1. David Raya - Thank you
2. William Saliba - Thank you
3. Cristhian Mosquera - Thank you
4. Ben White - Thank you
5. Piero Hincapié - Thank you
6. Gabriel Magalhães - Thank you
7. Bukayo Saka - Thank you
8. Martin Ødegaard - Thank you
9. Gabriel Jesus - Thank you
10. Eberechi Eze - Thank you
11. Gabriel Martinelli - Thank you
12. Jurrien Timber - Thank you
13. Kepa Arrizabalaga - Thank you
14. Viktor Gyökeres - Thank you
16. Christian Nørgaard - Thank you
19. Leandro Trossard - Thank you
20. Noni Madueke - Thank you
23. Mikel Merino - Thank you
29. Kai Havertz - Thank you
33. Riccardo Calafiori - Thank you
35. Tommy Setford - Thank you
36. Martín Zubimendi - Thank you
41. Declan Rice - Thank you
49. Myles Lewis-Skelly - Thank you
51. Alexei Rojas - Thank you
78. Jack Porter - Thank you
THANK YOU MIKEL ARTETA
THANK ARSENAL
THANK YOU EVERYONE
Ukiwa shughuli zako upate mtu anapima pima potholes na tape measure, unaeza anza ku smile gava imetuma engineer kuwaundia bara bara kumbe ni content creator😅😅😅😅😅😅😅😅😅
Watched an Alex Mwakideu interview the other day he was talking to the legendary judge from Vioja Mahakamani. Millennials, you know her ~That no-nonsense mama who took zero nonsense in that courtroom.
Now here’s the wild part they never had scripts. Not a single one. They’d just show up, pick roles, agree on the case, and go. Cameras rolling, take one, done.
So every punchline Alphonse Makacha and Dot Makokha ever dropped? Pure improvisation. No rehearsal. Nothing prepared. Just talent doing its thing in real time.
Kenya really had something special with that crew.
And here’s the part that gets me AG Amos Wako was fully behind the show. He’d supply them with real court cases and actual judgments from Kenyan courts. So when the judge passed her verdict on screen, it wasn’t made up. It was legally accurate, straight from the constitution.
Comedy on the surface. Civic education underneath.
That’s a level of craft most productions today can’t touch.
Golden era. Salute to those legends. 🫡
🔺 Reuters: The era of aircraft carriers is coming to an end; USS Abraham Lincoln is limping out of the Persian Gulf.
🔺 Reuters: With its military ingenuity, Iran has proven that aircraft carriers are no longer “impregnable fortresses,” but merely large and expensive targets.
🔺 CNN: A national trauma; how could a $13-billion asset be rendered ineffective within minutes?
🔺 CNN: The return of the USS Abraham Lincoln to the United States in this condition is the biggest blow to the reputation of the American military since the Vietnam War.
🔺 Sputnik: The legend is dead; Abraham Lincoln arrived to threaten, but is returning as a floating pile of scrap.
🔺 AFP (Agence France-Presse): Panic in the Pentagon; with the withdrawal of the USS Abraham Lincoln, the balance of power in West Asia has definitively shifted in Iran’s favor.
🔺 AFP: U.S. allies are horrified; if even America’s largest warship cannot protect itself against Iran, no one can rely on American protection anymore.
🔺 The Telegraph: This defeat will go down in history as “the moment Western naval dominance collapsed.”
The Kenya Defense Forces’ Rapid Response Unit (RRU) pararescue jumpers demonstrate the simulated recovery of personnel during their graduation ceremony in Kenya, Feb. 12, 2026. 🇰🇪🤝🇺🇸
The RRU graduates completed an 11-month training pipeline, conducted alongside U.S. Air Force Special Tactics personnel, to develop core special operations and combat search and rescue capabilities.
A CIA spy in his inner circle, traffic camera footage beamed to Mossad and a hacked prayer app urging Iranians to rise up minutes after the Ayatollah met his fate... DAVID PATRIKARAKOS takes us inside the most audacious assassination in world history https://t.co/1Y52NXtdIt
🇺🇸 Marine Corps Cpl. Brian Kimani, a Kenya 🇰🇪 native, and a crew chief with Alpha Company, 2nd Assault Amphibian Battalion, 2nd Marine Division, launches a RQ-20B Puma unmanned aircraft system during a gunnery qualification range on Marine Corps Base Camp Lejeune, North Carolina, Jan. 23, 2026.
🚨‼️Solomon wrote Ecclesiastes like a man finally telling the truth after a lifetime of pretending. He is not trying to help you “find yourself.” He is exposing what you become when you live as if this world is all there is. That is why the book is so sharp: you are watching the wisest king on earth run the experiment every sinner dreams about. Wealth, pleasure, projects, entertainment, learning, reputation, and control, all poured into one life, and the conclusion is still the same: “Vanity of vanities, saith the Preacher, vanity of vanities; all is vanity” (Ecclesiastes 1:2). Modern men keep acting like they will be the exception, as if their next purchase or next promotion will finally satisfy the hole in their chest. Solomon had more than they will ever touch, and God let him write the report so you do not have to waste your life repeating the same failure.
Chapter by chapter, Solomon turns his kingdom into a laboratory and his heart into the test site. He admits, “Whatsoever mine eyes desired I kept not from them” (Ecclesiastes 2:10), which ought to embarrass every preacher who tells people to follow their heart. He then moves to the subject of time and shows you the cage: “To every thing there is a season” (Ecclesiastes 3:1). That verse is not a sentimental line for funerals, it is a warning label. Time gives, time takes, and you cannot control the seasons no matter how spiritual your vocabulary sounds. Solomon says God placed eternity in man, but man cannot find out the work of God from beginning to end (Ecclesiastes 3:11). In other words, the creature can see the gears turning but cannot interpret the whole machine without revelation, which is why modern man is always anxious, always managing, always trying to force certainty out of a world God designed to remind him he is not God.
Then Solomon looks at society and shows you what civilization becomes without the fear of God. He sees oppression with no comforter, rivalry driving labor, and loneliness sitting at the top like a king (Ecclesiastes 4:1-8). He warns that religion can become mouth worship, rash vows, and empty performance when a man talks at God but does not tremble before Him (Ecclesiastes 5:1-7). He crushes the success myth by showing that having is not the same as enjoying, and God can allow a man to gain everything and still taste nothing (Ecclesiastes 6:2). He tells you funerals teach more truth than parties, rebukes help more than applause, and that much wisdom can turn into much grief when it is not anchored in the fear of the Lord (Ecclesiastes 7:2-3; 1:18). Under the sun, man’s brightest thoughts still cannot straighten what sin has bent, because “That which is crooked cannot be made straight” (Ecclesiastes 1:15).
The punchline of the whole book is that Solomon does not let you stop at the diagnosis. He marches you to the courthouse. He admits that time and chance hit everybody, that the swift do not always win, and that death levels kings and beggars alike, which is why atheists love to camp in Ecclesiastes 9 and pretend hopelessness is wisdom (Ecclesiastes 9:11-12). But Ecclesiastes ends with the Creator, not the creature: “Remember now thy Creator in the days of thy youth” (Ecclesiastes 12:1). Then comes the final blow that wraps the whole series: “For God shall bring every work into judgment, with every secret thing” (Ecclesiastes 12:14). Ecclesiastes ends in judgment because judgment forces the only question that matters: how will you stand there. Solomon stops at the courtroom door, but the Gospel answers what he only points toward, because the only escape from vanity, fear, and final accountability is not self improvement, but the righteousness of Jesus Christ.