ROMARD

Research on Medieval and Renaissance Drama
Editor: Kyle A. Thomas (@kyle_a_thomas)
Sponsor: @theMRDS
Submissions:

[ROMARD @ROMARDmrds]

When you visit the @MIP_medpub table at #kzoo2023 you’ll see a familiar face looking back at you. 😉 Happy Congress all!

[ROMARD @ROMARDmrds]

Congratulations to all!

[Medieval & Renaissance Drama Society @TheMRDS]

📯It’s award season!

This week we’re announcing the winners of @themrds’s several prizes! While certificates & goodies are distributed at our annual business meeting held during @KzooICMS in May, we couldn’t wait to share the good news.

Here they are!

🥁🥁🥁

[𝐃𝐚𝐫𝐫𝐞𝐧 𝐅𝐫𝐞𝐞𝐛𝐮𝐫𝐲-𝐉𝐨𝐧𝐞𝐬 @Freeburian]

My book, 'Reading Robert Greene: Recovering Shakespeare's Rival', discussed here https://t.co/5nYqdLWljJ details some major new findings concerning the rise of commercial drama, including:

[ROMARD @ROMARDmrds]

Issue 59 is well on it’s way for late 2022 but you can still get copies of number 58!!

[Medieval Institute Publications @MIP_medpub]

15) @ROMARDmrds vol. 58 was also published in late 2021, edited by @kyle_a_thomas. https://t.co/AR6IrWMRee

[Medieval Institute Publications @MIP_medpub]

Look who's ready to join the shelf! It's The Edge of Christendom on the Early Modern Stage, by @lisahopkinsshu. Get your copy here: https://t.co/DbLiSAV2Y6
#shelfie

[Medieval Institute Publications @MIP_medpub]

Don't forget to enter our February drawing (click "Enter Drawing" in the February newsletter)! You could win a free copy of Medieval Ecocriticisms vol. 1. Subscribe to our newsletter now and you'll be automatically entered in the drawing! https://t.co/XC6yUMZJ3L

[Medieval & Renaissance Drama Society @TheMRDS]

📯Have you published a book or article on early drama #medieval or #renaissance this year? Submit to one of our prizes!

🔸Due: 30 Jan
🔸Details: https://t.co/mUw2TIowKu

Questions? Contact @solberg_maggie (esolberg [at] bowdoin [dot] edu)

#earlymodern #medievaltwitter #theatre

[Medicine and the Making of Race, 1440-1720 @MMoR_KCL]

Our call for papers is closing tomorrow! Last chance to get your proposals in for our opening conference this June, see here for details https://t.co/1f3vzoplst #histmed #histmedrace #twitterstorians #CFP

[ROMARD @ROMARDmrds]

Volume 58 may have just released but we’re still accepting submissions for volume 59 until Feb. 1st! Get those articles, translations/editions, emerging essays, and performance reviews to us!

[Medieval & Renaissance Drama Society @TheMRDS]

So many congratulations to our @ROMARDmrds team and all of their contributors on their new issue out today!

https://t.co/IoRynR3lVk
#medievaltwitter #earlymoderntwitter #theatre #earlytheatre

[Alexandra Atiya @lexiatiya]

Exciting new issue of @ROMARDmrds out today! https://t.co/7ER4asuMJe Includes my translations of Juan del Encina's 1496 nativity plays: https://t.co/ifUCHuaUnU

[The Theatre History Prof. (Inactive) @kyle_a_thomas]

ROMARD is here! ROMARD is here!

[ROMARD @ROMARDmrds]

Tom Straszewski’s review of Angels and Demons draws attention to the ways in which the York and Towneley cycle plays of medieval England make for apt containers of dramatic meaning-making full of relevance for our world today—especially as theater adapts to a post-Covid world.

[ROMARD @ROMARDmrds]

What a wonderful Christmas gift…the most recent edition of ROMARD is now out! Thank you to our incredible contributors! So, here’s a little thread about each of the amazing things you can read about in this edition.

[ROMARD @ROMARDmrds]

Alexandra Atiya presents a new English translation of two plays from Juan del Encina’s Cancionero (1496) with an emphasis on how his playwriting reveals his views on art as a courtly service while drawing from more common stories from everyday Spanish life.

[claire m. l. bourne @roaringgirle]

early mod, librarian, & book dealer/conservator colleagues—

i'm seeking smart book people to write unexpected/interesting stories about—& angles on—the shakespeare first folio in institutional & private collections, esp those beyond europe & n america.

is that you? be in touch!

[The Theatre History Prof. (Inactive) @kyle_a_thomas]

I won’t be able to make this incredible opportunity but that doesn’t mean you should miss out!