competition, but because it touches the myth you built around yourself. if the thing i became good at can be done by a machine, then what part of it was really me?

i think that question is painful because it arrives at the same place.

the original love.

before the title, before the company, before the taste became a role, before the work became useful to other people, there was a small fire inside. curiosity. obsession. the feeling that the world became more alive when you understood a little more of it, or made a tiny piece of it bend to your will.

AI can make the output faster. it can even raise the floor of the craft. but it cannot want on your behalf. it cannot decide what is worth loving. it cannot protect the strange private thread that made you care in the first place.

maybe that is what becomes more important now.

not whether you can still produce the artifact by hand. not whether you can outperform the machine at every task. that game is already changing.

the real question is whether you still have a relationship with the source.

the part with no audience. no roadmap. no deadline. the part that can wander, collect strange references, make useless things. follow beauty, be wrong, be slow, be you, be true.

because that part is not separate from the work. it is the source of the work.

if you lose it, you can still operate. you can still manage the machine. you can still prompt, review, decide, ship, and keep things moving.

but the work becomes thinner. safer. more explainable. less alive.

so maybe the real discipline is not to work harder, rest more, or care less.

maybe it is to keep returning to the place where the love began – before it became useful, before it became legible, before anyone needed anything from it, before even the machine could mirror it back to you.

not to escape the work.

to make sure the fire inside is still alive.

[Tuola Ge @Mayii0205]

@ZhenZhu200 是的！欢迎佬来使用我们👏

[Tuola Ge @Mayii0205]

Open Design发布周来了！这周全是狠活！🔥

持续发布ing
感兴趣的朋友可以评论区先进群蹲更新！
每天的发布、玩法、设计资源和 Launch Week 限定福利，我们都会第一时间同步，也欢迎大家一起交流产品出海心得经验🚀

[Open Design @OpenDesignHQ]

Five days. Five design jobs. Five tools on the kill list.

OPEN DESIGN LAUNCH WEEK VOL. 01 · AUG 10–14
REDESIGN HOW TEAMS DESIGN.

Guess who goes first?
https://t.co/fvc1v4Jf9w

[Tuola Ge @Mayii0205]

@QiongYu1999 慰问大军到🫡🫶

[Tuola Ge @Mayii0205]

我也想像何同学一样在每期视频结尾说这期视频做得贼累，求赞求收藏求转发，最重要的是点一个大大的关注哦

[Tuola Ge @Mayii0205]

我在推特每天就上这种大师课，幸福☺️

[Dreameryanyan @yanliudreamer]

之前分享讲解视频的时候，经常有人问我：
这种视频是怎么拍出来的？
一个人怎么保证稳定输出？🤓

今天顺手给大家分享下我的工作流
基本能保证一条视频30min内完成
不需要复杂设备，非常适合工作党，
时间有限，但又想持续做内容的人。

对我来说，高频输出的关键
是建立一套可以重复使用的系统～
希望对大家有帮助！✨

[Open Design @OpenDesignHQ]

Collaborative Codex is live.
Meet Open Design Team Workspace.

Your team and their agents can now design together on one shared live canvas, directly inside Codex.

Multiplayer AI design starts here.

[Open Design @OpenDesignHQ]

DEMO 01: How to design with your whole team in Codex.

From solo Codex agents to one shared canvas.
Watch the full Team Workspace walkthrough ↘️
https://t.co/HDWHKRynMZ

[Tuola Ge @Mayii0205]

@Scarlettt_Moon 我已力竭

[Tuola Ge @Mayii0205]

@OpenDesignHQ @Scarlettt_Moon 🙋

[Tuola Ge @Mayii0205]

飞书 → https://t.co/Xl6OGmXyNF
Discord → https://t.co/qyWGguOhY2

[Tuola Ge @Mayii0205]

@ZhenZhu200 这太重要了！等AI什么时候能有真正的判断力的时候估计离AGI也不远了lol

[Tuola Ge @Mayii0205]

好的，Codex 告诉我他能看懂，那我就放心了。

[Tuola Ge @Mayii0205]

Coming~

[Tuola Ge @Mayii0205]

@kokisanai 都是我的命

[Tuola Ge @Mayii0205]

Coming~

[koki @kokisanai]

上周去 ChinaJoy，当了一次腾讯云游戏黑客松的评委 🎮还遇见了关注很久的@清华姜学长～
本来以为会看到很多“技术大神炫技”，结果现场最让我意外的是，很多参赛的大学生，其实没有什么代码基础，甚至不是理工科出身。
但 AI 把游戏开发的门槛真的打下来了。
有人用 AI 补自己不会写的代码；
有人让 AI 帮忙梳理游戏里的支线剧情；
有人用 AI 做审计，检查哪些功能实现了、哪些还没有；
还有人把中医、皮影戏、中国地方菜系、青少年心理问题……这些以前很难想象会被做成游戏的东西，真的做了出来。
我最喜欢的一个作品是《大唐风华录》。
更离谱的是，主创团队只有一个人。
但从皮影戏到水墨画，再到《长恨歌》的视觉表达，真的做出了我心里中国风游戏的美学天花板。
这次当评委，我最大的感受反而不是“AI 做游戏有多厉害”。而是：
当「把东西做出来」越来越简单以后，真正拉开差距的，可能会变成，你到底想做什么？为什么要做？
以及你有没有属于自己的审美、经历和表达。
#ChinaJoy[话题]# #AI[话题]# #AI编程[话题]# #游戏开发[话题]# #独立游戏[话题]# #黑客松[话题]# #VibeCoding[话题]# #大学生[话题]# #人工智能[话题]# #腾讯云黑客松

[koki @kokisanai]

Open Design is coming to Hong Kong 🇭🇰

On August 16, 2026, we host an intimate hands‑on AI workshop for a small group. We introduce Open Design, build together, and explore real‑world examples of AI‑agent‑powered creation for websites, pitch decks, prototypes and visual assets.

Designers, developers, indie makers, product practitioners and students are welcome.

📍 Venue near Lan Kwai Fong, Central, Hong Kong.

Sign‑up link can be found in the comments.