@Purplepuddlenut@LacienagaStan@kiel_robinson@DoodToon But to respond to you *as someone who actually works in the industry*, yes it is substantially cheaper to composite a foreground onto a pre-shot background plate. It must be exhausting to be a fan who can only guess at how the things you enjoy in life work.
@LacienagaStan@kiel_robinson@Purplepuddlenut@DoodToon They don't create an entire CG background. For shots like this, they shoot a background plate at the actual location, and then just composite it behind the actor. They shoot background plates for composite all the time when on sets and locations, for reshoots and cameos.
@Roundearththeo1 SAG was absolutely acting on sets, walking red carpets and promoting movie releases. They were under contract to do so, so they worked, and WGA didn't have a problem with it. I think its revisionist to think that SAG had been refusing to work since May 2 in solidarity with WGA.
@Roundearththeo1 Weren't the actors still working for the "enemy" during the 80 days when the WGA was on strike but SAG had not yet gone on strike? SAG still had a contract so they worked, and now WGA has a contract so they work. How's it any different? Why was it ok for SAG to do it but not WGA?
@twindeercreek@bigscreenleaks@JrMariner77 The guy he replied to said "I support [...] the AMPTP." which are the studios be struck... the greedy billionaires. He also said he supports SAG and the WGA, so either he's saying he just wants to see people fight... or he thought that AMPTP was one of the striking unions.
@Felipeborges388 Right, I agree. But some people saying it happened right after Civil War. My point is, if that’s the case, then it could’ve technically happened anytime before then too. Which just created an interesting scenario: What if the Rhodey we’ve always known had always been a Skrull?
What if Rhodey had been a Skrull the whole entire time we’ve known him? Since Iron Man 1 or 2. The Rhodey we knew was the Skrull, and the guy they rescued at the end was essentially, for all intents and purposes, an entirely new person to us. (I’m sure I’m wrong, but… what If?)
@HarrryP1701@Oongst_Koonker@ATRightMovies The MPA is famously known to do just that. They give a rating but don’t give guidance on how to get a different rating. There’s also no consistency as to why certain ratings are given, sometimes just a feeling. Watch the documentary THIS MOVIE IS NOT YET RATED, it’s fascinating.