PrinzOfWeb3

🟦 WEB3 ENTHUSIAST 🟦 GRAPHIC DESIGNER 🟦 CONTENT CREATOR 🟦 PROJECT AMBASSADOR @VestpadOfficial

[PrinzOfWeb3 @Prinz_silva]

Day 05/300

DeFi is rewriting finance.

Open.
Permissionless.
Built for everyone.

#PrinzOfWeb3 #Web3

[PrinzOfWeb3 @Prinz_silva]

@Atleta_Network UGC is turning into an mean asset and tracking just began on major infrastructure

[Atleta Network @Atleta_Network]

When UGC Becomes a Campaign Asset, Rights Matter

Fan content is not just noise around the match anymore.

Reactions, local edits, challenge videos and creator posts can become campaign assets for brands and clubs.

But once UGC has value, rights become part of the workflow.

Who created it? Who gave consent? Where can it be used? What action triggered it? Which record proves the origin?

@bcs_arena shows this creator layer inside the Atleta ecosystem. Atleta gives it the base contour: actions, records, access and media context connected across sports products.

Fan energy creates the asset. Infrastructure keeps it usable

[PrinzOfWeb3 @Prinz_silva]

@MusicImba The borders of @MusicImba is beyond maps and global

[IMBA MUSIC @MusicImba]

🌍 A track recorded in Lagos, Seoul, or São Paulo can reach a listener in London or New York within hours of release. The technology for that has existed for years. What has not kept up is the infrastructure around it - the systems that decide which markets get priority, which territories get serviced, and who pays for the privilege of crossing a border.

📡 Traditional distribution was always a negotiation about geography. Labels chose where to push, where to hold back, and where the economics did not make sense for them. The artist's music existed in a smaller world than the internet actually allowed, because the gatekeepers operated on a different map.

🔗 IMBA operates without that map. Global distribution from the first release, without territorial carve-outs and without a label deciding which version of the world your music gets to reach.

The audience is wherever the music finds them. 🎤

[PrinzOfWeb3 @Prinz_silva]

@ArtekiStudio The studio is very exceptional, and ai take care of all odds

[Arteki Studio @ArtekiStudio]

We Replaced Bottlenecks, Not the Craft

At Arteki Studio we are directors and animators who spent years inside the traditional production pipeline. We studied every stage, found the moments that slow everything down - the endless file transfers, the repetitive manual fixes, the waiting for renders that take hours and replaced only those parts with intelligent tools. The creative work stays exactly where it belongs: in human hands. 🎬

We built Arteki Studio because we love the craft and wanted to protect it. Our AI handles the heavy lifting so artists can stay in the flow, make decisions faster, and see results immediately. The soul of animation lives in the choices people make, and we made sure those choices stay yours. ✨🦬

[PrinzOfWeb3 @Prinz_silva]

@Cryptoze 143dc5pHCyrmjZrU93KyY14dPaZwUJepp62HUXNbAxE9

Thanks you so much.

[PrinzOfWeb3 @Prinz_silva]

@Atleta_Network @FIFAWorldCup Infrastructure in sport are far more important than the spot light

[PrinzOfWeb3 @Prinz_silva]

@Atleta_Network @Atleta_Network is giving football the structure it deserve

[Atleta Network @Atleta_Network]

Knockout football makes every second expensive

No next group game. No easy reset

One save, card, mistake, goal or fan reaction can shift the match, the media cycle and the next product action.

- Attention gets sharper
- Windows get shorter
- Context becomes more valuable

https://t.co/TgKU6SqNgs is built for the layer where records, access, actions and workflows keep moving under pressure.

When every second matters, the stack has to hold

[PrinzOfWeb3 @Prinz_silva]

@Jggl_it Music in web just got a fertile ground to grow

[JGGL @Jggl_it]

🔗 JGGL is a social network. One where you don't just scroll, you create.

AI helps you create your music, build visuals, and publish everything in one tap. The audience is already here.

Your track gets made, posted, and heard without ever leaving the app.

That's JGGL 🤙

[IMBA MUSIC @MusicImba]

🚨 One of the biggest flaws in today’s music industry is the way artists get paid—and that’s exactly the problem IMBA was built to solve.
📻 Streaming generates billions of dollars every year. The platforms report record numbers, the industry celebrates growth, and the artists whose music drives all of it receive a fraction of a cent per play. The math has never added up, and it was never designed to.
💸 Between a listener pressing play and a payment reaching the artist, there are four or five separate entities each taking their share. A distributor, a label, a publishing administrator, a licensing body. Every layer exists for a reason, and every layer costs something. By the time the money moves through all of them, the amount that arrives bears almost no relationship to the value of the original play.

🔗 IMBA connects the stream directly to the payment. No unnecessary chain, no quarterly delay, no report that arrives months after the fact with numbers that cannot be traced back to a source. The play happens. The payment follows. 🎤
https://t.co/ENPFi16o9q

[PrinzOfWeb3 @Prinz_silva]

@ArtekiStudio Wow this part of Arteki has finally been address I was curious to know

[Arteki Studio @ArtekiStudio]

🎬❌ If you’ve ever tried using AI for serious creative work, you already know its biggest, most frustrating flaw: a complete lack of control
As a director, you need a character to make a highly specific movement, but the AI just gives you something “close enough.” While that might pass for a fun viral video, in commercial production, “close enough” is an absolute dealbreaker. Clients demand perfection, and traditional AI just hasn’t been able to deliver that level of precision — until now

🎯 The future of production is shifting faster than you think. Hit follow to stay tuned for the next episode, and check out the full podcast via the link in our bio!

[PrinzOfWeb3 @Prinz_silva]

@Jggl_it 26 years of activeness is shown not by just speech.

[JGGL @Jggl_it]

🤙 Just JGGL It — True Stories | Episode 1 🤙

© "There's a massive amount of digital noise out there. It's incredibly hard for real people to break through."

Meet Sergey — lead of sound production at JGGL, with 26+ years in the industry, including work with Sabaton and The Offspring.

🚀 This is Episode 1 of our behind-the-scenes series — a look at the people building JGGL.

[PrinzOfWeb3 @Prinz_silva]

@Atleta_Network Finally the activities fans can be traced

[Atleta Network @Atleta_Network]

Fan Activity Needs Quality Signals, Not Just Volume

World Cup weeks can make every number look big.

But brands do not need “more activity” alone. They need to know what kind of activity it was: region, club context, authenticity, repeat behavior and format – watch, share, react, create, challenge.

@bcs_arena gives this idea a live example inside the Atleta ecosystem: fan activity can become a quality signal, not just another metric on a dashboard.

For sports infrastructure, that matters. Participation should be trackable, checked, connected and useful for clubs, brands and products.

Volume gets attention. Quality creates value

[PrinzOfWeb3 @Prinz_silva]

@ekeireawaji Am still bullish