El plazo de presentación de proyectos para la XXII edición del Foro de Coproducción de #Documentales Lau Haizetara @san_forum de @sansebastianfes sigue abierto hasta el 27 de junio. Eskerrik asko @epe_ibaia por contar con @musiclibrarysfx 1 año + https://t.co/t5H5JTAOL9
In a 1997 episode of Baking with Julia, Julia Child was visibly moved and wiped away tears after tasting Nancy Silverton’s brioche tart with pears poached in wine.
She was so impressed by the tart’s perfect texture and flavor that, in a phrase that went down in history, she called it “a dessert to cry over,” while praising Silverton’s mastery of the art of baking.
Colaboramos con #Zinegoak2026, #Festival Internacional de #Cine y #ArtesEscénicas de #Bilbao cediendo nuestra #musica a la organización y a uno de los proyectos dentro de la sección ZG PRO LAB, formando parte del jurado. Eskerrik asko @Zinegoak por contar con nosotr@s 1 año +!
"Soy una mujer que no he sentido un orgasmo en mi vida"
Josefina Molina firmó en 1981 una película rompedora y revolucionaria, 'Función de noche', con Lola Herrera y Daniel Dicenta confrontando el fracaso de su matrimonio
https://t.co/JZ29j1s1tS
This is incredibly powerful from Alexandra Parmar-Yee, calling on the government to legislate to protect trans people’s rights, privacy and inclusion:
“The government’s own equality impact assessment admits that the impact on all trans people will likely be wide-ranging and negative, and notes trans women could face “disproportionate risk of violence and sexual assault” if we are left only with access to men’s services. The document also notes that “women who are considered masculine may face greater scrutiny” and warns of adverse impacts on disabled people. It will be more than just the trans community who suffer under a system that encourages suspicion of people’s gender based on “physique or physical appearance”, to quote the guidance itself.
Trans people will be left with a choice between researching toilet provision every time we go out or living our lives as we always have – only now without the protection of the law. In reality, our worlds will get smaller, and so many trans people who enrich our communities will self-exclude, leaving everyone worse off.”
https://t.co/iHCe2kyZjF
The anti-trans movement are never going to be satisfied.
They’ve succeeded in turning the UK into a hostile environment for trans people.
That’s not enough, because nothing will ever be enough.
Here they’re seeking to public humiliate - and turn into a target - an employee doing his job.
The complaint?
That there are self-enclosed changing rooms.
She claims that this forces women and girls to change in front of men, which is an insane lie.
Eventually this insanity will fall apart, because it is insanity.
But a cult has been given impunity by our media and political elites, and it will continue to spiral out of control like this.
El @FestivalCineALC celebra su 23 edición. Colaboramos 1 año + y ofrecemos una charla sobre #música y recursos musicales para el #audiovisual dentro del 8º Laboratorio de proyectos: Martes 26/5 Puerta Ferrisa (c/Jorge Juan 21) Entrada Libre: https://t.co/OOCUwpCP83
En lien avec mon post sur la Nuit américaine : Voilà ce que ça donne quand une actrice reçoit un prix, et au lieu de faire un discours politique à la noix ou de se livrer aux habituels remerciements convenus, fait preuve d’une grande élégance ! En avril 1975, lors de la 47e cérémonie des Oscars, Ingrid Bergman reçoit la statuette de la meilleure actrice dans un second rôle, pour son rôle dans Le Crime de l’Orient-Express de Sidney Lumet. Contre toute attente, elle exprime son admiration pour Valentina Cortese, également nommée pour la récompense, pour son rôle dans La Nuit américaine de François Truffaut. Elle déclare que toutes les actrices ont un jour oublié leur texte où se sont trompées de porte, et que Valentina Cortese l’a merveilleusement joué.
@TrevorPTweets@EHRC Sums up a lot of transphobic attitudes in the uk: no mention or analysis of how trans people will be affected (obviously doesn’t care), no comparison with other countries (uk on their own), repeating tired tropes in the ‘I could identify as a lemon’ tradition etc…
#AccióCurts: Detectar nous talents i connectar-los amb la indústria a través del curtmetratge. Col·laborem! Gràcies @donesvisuals per comptar amb @musiclibrarysfx! https://t.co/8pJWjo6Li2