Reel and Rated

🎬 Film • 📺 Series • 🎭 Theatre
Spoiler-free takes, recos & rants.
For the love of the reel things.

[Reel and Rated @ReelandRatedPh]

Welcome to Reel and Rated. 🎬📺🎭

If you’ve ever asked, “Is this worth hours of my life?” — you’re in the right place.

Spoiler-free takes on film, series & theatre. Expect recos, rants, and plenty of opinions along the way.

Full reviews over on IG → https://t.co/zZbQ0CW8ch

Watch. Rate. Repeat.

[Reel and Rated @ReelandRatedPh]

#Undertone completely got under my skin. Its soundscape turned every noise into a threat, while the camera placement made ordinary spaces feel unsafe. It became slightly predictable and rushed toward the end, but the way it slowly built dread was handled incredibly well.

[Reel and Rated @ReelandRatedPh]

#GanitoGanyanGanoon had so much drama and somehow not enough story. An exhausting parade of family conflicts, thinly drawn characters, sluggish pacing, and dialogue convinced it was profound. The movie tried to press every emotional button but hadn’t done enough to earn it.

[Reel and Rated @ReelandRatedPh]

#TheLastHouse was intriguing until it completely lost the plot and logic packed its bags and left. What followed was five years of meal planning, a small farm’s worth of animal deaths, and a giant squid-octopus that apparently just needed someone to be nice to them.

[⋆˚࿔ v •ᴗ• @mayplottwistba]

🔗: https://t.co/24ayai1mwg

[Reel and Rated @ReelandRatedPh]

@heyitspholop Same!

[Reel and Rated @ReelandRatedPh]

If Reel and Rated had a seat at the Cinemalaya 22 jury table, consider this our completely unsolicited ballot.

MAG-IINA clearly understood the assignment, taking the lion’s share of our votes: Best Film, Direction, Screenplay, Ensemble, and a few more for good measure. Ruby Ruiz gets our Best Actress vote for making us laugh and hurt in STATUS: REJECTED, while Bituin Escalante was simply too brilliant in https://t.co/a47IwXRpR1.MÁL to leave empty-handed.

The kids came to collect trophies too. Bryce Mercader gets our Best Actor vote for KAKA SA YAWAN, while Lucas Andalio takes Supporting Actor for MAG-IINA. And GANGGANG may not have completely won us over, but those gorgeous frames certainly did. Mac Cosico, that Cinematography vote is yours.

No lobbying. No recounts. No actual voting power whatsoever.

Our imaginary ballots are locked. Now we wait for the people whose votes actually count.

For reel consideration.

#Cinemalaya2026 #Cinemalaya22 #ForReelConsideration #ReelAndRated

[Reel and Rated @ReelandRatedPh]

Nine Cinemalaya films watched, rated, and now officially ranked.

Some surprised us, some frustrated us, and a few stayed with us long after the credits rolled.

Here's where our Cinemalaya 2026 lineup ultimately landed.

#Cinemalaya2026 #Cinemalaya22
#TheReelOrder #ReelAndRated

[Reel and Rated @ReelandRatedPh]

#2ValidIDs showed hardships I already understood, without digging deeper or offering fresh insight. The writing was thin and its emotional turns felt forced. Pokwang was exceptional, but I kept waiting for it to tell me something new. Relatable, absolutely. Revealing, not really.

[Reel and Rated @ReelandRatedPh]

#MagIina was an absolute mindfuck, and I loved how completely it committed to being one. Its family horror became ambitious, reflecting how power and abuse kept being passed down while history repeated itself. Jackie Lou Blanco absolutely mothered. Visceral, disturbing, and bold.

[Reel and Rated @ReelandRatedPh]

#StatusRejected immediately charmed me. The comedy landed effortlessly, and Ruby Ruiz was terrific at finding both humor and heartbreak. But the stronger its ambitions became, the more it lost focus. There was plenty to love but I kept wishing it had more bite. Or teeth, not tits

[Reel and Rated @ReelandRatedPh]

#HandOfGod had genuine warmth, but the politics bothered me far more than the filmmaking. Positioning a soldier as the children’s primary source of hope made the savior angle tough to overlook while barely confronting the system he represented. That contradiction weighed heavily.

[Reel and Rated @ReelandRatedPh]

#Tirik had me wondering what exactly I was watching. The aggressively overused green screen was unintentionally hilarious, while the script threw so much exposition at me yet gave its characters little depth. Its questionable handling of its politics genuinely bothered me. A baffling mess.

[Reel and Rated @ReelandRatedPh]

#KakaSaYawan started off light and playful before gradually revealing something far more emotional. I loved how it captured childhood with such warmth and brought Mangyan culture naturally into the story. The adult storyline was weaker, but by the end, this felt like a bittersweet warm hug.

[Reel and Rated @ReelandRatedPh]

#TayoLangAngNakakaalam really wanted to move me, but I was frustrated by how little I actually cared. Its biggest emotional moments mostly fell flat, and the film stretched its grief far longer than necessary. The message mattered. I just wished there was more to know about them.

[Reel and Rated @ReelandRatedPh]

#Ganggang was beautifully shot, with some of the most gorgeous cinematography I had seen this year. Its ambitious message was powerful, but the shaky narrative and sluggish pacing held it back. Then came a devastating final stretch that made its message hit harder than anything before it.

[Reel and Rated @ReelandRatedPh]

#ANiMál was a wickedly entertaining political satire that went after dynasties, nepo babies, performative wokeness, and privilege. Bituin Escalante was brilliant. iPhone camerawork had my motion sickness fighting for its life, but its unhinged energy kept me entertained.

[Reel and Rated @ReelandRatedPh]

#TheEndOfOakStreet had absolutely no business being this much fun. Terrific set pieces, genuine scares, absurd humor, and surprising heart. Anne Hathaway was fantastic and sold every ridiculous turn with complete conviction. Sometimes I just wanted dinosaurs, terror, and chaos.

[Reel and Rated @ReelandRatedPh]

#TheInvite had a downright outstanding screenplay that had me laughing hard, cringing even harder, and somehow genuinely moved. The ensemble was exceptional, but Olivia Wilde stole it for me and directed the hell out of this. Funny, awkward, intimate, and deeply sincere about relationships.