Españoles, ¡a las urnas!
29 de Noviembre:
Contra la indecencia.
Pedro Sánchez:
1. Llamó cambios de opinión a sus mentiras.
2. Levantó un muro entre españoles.
3. Hizo del guerracivilismo su estrategia de supervivencia.
4. Compró la investidura con impunidad.
5. Quebró la igualdad entre españoles.
6. Indultó a los condenados del 1-O.
7. Borró el delito de sedición.
8. Rebajó la malversación.
9. Blanqueó a Otegi como socio de Gobierno.
10. Pactó con Bildu la memoria democrática.
11. Le entregó la alcaldía de Pamplona.
12. Impulsó la excarcelación masiva de etarras.
13. Colonizó todas las instituciones.
14. Extendió su injerencia a las empresas privadas.
15. Linchó a los jueces que investigaban a los suyos.
16. Intentó liquidar la independencia judicial.
17. Llamó fango a la prensa crítica.
18. Criminalizó la discrepancia.
19. Maniató al Parlamento.
20. Encadenó una legislatura entera sin presentar Presupuestos.
21. Pulverizó el principio de responsabilidad política.
22. Despreció la rendición de cuentas.
23. Asaltó la televisión pública.
24. Impuso un confinamiento inconstitucional.
25. Intentó manosear el censo electoral.
26. Su fiscal general fue condenado por revelación de secretos.
27. Su mano derecha fue condenado a 24 años por corrupción.
28. Su otra mano derecha espera juicio por corrupción.
29. Su hermano fue condenado por prevaricación.
30. Su mujer está procesada por corrupción.
31. Su entorno convirtió las mascarillas en negocio.
32. Predicó feminismo mientras enchufaban a prostitutas en empresas públicas.
33. Pagó a cloacas para intimidar a jueces, fiscales y policías.
34. Rebajó las penas a más de mil agresores sexuales.
35. Prometió vivienda asequible y dejó alquileres prohibitivos.
36. Hundió el mercado del alquiler.
37. Promovió la okupación.
38. Pulverizó las esperanzas de los jóvenes.
39. Impuso un infierno fiscal.
40. Descontroló la deuda pública.
41. Empobreció a los españoles.
42. Degradó los servicios públicos.
43. Erosionó las fronteras.
44. Aprobó una regularización masiva de inmigrantes.
45. Presidió el desplome de la Educación.
46. Abandonó a los castellanohablantes en Cataluña.
47. Convirtió la gestión ferroviaria en un caos.
48. Abandonó a las víctimas de la DANA.
49. Provocó con su dogmatismo un apagón masivo.
50. Se lavó las manos de los 46 muertos de Adamuz.
51. Medró con la corrupta dictadura venezolana.
52. Recibió a Delcy Rodríguez en Barajas.
53. Protegió a Zapatero a pesar de sus comisiones y joyas millonarias.
54. Provocó conflictos diplomáticos con los aliados naturales de España.
55. Entregó el Sáhara a Marruecos sin pasar por el Congreso.
56. Declaró que Ceuta había sufrido un ataque y se marchó un mes de vacaciones.
57. Degradó la vida pública.
58. Normalizó la indecencia.
59. Hundió a la izquierda.
Y 60. Destrozó al PSOE.
Anoche vi la entrevista a Juan Vivas .
Hace años que no escucho a un político como este Señor.
❤️ Educación magistral, diciendo las verdades a un gobierno que niega la mayor, ternura que trasmitió a todos los Españoles.
Por mi parte ENHORABUENA a D. Juan Vivas , PRESIDENTE de Ceuta 👌💯🇪🇸
I Said #UzakŞehir Hadn’t Earned Its Red Wedding. --Episode 64 Is Making Me Reconsider.
At the end of Season 2, I wrote that Uzak Şehir did not have what it took to pull off a Game of Thrones-style Red Wedding. I called the season aggressively mediocre and argued that the show had started confusing accumulation with tragedy: more suffering, more betrayals, more kidnappings, more screaming, more near-death experiences, more cliffhangers, but not enough emotional consequence to make any of it truly matter.
