OpenScreensJournal

The peer-reviewed, open-access online journal of the British Association of Film Television and Screen Studies

[OpenScreensJournal @OpenScreens]

Evening folks! Issue 6.2 is out. Read about Presley's "Comeback" (1968), memory & embodiment in "Do you remember the year" (2020), or female representation and the act of leaving in Turkish cinema. Book reviews on "Folk Horror on Film" and "Epic/Everyday" https://t.co/ACuRTgqGQZ

[OpenScreensJournal @OpenScreens]

CFP Alert! Teaching Video Games in the Humanities: New Media, New Pedagogies. Accepting research articles and videoessays. Submit your abstracts by the 14th of January.

[OpenScreensJournal @OpenScreens]

Evening folks! Issue 6.2 is out. Read about Presley's "Comeback" (1968), memory & embodiment in "Do you remember the year" (2020), or female representation and the act of leaving in Turkish cinema. Book reviews on "Folk Horror on Film" and "Epic/Everyday" https://t.co/ACuRTgqGQZ

[OpenScreensJournal @OpenScreens]

We are delighted to announce that VOL 6 of Open Screens is published today! @baftss @baftsspg https://t.co/8YC5davd3h

[OpenScreensJournal @OpenScreens]

Open Screens journal has had a quiet summer: be assured - our next issue is expected by Christmas!!

[OpenScreensJournal @OpenScreens]

@joan_parsons oh my that's very exciting!!

[Dr Alice Pember @alpember]

I'm looking to commission a review of the below work. If anyone working in Sound and/or music is interested in reviewing Steven Shaviro's new book for @OpenScreens please get in touch via [email protected] by the end of next week! Post-grads and ECRs most welcome.

[Dr Alice Pember @alpember]

Please get in touch with a bio to [email protected] if you would like to review any of the following new #BFIFilmClassics....To Russia With Love, The Godfather Part II, Picnic at Hanging Rock for @OpenScreens Spring Issue. PhDs, post-docs & early career scholars welcome!

[FP SIG BAFTSS @fp_sig]

Come and join us on November 5th @FilmStudiesQMUL
for a day discussing Kelly Reichardt and philosophy. Registration is free and includes lunch, thanks to the generous support of @baftss !! @DQuinlivanB @BoltonsMotors https://t.co/4q6PO1hCzD

[Filmscalpel @filmscalpel]

The first feature film version of THE WIZARD OF OZ silenced and obscured the African American actor who played the Cowardly Lion. This great video essay by @lizgreenesound (published in @OpenScreens) re-familiarizes us with that movie to take it to task: https://t.co/M5AGIzCOUy

[Dr Alice Pember @alpember]

I'm in the buisness of a review for the below book for @OpenScreens next year. Any TV studies PhDs, postgrads, ECR or established scholars interested in reviewing this work, please get in contact by the end of this month [email protected]. @TVResearchEHU @baftsspg

[Dr Alice Pember @alpember]

Looking to commission a review of the re-release of In the Mood for Love for @OpenScreens. Are you an expert on Wong Kar-Wai? Hong Kong cinema? Mood and affect? Then get in touch (via my QM email or DM) by the end of September with some information about you! PhDs & ECRS welcome!

[Dr Alice Pember @alpember]

Would love a review of this for @OpenScreens !

[OpenScreensJournal @OpenScreens]

.@CathyLomax reviews the @Criterion release of Claudia Weil's 'Girlfriends' (1978) in the latest issue of Open Screens.
📀Full review: https://t.co/CRSfKuhckm

[OpenScreensJournal @OpenScreens]

Geetha Ramanathan reviews 'The Afterlives of Kathleen Collins: A Black Woman Filmmaker's Search for New Life' (@iupress) by L.H. Stallings in the latest issue of Open Screens.
📗Full review: https://t.co/q50WBNmEfC

[OpenScreensJournal @OpenScreens]

Thanks for featuring our latest issue, @CriterionDaily!

[The Daily @CriterionDaily]

John Waters @OpenScreens + @reverse_shot, Mike Davis and THE EXILES @AtPost45, @FilmForumNYC’s 60s @FilmComment, @brofromanother on the sci-fi of the summer of 82 … and @OutskirtsMag launches!

Did You See This? https://t.co/0XUIa84Agv

[OpenScreensJournal @OpenScreens]

.@lizgreenesound looks at Spencer Bell's representation as a Black actor in silent films in the audiovisual essay, 'Spencer Bell, Nobody Knows My Name'.
📽️View the full video: https://t.co/gkEtx1NbqM

[OpenScreensJournal @OpenScreens]

Neil Archer reviews 'The Brief, Madcap Life of Kay Kendall' (@KentuckyPress) by Eve Golden in the latest issue of Open Screens.
📙Full review: https://t.co/RLjuhpJdXN

[OpenScreensJournal @OpenScreens]

.@alpember reviews 'Still Life: Notes on Barbara Loden's Wanda" (@punctum_books) by Anna Backman Rogers in the latest issue of Open Screens.
📕Read the full review: https://t.co/P9PVQ9WGE2

[OpenScreensJournal @OpenScreens]

In 'Why bad things happen to bad people: investigating evil in the Italian giallo', @louisbayman (@FilmUoS) looks at giallo's rejection of moral improvement as an indulgence in enjoyment.
🔪Full article here: https://t.co/RZsExoWv6w