Happy Birthday #Haydn! Let's celebrate with the Cambridge Haydn Encyclopedia, "A paradise for 'dipping in' at random and seeing where the journey takes you." (Malcolm Hayes, BBC Music Magazine) @cambridgeUP https://t.co/xalX3yU9kK
"By making music that highlights her predecessors, Beyoncé proves herself to be a music historian disguised as a pop star," Louis Epstein writes in the Star Tribune. https://t.co/Ip51sjxAi0
Please join us! 2/22 6pm EST
@DrSamanthaEge
https://t.co/L6eWG1bqQF
LECTURE: South Side Impresarios: How Race Women Transformed Chicago's Classical Music Scene
RECITAL: Piano Sonata in E minor by Florence Price
@skidmorecollege@SEM_Office@SocAmMusic
What a beautiful article - so happy to see it in the NYT.
** Check out this article from @nytimes. Because I'm a subscriber, you can read it through this gift link without a subscription. https://t.co/KIukygbZt7
has anyone written a history of this particular type of concert? Would love to know the precise tipping point from the fairly conventional “music by candlelight” to “postmodern hell vortex”
“If they eliminate required language study, they must ditch their appeals to diversity and decolonization as well”The Hypocrisy of English-Only 'Decolonization' https://t.co/y8rLSFW78C
Happy Birthday #Haydn! Let's celebrate with the Cambridge Haydn Encyclopedia (2019), "a paradise for dipping in at random and seeing where the journey takes you" (BBC Music Magazine)
https://t.co/ihyj2KYaGo
Five years ago today, my musicology seminar had the amazing experience of hosting Tim Rollins and KOS for a "Schubertiad." https://t.co/pRgRaqnPAA @realangelkos@TangMuseum
Do you remember when you joined Twitter? I do! #MyTwitterAnniversary
(To add to the auto-produced text above: I also remember first hearing about "this new thing called Twitter" at a Teaching with Technology conf in 2008. Another prof blurted out, "that sounds really stupid.")