I ended that piece with a promise: I’ll be back to these words once the Red Wedding has aired. So here I am. And because I give credit where credit is due, Episode 64 has forced me to reconsider part of what I wrote.
Not because Season 2 suddenly became better in retrospect. It didn’t. But because Season 3 appears to understand something Season 2 repeatedly forgot: trauma needs memory.
That was the entire point of my original comparison to the Red Wedding. What made the Red Wedding devastating was not the body count. It was what happened afterward. In Westeros, the political map changed, relationships changed, survivors changed. The story could no longer return to what it had been before.
And Uzak Şehir is finally doing that.
Kaya married İpek. Zerrin spent three months in prison for Demir’s murder. Fidan remained in the hospital until Zerrin was released. Nare is drinking too much. Ecmel helped get Zerrin out of prison and has already attempted to kidnap Deniz again. Boran’s funeral was almost empty, with only Sadakat and Ecmel there. Sadakat hears a gunshot and her body reacts before her mind can.
This is not a reset. The massacre did not disappear after the season finale. It contaminated the world.
And perhaps most importantly, it transformed Cihan. Not necessarily into a better man, but into a different one. That distinction matters, because character development is not always growth. Sometimes development means watching someone become harder because something inside him broke.
Cihan tells Alya that she lost the right to tell him what he should or should not do on their wedding day. He tells her she arrived too late. He calls her Alya Hanım again. And in the Episode 65 preview, he says it himself: he is no longer the Cihan he used to be.
That is consequence.
The writing also makes an important choice: Cihan already knows the truth. Meryem told him everything, which means this conflict cannot be resolved through the cheapest possible device — a misunderstanding. Alya cannot simply explain Boran’s manipulation and expect the story to snap back into place.
Cihan understands why she left. He is still living with the fact that she left and what happened after.
That is a much more difficult conflict to write, and finally the series seems willing to write it.
There is another detail I cannot ignore: Cihan and Alya’s room is empty. Not metaphorically. There is no furniture there. The physical space that once represented their shared life has been stripped of that life. That is exactly the kind of visual consequence Season 2 desperately needed more of.
But the person who interests me most right now may actually be Alya, precisely because she appears to have changed the least.
Everyone else has been pushed somewhere new by the massacre. Alya still seems to be relying on familiar survival mechanisms: control, compartmentalization, withdrawal, building walls around the things she cannot emotionally contain.
She has not even told Enver who Cihan really is. That matters.
She has built a life in Budapest in which a man close enough to arrange bodyguards for her apparently does not fully understand the magnitude of the person from whom she is asking to be protected.
That is not necessarily bad writing. It may actually be the point.
Cihan has been transformed by what happened. Alya may still be trying to survive it the way she has always survived everything else: by dividing her life into separate rooms and hoping they do not collide.
Except now they have.
And Deniz is standing right in the middle.
One of the best choices the writers have made so far this season is giving Deniz a voice. He tells Alya, in front of Cihan, that he wants to return to Mardin. Cihan does not prompt him, does not exploit it, and does not turn to Alya and say, “See?” When Alya becomes angry, Cihan remains silent, and Deniz backs down.
That matters because for two seasons Deniz has often functioned as the child everyone claims to be protecting. Now he is beginning to tell them what he wants, and that complicates everybody.
Alya can love her son completely and still have to confront the possibility that her definition of safety is not identical to his. Cihan can love Deniz and still have to prove that he will not turn the boy into a weapon against Alya.
That is drama. Not custody as a gimmick. Not a child as an object. A child as a character.
And politically, the Albora world has changed too. Şahin and Boran are dead. Sadakat is shattered. Cihan is hardened. Alya is no longer standing in the same place inside the clan. Ecmel is still there, waiting.
A power vacuum is never neutral in a story like this. Someone will try to fill it, and Ecmel is already moving again. Alya going to see him at the end of the Episode 65 preview only makes that more interesting, especially with new characters entering the board.
So yes, the map has changed.
Now the question is whether the writers know what to do with the new territory.
That is why I am not ready to say, “I was completely wrong.” I wasn’t wrong about Season 2. The problems I wrote about were real. The season frequently substituted escalation for development and expected the audience to do too much of the emotional work on its behalf.
