I usually draw on three layers – background, line art and render (+1 for sketch). When I need to correct something, I create another layer – just in case I end up even less pleased with the changes. If I have more layers during the rendering process, I get mixed up and stressed, which wastes time.
Post-processing can sometimes involve 10 or more layers, but this doesn’t affect the main painting process =)
Once, I was commissioned to art-edited photo with a post-apocalyptic-style photobash. We agreed on the concept, and then I sent the client the work in full resolution for approval. The client said they didn’t like the work and wouldn’t pay for it, then cut off all contact.
The moral of the story, my dear friends, is this: never send unpaid work in full resolution, and always add a watermark covering the entire canvas =)
And ask for an advance payment – it’s a guarantee that the client will see through the parts they really don’t like, rather than walking away right at the start of the project.
@eusoutaki The size and format of the canvas change as I paint. For example, I recently got so carried away that I didn’t realise the canvas had exceeded 3m in height. I couldn’t understand why my brush was getting slower хD
Ну потому что все свидетели нейрослопа (99.99%) не умеют пользоваться нейронкой как инструментом. Арты руками не доделываются, нейрослоповый текст самостоятельно не фиксится. Когда ии реально будет инструментом, а не производителем всратого хрючева, которым заполнен интернет, тогда и поговорим.