📖 «Espiral de Voluntad», la novela de fantasía épica más provocadora, ya a la venta:
https://t.co/IHdG78zb2B
Créditos del vídeo: Ilustraciones b/n y canción - @Termi_studio
Modelo de manos - @cuentaparaverk
Ayte. grabación - @wilenc74
@CapitanBitcoin Fíjate en el símbolo que hace con las manos al arrancar, está indicando "Esto me lo han ordenado decir los masones (para desestabilizar)".
@wowsephiros2016@mayorcete Pues ya hace unas décadas hicieron un Quijote con Vanessa Williams como Dulcinea (la misma que hizo de Calipso en La Odisea de 1997). Vamos, que desgraciadamente lo woke y el mearse en nuestra cultura les viene de hace rato
@libertaddigital Todas las censuras y cancelaciones son aborrecibles, vengan del bando que vengan. Y los argentinos se están poniendo demasiado imbéciles...
@GustavoKriz@SEM6326@ArgenRanks Es woke el partido que está en el poder (falsificando las elecciones) pero no 2/3 de la población española que somos anti-woke y tarde o temprano explulsaremos a los rojos del poder. Infórmate.
@SEM6326@ArgenRanks Mentira. Muchos somos de ultraderecha. Aquí la ideología no tiene nada que ver. Todo viene porque los argentinos maleducados os pusisteis violentos y agresivos con los jugadores de España (que por cierto la mayoría no son woke sino de derechas), así que calla la bocaza.
The Nolan's Odyssey, include a scene that is never mentioned in Homer, the cutting off of a god’s statue head. Yet the director wanted it because the message is always the same: "Look, the Greeks, the heroes, were against the gods. Defy the gods and become an immoral, selfish atheist." In reality, though, in Greece everything revolved around religion, just as it does today. They don’t want you to learn how important religion is for shaping human moral values. They want to create a degenerate world, sunk in atheism, anarchy, and spiritual collapse. They had to disrespect "Odyssey" and "Iliad", because modern society hates manly role models that can inspire your sons to become better men and think outside the box. They don’t want that.
In Greece, with follow the Homeric Law. We say "Αιέν αριστεύειν" which means "Always to excel."
"Always strive for excellence and to surpass the others, and do not bring shame upon the race of your fathers." (Homer, Iliad Z 208–209)
To live without the imperative "aién aristeúein" is to accept the slow death of the human spirit. When excellence is no longer the measure, when the only sacred thing left is the right to mediocrity and the comfort of never being judged by the shadow of greater men, then man ceases to be a bridge toward something higher and becomes merely a consumer of fleeting pleasures in a rootless present.
A civilization that teaches its young to surpass their ancestors in virtue, courage, wisdom, and beauty ascends.
One that teaches them to despise or ignore their ancestors has already begun its long descent into oblivion.
Never forget that.
"Αιέν αριστεύειν"
("aién aristeúein")
Homer Pavlos
Christopher Nolan’s The Odyssey IS the Trojan Horse. Let me explain…
The Trojan Horse is a deception, meant to be invited in as an innocent gift & piece of art, yet it contains the elements used to destroy its receiver.
The Odyssey is portrayed as simply an adaptation of an ancient, epic poem, yet it contains subversive elements that can lead to further destruction within film/society.
Odysseus is completely deconstructed. He is no longer a witty, cunning, & wise, and powerful leader. He’s as Emily Wilson calls him in her recent liberal, feminist translation of The Odyssey, “a complicated man” - a deconstruction of the hero portrayed in the source material, prior to Wilson’s rewrite.
Women are seen as victims, never the villains. They’re powerful, as if Nolan is purposely trying to shame/take down the patriarchy…
- Clytemnestra is a victim who simply takes vengeance against Agamemnon. They try to justify her affair and the murder of her husband instead of showcasing her lack of loyalty destroying the juxtaposition between her and Penelope who remains loyal to Odysseus for DECADES.
- Helen of Troy is the victim of an abusive marriage with Menelaus, which leaves her scared.
- The witch Circe paints all men as “pigs” at their core.
- Penelope talks about taking the throne, while calling her son weak and unworthy.
*None of these depictions are faithful to the source material that has been passed down for millennia.
This movie is loved by many, yet it includes many liberal ideologies those people fight against.
The diverse casting is an overt distraction, and political message. Nolan has duped hundreds of thousands of movie goers into believing these casting don’t matter in the grand scheme. It’s a slippery slope to welcome in more trans actors/actresses and race-swaps in future films.
This movie is accepted by many who have fought against the Trojan horses in our society that have ruined homes, schools, churches, relationships, and business. People are lost in a 3+ hour lotus flower of a movie that is objectively a desecration of western society’s quintessential story of the hero’s journey.
Subversion of the source material is what has ruined so many IPs, franchises, and adaptations over the last decade, especially.
The acceptance and embrace of this film will only lead to more subversive works. Nolan has duped society into believing poems like Homer’s The Odyssey can be downplayed as “just a fantasy”, which downplays the poem as “up for interpretation” to its core, so it can be destroyed with the insertion of modern political ideologies.
That line of thinking presents the source material, the intended core motivation of its characters, and the message ingrained in the story that has made it last for thousands of years, not as something to be faithful to, but something to be molded into our own modern image. Nolan is now elevated above Homer, unlike Peter Jackson, whose motivation was to honor Tolkien in his adaptation of The Lord of the Rings.
This movie is the 1619 Project of Homer’s work. It’s presenting a different story, and redesigned characters, in order to redefine what made The Odyssey so compelling & long-lasting in the first place.
It’s now a story about “welcoming the stranger.” An allegory seemingly for immigration and sanctuary cities 🤦🏼♂️
As this film is paraded into the walls of the Dolby Theater in Hollywood for the Academy awards, Elliot Page will be treated like a hero, maybe even nominated for an award, and it will be used as a weapon to further destroy foundational works of art, just like Amazon has done to Lord of the Rings, Disney has done to Star Wars and Snow White, HBO to Harry Potter, etc.
The acceptance of this film is what will lead to further adaptations that empower directors, writers and studios into subversive retellings and propaganda-filled revisionist histories that work to upend foundational aspects of western culture.
If that happens, we can only blame ourselves…
@ManuelP64833818@jcav85 No necesito ser arquitecto para despreciar una casa que se cae a trozos. Ni cineasta para asquearme con estos repugnantes negros de mierda intrusos destructores de mi cultura.
Lo más normal del mundo es tener la personalidad suficiente para que una película te guste o no independientemente de su resultado en taquilla.
Lo menos normal del mundo es usar la taquilla de una película para intentar atacar a quienes han disfrutado de ella.
Ya fuera con 10 millones de dólares recaudados o con 1000, MASTERS OF THE UNIVERSE seguiría siendo lo que es: una muy buena película.
En los libros de historia del fútbol quedará como la Senadora Celeste Amarilla destruyó psicológicamente a la selección francesa y a todo el pueblo francés