Seedance 2.5
Prompt:
Main subject: young Indonesian woman, early 20s, natural everyday appearance, faded mustard-yellow oversized cotton t-shirt, brown high-waisted linen wrap skirt reaching just below the knee, simple brown leather slide sandals, thin gold stud earrings, dark wavy hair in a messy low bun with loose wispy strands framing her face. Realistic warm brown skin texture, minimal natural makeup, warm and approachable demeanor. Maintain consistent identity, clothing, hairstyle, and appearance throughout the entire video.
Location: Authentic Indonesian residential neighborhood (gang) during a calm late morning. Narrow paved alleys, low-rise houses with open front terraces, terracotta roof tiles, potted frangipani and bougainvillea, laundry on bamboo drying racks, parked motorbikes along plastered walls, overhead utility wires, banana and coconut trees casting dappled moving shadows, quiet tropical residential atmosphere. No modern stores, billboards, cafés, or crowds.
Visual Style: Ultra-realistic documentary realism. Genuine candid behavior. Natural body language. Unscripted slice-of-life feeling. Strong environmental authenticity. Rich real-world details and believable human motion.
Camera Style: Early-2000s consumer DV camcorder aesthetic. Friend casually recording everyday moments. Heavy handheld shake, imperfect framing, frequent autofocus hunting, lens breathing, exposure pumping when moving between harsh tropical sun and deep alley shade, occasional motion blur, subtle rolling shutter, mild digital compression artifacts, warm faded colors, soft contrast, slight sensor noise. No stabilization. No cinematic camera moves. No modern color grading.
00:00–00:02
Outside a small house entrance with an open terrace. She sits on the low terrace step adjusting her loose hair bun with both hands raised. A light warm breeze moves loose strands of hair. She smiles naturally while the camera struggles to lock focus.
00:02–00:05
The camera follows her into a narrow alley lined with potted plants and plastered walls. She notices a neighborhood cat resting on a warm concrete ledge, crouches down, and gently pets it. Framing drifts off-center as the operator tries to keep up. Morning sunlight flickers through banana leaves overhead.
00:05–00:08
Small front terrace with a glass of sweet iced tea on a wooden stool. She sits relaxed on a plastic chair watching the quiet gang, casually brushing hair behind her ear. A motorbike passes slowly in the distant background. Handheld side angle with natural camera drift.
00:08–00:10
She turns toward the camera with a warm, genuine smile, gives a gentle nod of acknowledgement, then turns to walk down the tree-lined alley holding her iced tea. Recording cuts abruptly to black mid-motion as if the camcorder was switched off.
Audio: Hyper-detailed environmental ASMR binaural audio — crisp micro-sounds captured up close with high sensitivity. Crisp rustle of cotton fabric and linen as she moves, deep rhythmic cat purring vibrating close to the microphone, ice cubes gently clinking against the glass condensation, soft scuff of leather sandals on textured concrete pavement, dry banana leaves brushing together in the warm breeze, rhythmic faint sound of a sapu lidi broom sweeping fallen leaves nearby, water dripping into a terracotta gentong, distant gentle crowing rooster, faint muffled low-frequency hum of a passing motorbike down the alley. Pure natural foley textures, zero music, zero studio effects, zero narration, zero speech.
Goal: Authentic Indonesian neighborhood life captured like a forgotten home video from the early 2000s — candid, imperfect, realistic, warm, and deeply believable, with immersive environmental ASMR soundscape.
Seedance 2.5
Prompt:
Create a 30-second ultra-realistic candid home-video sequence of a young Korean woman in her early 20s living an ordinary late morning in a quiet Korean residential neighborhood.
SUBJECT:
Young Korean woman, natural everyday appearance, realistic skin texture, minimal makeup, black wavy hair in a messy side ponytail with wispy bangs. Faded charcoal-grey sleeveless crop top, loose high-waisted light-wash jeans, black canvas sneakers, simple black cord necklace. Warm, relaxed personality. Keep her face, body, hairstyle, clothing, and appearance perfectly consistent throughout.
SETTING:
Authentic Korean residential neighborhood — narrow concrete alleys, low-rise homes, small terraces, potted plants, laundry lines, bicycles, utility poles, overhead wires and mature trees. Quiet, lived-in atmosphere. No shops, advertisements, crowds, cafés, or commercial activity.
VISUAL STYLE:
Ultra-realistic documentary home-video footage from an early-2000s consumer DV camcorder. Imperfect handheld operation, natural camera shake, awkward framing, occasional reframing, autofocus hunting, slight lens breathing, exposure pumping between sunlight and shade, subtle motion blur, mild rolling shutter, faded colors, soft contrast, slight digital compression and sensor noise. No stabilization, no cinematic camera moves, no modern color grading. Everything must feel genuinely captured, not AI-generated.
TIMELINE:
00:00–00:05 — Outside her small house, she sits on a low concrete wall adjusting her messy ponytail. Wind moves loose strands of hair. She casually smiles while the camera struggles to lock focus.
00:05–00:10 — She walks into a narrow residential alley. A stray cat approaches. She crouches naturally, pets it and gently feeds it. Autofocus shifts imperfectly between her face and the cat.
00:10–00:15 — In a small front yard, she hangs laundry on a clothesline. Fabric moves naturally in the breeze while sunlight and cloud shadows subtly change the exposure.
00:15–00:20 — She sits on a quiet terrace with a simple ceramic coffee cup, casually watching the neighborhood and brushing loose hair behind her ear. Handheld side angle with natural camera drift.
00:20–00:25 — Close side profile. Someone off-camera casually greets her. She turns, smiles warmly, raises her hand and naturally says, “Annyeong.” The camera reacts slightly late.
