database daddy by day | @sunrazednb producer & dj by night | they/he/him | dogs, zerg & JDM | audio-amorous anime affectionist | Brit in Bloom 2004 winner
Hi prospective employers. This is a personal account, mostly used for posting images of my dog, overthinking coffee, sharing dumb jokes and following @StarCraft esports. I swear I'm more interesting in real life.
This is the shot you can’t get from the press site. This camera was sitting a few football fields from the SLS rocket at Pad 39B for days before launch, baking in the Florida sun, surviving rain, humidity, and whatever else the Cape threw at it. No photographer behind the viewfinder. Just a camera, a sound trigger, and a bet.
The way pad remotes work: you set your camera up days in advance, dial in your composition, lock everything down, and walk away. You don’t touch it again until after the launch. The shutter fires on sound activation
with a @MiopsTrigger smart+ trigger. With SLS, the four RS-25 engines ignite six seconds before the solid rocket boosters, so the camera is already firing before the vehicle even leaves the pad. You get home, pull the card, and find out if you nailed it or if a bird landed on your lens two days ago and left your a present and you got 400 photos of soemthing crappy.
There’s no formula for protecting your gear this close. Some photographers build wooden boxes with doors that pop open. Some use plastic bags and tape. Some do plastic or metal barn door rigs on hinges. I tend to leave mine open just in plastic rain covers because boxes limit my composition and setup time, but that means your cameras are more exposed to the elements and whatever energy and debris comes off the pad. You’re basically gambling a camera body every time you set one.
That’s what I love about this genre. There’s no playbook. You make it up as you go. Every time is an adventure.
📸 credit: me for @SuperclusterHQ - Artemis II pad remote | ~1,000 ft from Pad 39B | Kennedy Space Center
Time once again for the NCL Beats show on Method Radio
8-9 Iron Sight
7-8 TMANTUS
6-7 Spectra
5-6 SunRaze
Live at 5 with dnb all evening
https://t.co/fxwgDe1btZ
NCL Beats tonight on Method Radio
Line up:
8-9 Dempster & Ruckuz
7-8 Syphon
6-7 Spectra
5-6 SunRaze
dnb all eve, live at 5!
https://t.co/tGczI5THZP
NCL BEATS on Method Radio
Hit The Breaks is now NCL Beats!
This week's show:
7-9 Minus & Tyrone
6-7 Spectra
5-6 SunRaze
dnb all evening as always
https://t.co/tGczI5UfPn
Back on Method Radio tonight from 5 for another Hit The Breaks! #dnb
This week's lineup:
8-9 Isometric
7-8 Dempster
6-7 Spectra
5-6 SunRaze
https://t.co/fxwgDe1btZ
Summer mix of some of my favourites, old & new. Catch more of this at Sweet n Sour next month 12/07 in Gateshead #dnb#liquid
https://t.co/3Wjn94M7en
Method Radio tonight, Hit The Breaks!
Live from 5 as always, dnb all evening. Lineup:
9-late Horrific James
7-9 Melba & Nectax
6-7 Spectra
5-6 SunRaze
https://t.co/fxwgDe1btZ
Hit The Breaks is back tonight on Method Radio, live at 5
9-late Horrific James
7-9 Minus b2b Loki
6-7 Spectra
5-6 SunRaze
dnb all evening as always
https://t.co/fxwgDe1btZ
Hit The Breaks is back tonight on Method Radio live from 5pm as always...
Lineup:
9-late Horrific James
8-9 Syphon
7-8 Radius
6-7 Spectra
5-6 SunRaze
https://t.co/fxwgDe1btZ
Tonight on Method Radio it's Hit The Breaks! Live at 5, dnb all night
9-late Horrific James
8-9 The Don
7-8 Ruckuz
6-7 Spectra
5-6 SunRaze
https://t.co/fxwgDe1btZ
We're back on Method Radio tonight with another Hit The Breaks!
9-late Horrific James
8-9 Wiretrap Records
7-8 Dempster
6-7 Spectra
5-6 SunRaze
Live from 5pm
https://t.co/fxwgDe1btZ