But I may have underestimated what the show was capable of doing with the consequences of its own mess.
And that deserves credit.
Something also feels different behind the scenes. I cannot know exactly who made which creative decision, but the writing feels more disciplined, the emotional logic is clearer, the dialogue is carrying more weight, and the show is not rushing to erase consequences.
Even the production structure feels more focused. After ratings that ended the season below where Season 2 began, I would be surprised if nobody behind the scenes asked some difficult questions. Episode 64 feels, at least to me, like a production that may have listened.
One director instead of three. More controlled storytelling. Characters allowed to live inside the aftermath. A trauma response that survives beyond the scene in which the trauma happened. A broken relationship that cannot be repaired simply because the truth is finally spoken. A child whose desires are beginning to matter.
That is a very good start.
But it is still only a start.
Because the real test of a Red Wedding is not whether the audience gasps when the blood starts. It is whether, ten episodes later, the story is still different because it happened.
So no, I am not taking back everything I wrote. Not yet.
I am revising the verdict.
Season 2 still did not earn my trust. Episode 64 earned back some of my attention and, more importantly, some of that trust.
And for now, that is enough to keep watching.
Because this time, the trauma appears to have memory.
And if Uzak Şehir keeps remembering, then maybe the Red Wedding was not a panic button after all. Maybe it was the beginning of the story Season 3 actually intends to tell.
Credit where credit is due.
@ayyapim@cataykerem78@Uzaksehirdizi
Cihan doesn’t go to Budapest to fix the relationship. (Yay!)
He goes carrying the entire aftermath of the Red wedding on his back — the moment Deniz is in danger, switching into protection mode for his son.
That matters.
Because it also explains why Cihan may seem colder, sharper, or less emotionally available with Alya.
It doesn’t necessarily mean he’s punishing her.
It may simply mean he is functioning while carrying:
Şahin’s death.
Boran’s death.
Nare.
Sadakat.
Meryem (and whatever happened with her)
A wedding that never happened.
And now Deniz in danger.
Meanwhile, Alya is reacting without knowing the full weight of what happened after she left.
That creates a fascinating dramatic imbalance:
we know what Cihan is carrying. Alya doesn’t.
So when Alya tells him,
“This is not Mardin. This is Budapest.”
she may be asserting autonomy. And even protecting herself from Cihan’s rejection.
She may be reminding him that he is no longer on his territory.
She may be saying: you don’t get to come here and behave like the Ağa.
But Cihan’s internal logic may be much simpler:
Deniz is in danger. I’m taking him somewhere I know I can protect him.
Not to separate him from his mother.
Not to punish Alya.
Not to win.
To protect him.
And that distinction changes everything.
Because Cihan is not entering Budapest as a man chasing the woman who left him.
He is entering it as a man who has just watched his entire world collapse — and still knows exactly what he has to do when Deniz is threatened.
That is what makes the conflict potentially much more painful.
Alya is “defending” autonomy.
Cihan is responding to danger.
She sees intrusion.
He sees responsibility and protection.
She is reacting to the man standing in front of her.
He is reacting to everything she doesn’t yet know happened to him and he won’t explain it. She lost the right to it, when she left.
She’s an outsider now.
And if #UzakŞehir writes that asymmetry well, Budapest won’t just be a new location.
It will be the place where two people who still love each other start to discover that they are no longer arguing from the same reality.
@ayyapim@cataykerem78
Me recomiendan algunas dizis que estén finalizadas de una sola temporada? Estoy viendo #UzakŞehir y #GüllerveGünahlar y a ver si veo alguna que me enganche en estos meses de descanso. He leído que #Veliaht es muy buena. Que opináis?
@Stela861 me recomiendas algunas dizis que estén finalizadas de una sola temporada? Estoy viendo #UzakŞehir y #GüllerveGünahlar y a ver si veo alguna que me enganche en estos meses de descanso.
Dicen que hoy es el día internacional del beso!! Ya que el marketing de @Uzaksehirdizi está empeñado en esconder a los #CihAl en los fragman, aquí estamos nosotras para recordar su magia ❤️❤️