00:25–00:30 — She walks slowly down a tree-lined residential lane holding her coffee. She notices the camera, gives a small genuine smile, then looks away and continues walking. The recording abruptly cuts to black mid-motion like an old camcorder being switched off.
AUDIO:
Only authentic location sound: birds, distant motorcycles, light wind, rustling leaves, faint neighborhood chatter, cat sounds, footsteps on concrete, laundry moving on the clothesline and subtle residential ambience. Natural Korean speech only. No music, narration, cinematic sound effects, or artificial sound design.
GOAL:
Make it feel like a forgotten personal home video from the early 2000s — intimate, spontaneous, imperfect, warm, mundane and deeply believable. Prioritize realistic human motion, natural facial expressions, physical interaction, environmental detail and consistent identity over cinematic beauty.
@RishuaVR AI sebuah alat. alat bisa positif bisa negatif tergantung siapa dan untuk apa digunakan.
iseng2 nyobain pake google flow dgn sedikit di modif prompt dgn mampertahankan MASTER : Realisme/Kamera POV, VARIABLE : Subjek/Object/ aktivitas/Lingkungan/Sequence
Video 1 is the source video to extend forward. Extend Video 1 forward. The first frame of the extended segment directly continues from the last frame of Video 1. Maintain continuity in subject pose and orientation, prop position, background and spatial relationships, camera position and composition, lighting, and motion direction. Then, same woman, same outfit, later in the day. SHOT (20.0-26.0s): handheld walk up a narrow village lane at golden hour, camera bobbing with her steps, she greets someone off-frame. SHOT (26.0-30.0s): she stops, turns the camera to selfie framing with a modest house and open door behind her, and says: "Nah, ini rumahnya. Udah nyampe." Slight smile, then she lowers the phone and the frame tilts to the ground as the clip ends. CONSTRAINTS: same wardrobe and identity, phone-camera perspective only, end on the lowered-phone tilt, never advertisement-like. Look: photorealistic golden-hour light, mild lens flare. Audio: live sync sound, birds and distant neighbors, her voice close to the mic, no music. Throughout the extension, maintain continuity in character identity and clothing, key props, background layout, and axis of action. Keep each subject as the same continuous instance throughout: do not duplicate or split it, and keep the person's appearance or the object's number of parts stable.
Video 1 is the source video to extend forward. Extend Video 1 forward. The first frame of the extended segment directly continues from the last frame of Video 1. Maintain continuity in subject pose and orientation, prop position, background and spatial relationships, camera position and composition, lighting, and motion direction. Then, same woman, same outfit, same phone. SHOT (10.0-15.0s): seated by the train window, camera propped at an angle, rice fields sliding past, she says quietly: "Udah lama nggak lewat sini." SHOT (15.0-20.0s): handheld pan from the window down to a cup of instant coffee on the tray table, autofocus hunts once before settling. CONSTRAINTS: same wardrobe and identity, phone-camera perspective only, no crew coverage or reverse angles. Look: photorealistic, window light with rolling shadows. Audio: live sync sound, rail rhythm and carriage chatter, her voice slightly off-mic, no music. Throughout the extension, maintain continuity in character identity and clothing, key props, background layout, and axis of action. Keep each subject as the same continuous instance throughout: do not duplicate or split it, and keep the person's appearance or the object's number of parts stable.
Video 1 is the source video to extend forward. Extend Video 1 forward. The first frame of the extended segment directly continues from the last frame of Video 1. Maintain continuity in subject pose and orientation, prop position, background and spatial relationships, camera position and composition, lighting, and motion direction. Then, same riders, same bike, same alley system. CUT 04 (10.0-14.0s): Side tracking shot as they weave past a gerobak bakso; the woman throws a peace sign at a startled satay vendor. CUT 05 (14.0-16.5s): Her hand covers the lens; on the reveal both riders now wear matching full-face helmets, visors down. CUT 06 (16.5-20.0s): Low front tracking shot pulling back into a wide as the bike skids to a stop at a brightly lit warung; taillight glows against steam from the noodle pot. CONSTRAINTS: helmets stay fully on and visored after 15.0s, same motorcycle, unbroken forward motion, no slow-motion. Look: raw night phone footage, warm warung glow against cold street blue. Audio: no dialogue, beat continues then cuts abruptly to ambient warung clatter at the stop. Throughout the extension, maintain continuity in character identity and clothing, key props, background layout, and axis of action. Keep each subject as the same continuous instance throughout: do not duplicate or split it, and keep the person's appearance or the object's number of parts stable.
Part 1 (0-10s): Vertical 9:16 phone video, photorealistic, handheld. CUT 01 (0.0-2.0s): A young man in a plain hoodie sprints out of a small Jakarta boarding-house gate carrying two matte-black full-face helmets by their straps, sandals slapping wet pavement, motion blur, low-angle chase camera. CUT 02 (2.0-3.5s): He tosses one helmet to a laughing young woman and scoops her up mid-stride; hard blackout wipe on the impact frame. CUT 03 (3.5-10.0s): The wipe reveals a matte-black sport bike with red accents launching forward down a narrow kampung alley strung with warung lights; both riders now wear the matching full-face helmets with visors up, rear-wheel tracking shot, heavy motion blur, speed ramp on the gear shift. CONSTRAINTS: same two people throughout, same motorcycle throughout, both riders wear the matching helmets from 3.5s onward with visors up, no logos, no slow-motion. Look: raw night phone footage, sodium-vapor streetlight, visible sensor noise. Audio: no dialogue, driving electronic beat, engine growl and gear-shift clunks, sandal slaps.
@john_my07 Sorry, my bad. I didn’t know about that. I only saw his post on my timeline. X only allows me to edit a post within 1 hour of publishing, so I can’t edit it anymore. If you don’t mind, I’ll credit you in the comments.