The most important Oscar speech tonight wasnât about film.
The director of âMr. Nobody Against Putinâ just said this from the stage:
âYou lose your country through countless small acts of complicity. When we act complicit when a government murders people on the streets. When oligarchs take over the media and control how we produce and consume it. We all face a moral choice. But even a nobody is more powerful than you think.â
He was talking about Russia.
The audience knew he was talking about America too.
Elon Musk owns the platform youâre reading this on.
David Ellison is buying CNN â Pete Hegseth said it will be âfar betterâ when he does.
The DOGE deposition videos were removed from YouTube.
The Epstein files are sealed.
The Pentagon wonât release a casualty count.
Countless small acts of complicity.
Thatâs how you lose it.
A nobody is more powerful than you think.
Never stop connecting the dots.
imagine making a lifetimeâs worth of masterpieces and still getting snubbed every awards season. park chan-wook, youâll always be a winner in my heart.
Directors that never won a directing Oscar.
Alfred Hitchcock
Stanley Kubrick
Orson Welles
Sidney Limut
Akira Kurosawa
Robert Altman
Ingmar Bergman
David Lynch
Chantal Akerman
Andrei Tarkovsky
One Battle After Another (đđđđđ) deserves to win the #Oscar for Best Picture. On the eve of the 98th Academy Awards, I wanted to revisit the best film of 2025. And upon my latest rewatch, Iâve never felt more confident in stating that not only is this the best film of â25 & not only does this deserve Best Picture, itâs one of the best films of the decade & one of the best films of the century. There are many storylines going into this Sundayâs Oscars. But in my opinion, there is no storyline bigger than Paul Thomas Anderson. Sunday deserves to be his night- his moment. This isnât a lifetime achievement award: itâs PTA literally earning recognition that he deserves.
Robert Duvallâs passing- along with the likes of Robert Redford & Gene Hackman and so many others- has forced me to question my faith in the future of cinema. Iâve spent a lot of moments thinking about whether the best of filmmaking & movies is behind us. And itâs not just all the massive figures in cinema that weâre losing & who can never, ever be replaced, itâs also the obvious forces of nature like AI & increasing competition thatâs made me skeptical about whether movies can still impact me the way they have up to this point. Enter One Battle After Another.
I really mean it when I say that this film was so good & so exceptional, it helped restore my faith in the future of cinema. Rewatching this movie, there are so many things I could gush about: the performances from a cast that couldnât be better, including Leo, Del Toro, Taylor, and Penn. A story that feels impossibly relevant & incredibly engaging. A score that I found to be breathtaking. A script that I donât think could be better. All of those things could be the focus of this review. But the only thing on my mind right now is Paul Thomas Andersonâs filmmaking.
The moment Bob Ferguson is sitting on his couch, smoking a Lebowski-esque joint in his robe only to receive a call from the French 75 activating him back to duty, is just one slice of filmmaking from this movie that Iâll never forget. The way PTA brings us into Fergusonâs paranoia. It is both hilarious yet totally immersive. For a few moments, you feel like youâre sitting on Bobâs couch. You feel a rush of blood go through you as if you are the one receiving the phone call. The slow camera pan around Ferguson to show us how utterly helpless he really isâŚonly to pan to the front door, which is blown down by none other than Colonel Lockjaw. This entire sequence- this entire transition- is as good of filmmaking as I can remember. I say this as someone who devotes almost all of his free time to watching films. I say this as someone who cannot get enough of â70s filmmaking. However he did it, whatever he didâŚPaul Thomas Anderson captured that magic.
Itâs impossible not to marvel at PTAâs audacity. Not just in this film, but throughout his entire career. Whether it be There Will Be Blood, Boogie Nights, Magnolia, you name it, PTAâs built a name off taking risks. And the risks he takes throughout One Battle After Another are tremendous. This is including & especially the last third of the film, which involves a vertical car chase that will be remembered as long as cinema is alive. All of the creative decisions PTA makes in this film- the casting of Chase Infiniti, the use of non-actors, the needle-drops, the long tracking shots of Penn, the liberties he took with the actual source material- theyâre all creative decisions executed to total perfection. I wouldnât change a single thing about this movie.
2025 was a great year for film. The list of quality films is long. But at the very top of that list is One Battle After Another.
To be clear about what this depicts: An immigration officer threw a woman onto the ground. Alex Pretti, a registered nurse on scene as a legal observer, is filming and goes to help the woman up. He is then pepper sprayed and thrown to the ground for no discernible reason. Many officer surround and assault him; one removes his firearm, which police say appears to have been legally registered. They then execute him with a hail of bullets.
They are, objectively speaking, both cowards and criminals, while Pretti is what we teach people an American ought to be.
Two days ago it was Elissa Slotkin. Last week it was Jerome Powell. Before that, Mark Kelly. Weaponizing the justice system against your opponents is an authoritarian tactic.
The only person not being investigated for the shooting of Renee Good is the federal agent who shot her.
Trump showed the world who he really is, and now most of the USA hates his guts. He knows his time is short, even Republicans are talking about impeaching him.
It won't be enough, they must impeach the entire administration. Vance will continue to break the law too.