Wee-Bey’s Shocked Face

THE WEIRD ONE 🦄🛸Cancer Fighter 🎀/ DancerChoreographer / Insta: Prominent_tay / @10STARHH PA. 🇦🇴🇵🇹 🕋🤲🏿

[Wee-Bey’s Shocked Face @ProminentTeeSav]

Actively fighting cancer and Being Pregnant ain’t never looked this good. RESPECTFULLY #FvckCancer

[Sara @piousdeenn]

Signs that Allah is protecting you from the wrong person

[Wee-Bey’s Shocked Face @ProminentTeeSav]

I’m sorry but Sorry Fally’s album is just poo. Like what was that. As you being in the game for 20 years this is how you come.

[Sara @piousdeenn]

Ya Allah, please take away the laziness that holds me back in my worship, my salah, my efforts, and my dreams. Fill me with drive, discipline, and consistency. Help me reach the best version of myself and unlock the potential You’ve placed within me.

[6 🇯🇲 @AwinoE5]

Uni gms are acc the funniest ppl bro, you wrote a personal statement and ur a good kid back home 😂😂

[Wee-Bey’s Shocked Face @ProminentTeeSav]

I’m sorry but does Yagi have anything in stock

[Wee-Bey’s Shocked Face @ProminentTeeSav]

Chrisean is a female version of Frank Gallagher

[saki @sakiswatchin]

i knew he aint play about her after I seen this scene 😂

[Teena Marie w/2 e's @HisfavoriteTing]

I scream I scrumpt..... yall did the most

[kevin blue @kevinblue345]

For whites who want proof Kirk was a racist

[‏ً @BALUCIAGA]

free congo. please, don’t forget them. never stop speaking about what the women and children are enduring.

[Wee-Bey’s Shocked Face @ProminentTeeSav]

Hey @WWERomanReigns have you got anymore brothers, cousins, nephews, second cousins, third cousins, second cousins twice removed, i’m ready to become a Uso , Fatu,Anoa,Sikoa ect. Please and thanks.

[Ty Ngachira @anto_ty]

When Tyla said she is not Black but Coloured, she was not speaking into the American conversation about race at all. She was speaking in the language of her own country, shaped by its own history. Yet her words detonated in America as though they had been aimed there. This is what happens when a nation has spent a century convincing the world that its definitions are the only ones that matter.

America’s greatest export has never been war. It has never been democracy. It has never been freedom. America’s greatest export is the dream of itself.

It is not that the films are inherently better. It is not that the music contains some mystical note absent elsewhere. What America has, and what it has always had, is money, reach, and a machinery built to make its image the centre of the world.

This was not accidental. It was policy. It was the soft arm of empire. To project yourself outward until your face is the first one people recognise in the mirror.

And so the American way of life became the default. Other cultures were filed into two neat drawers: savage if they challenged the story, exotic if they could be sold back to you.

If you are Black, your first cinematic self was likely African American, the rapper, the sitcom character, the hero of a Spike Lee joint. If you are white in Europe or Australia, it was the white faces of American sitcoms and stadium tours. Whoever you were, your first image of yourself came with an American accent.

Over time, Americans began to believe the story they had written. When you grow up in the country that built itself into the cultural Mecca, it is easy to think you are the best simply because you are on top. You forget, or never know, that the game was fixed long before you played it.

But the monopoly is breaking. Nigeria’s Nollywood now speaks across oceans. South Korean dramas leap borders. India’s Bollywood never needed permission to fill theatres. Spanish thrillers keep strangers awake at night. Slumdog Millionaire, Squid Game, Money Heist, Shōgun — all aimed partly at the American market because that is where the money is, but no longer about America.

And here is the thing. Black Americans, who fought to be seen in their own country, became the global face of Blackness. That is a remarkable achievement. It was also made possible by the same system that excluded everyone else. Now Africans, Caribbeans, and Afro-Latins tell their own stories without making room for American centrality, and the absence is noticed.

We grew up watching you. You did not grow up watching us. And now the internet has levelled the ground just enough for others to speak without hesitation. Tyla’s words land differently because the world no longer accepts America as the only arbiter of meaning.

America’s greatest export was never its art. It was the power to decide which art, and which identities, the world would see. That power is no longer yours alone. There is both justice and loss in that.

[Yousef in Gaza 🇵🇸 @yousefQasem1998]

Please don’t scroll past
Mohammed needs milk
Mohammed needs milk
Mohammed needs milk

Please don’t ignore this call Mohammed is hungry, and he deserves to live

Humanity is gone today we begin surviving on water and salt

If you see this reply with a dot.
https://t.co/ahwFXd4BIz

[wtv wtv 🤠 @szanari_mothers]

ppl think blonde hair is a culture?

[La plus belle @percidelm]

It’s very much dead thank you

[grace 卌 @catchfireloml]

"I've always been there for you" literally WHEN meg? #LoveIsland

[Wee-Bey’s Shocked Face @ProminentTeeSav]

Blu your just boooooooo #LoveIsland

[Wee-Bey’s Shocked Face @ProminentTeeSav]

Are these delusional twits dumb, your being viewed by millions of people, we see who you are Dejon #LoveIsland

[Wee-Bey’s Shocked Face @ProminentTeeSav]

He said “I’ve always wanted boy children and you gave me the most amazing little boys.”