Roel Veyt

Main focus here on art, photography and all things Africa (is not a country)

[Africa Is a Country @africasacountry]

.@SerubiriM's homage to Santu Mofokeng (1956-2019), photographer of quotidian black life in South Africa, with Lekgetho James Makola of @_photoworkshop, Tumelo Mosaka of @ICTArtFair, @gabistos, Emmanuel Iduma of @Sarabamag and John Fleetwood of @Phototool_
https://t.co/sJ5dJEzmOu

[Roel Veyt @RVeyt]

Farah Al Qasimi Brings Jubilation to New York City Bus Routes https://t.co/Q4K96Z2Tvf via @NewYorker

[MACK @MACK_books]

"Switzerland: […] Where better to write about chaotic, relentless, overpopulated Lagos than in modest, quietly industrious Zurich?"– @tejucole in @nytimes discussing Switzerland, the subject of his new book 'Fernweh', forthcoming in February.

https://t.co/YNVtpnL9gE

[Roel Veyt @RVeyt]

Nina Chanel Abney and Tyler Mitchell Receive Gordon Parks Foundation Fellowships - Artforum International https://t.co/RuLP3FsD51

[Artists of Colour @artistsofcolour]

STEVE, Barkley L. Hendricks, 1976

[Artists of Colour @artistsofcolour]

WILFREDO, LAURA, AND ME, Carrie Mae Weems, 2002

[Artists of Colour @artistsofcolour]

ON THE SUZUKI, Malick Sidibé, 1975

[Artists of Colour @artistsofcolour]

CONSTANT GARDENER, Billie Zangewa, 2014

[Roel Veyt @RVeyt]

@siddhmi He’s doing that confounding thing with the long tie as well, apparently.

[🫶🏿 @blackityblvck]

Eartha Kitt with kittens (1952)

Photographed by Gordon Parks

[Antwaun Sargent @Sirsargent]

TONI MORRISON FOREVER

[Afua Hirsch @afuahirsch]

“We die. That may be the meaning of life. But we do language. That may be the measure of our lives” - Toni Morrison. Rest in Peace. Your writing changed my life 😔🙏🏾🌟 #RIPToniMorrison #GreatestWriter

[Antwaun Sargent @Sirsargent]

❤️

[Tom Overton @tw_overton]

Among various splendid things by excellent people there's a piece by me in the latest @BrickMAG on John Berger & Jean Mohr https://t.co/CU6vphEvFE

[Roel Veyt @RVeyt]

@QueenTrey_ Proficiat!

[Finbar Anderson @andfinbar]

Hey Twitter, I'm excited. Why am I excited? Because the incredible photographer Aline Manoukian, who shot much of the Lebanese Civil War, has entrusted me with her archive. I'm going to organise and scan as much of it as I can.

[Artists of Colour @artistsofcolour]

UNTITLED, SHADY GROVE, ALABAMA, Gordon Parks, 1956

[Larry Madowo @LarryMadowo]

As a lifelong African, I’m overjoyed that a benevolent New York Times correspondent will soon patrol our pirate seas & deserts, occasionally telling our unexpected stories of hope. I live for the white gaze