Tim Goetze

[AI Evolution @AiEvolutio58513]

15 years old. 7 AI agents. 10 projects a day, pulling in $900 a day.

This isn’t one kid grinding like a machine; it’s a kid who figured out how to get a small crew working for him all at once. Claude Code writes the code. He gives it a single sentence.

Every agent lives inside OpenClaw with a name and a job. Not one chat pretending to be seven hats, but seven separate workers running in parallel. One slices the work into tasks, one digs up research, one lays the blueprint, one codes, one hunts bugs, one writes the client report, and one tracks the clock. A few hours later, the deliverable lands in the client’s inbox. He never typed a line.

He’s productized the work into templates: landing pages, bots, parsers, API hookups, dashboards, automations. Choose a template and the agents sprint together. While one builds, another tests, and a third is already drafting the write-up.

The whole factory fits on a single laptop that costs a few hundred bucks. 10 jobs a day at $90–150 each turns into $900–1500 daily. Same scope? A solo dev might manage one or two gigs; an agency would bill multiples of his price.

He’s not trying to become a faster programmer. He’s stepping out of the “doer” seat and into the “dispatcher” seat.

Still 15. On his desk is what usually takes a team to run. He says one sentence, then watches seven agents assemble the project like a pit crew.

Meanwhile, plenty of freelancers with years in the game are still carrying every role alone, hoping help shows up. He built his help in an afternoon: 7 agents, one OpenClaw, and one Claude Code.

[Evan Luthra @EvanLuthra]

This Guy Just Revealed the AI Content Rules That Decide Whether You Get Paid on YouTube:

[George Stock @georgesttock]

He completely cracked the code.

He literally built a content studio for under $50/mo.

If you're not leveraging AI scripting like this, you’re getting left behind!

[NO1ennn @N01ennn]

A 19-YEAR-OLD GUY BUILT A BUSINESS THAT BRINGS HIM $5,300 A MONTH WORKING ONLY 40 MINUTES A DAY, AND IT STARTED WITH A SINGLE FACE SWAP

he started with a face swap on a green screen and a free afternoon. no studio, no model, no team

month one, almost nothing. $600. he kept the same setup running anyway

month two, one clip caught. 600,000 views, the account passed 800 followers, 50 people subscribed. revenue jumped straight to $5,300

the whole thing runs through Claude. it picked the niche, picked the face, wrote the captions, and now reads the messages and drafts the replies. he just approves and posts

40 minutes a day. that's the entire job now

[Kirill @kirillk_web3]

> Claude usage limit reached.
> every. fucking. day.
> was about to upgrade to Max
> then find an 18 minute video
> 4 free strategies to cut token usage 90%
> first 5 minutes
> wait. I've been re-reading the same codebase 30 times?
> CodeGraph indexes it once?
> spent months blaming the token limit
> turns out I was the problem
> 18 minutes later
> token usage down 90%
> been the skill issue this whole time

[Alex Patrascu @maxescu]

One thing is clear:
Seedance in 4K is unbelievable, and if the pricing stays the same for SD 2.5, it will completely transform advertising.

Prompt and product reference below:

[el.cine @EHuanglu]

holy sht.. vibe film is here

you can now talk to Dreamina Octo AI agent to create unlimited length film.. everything is editable, you can even preview video before generating

here’s how it works:

[Marco @ai_artworkgen]

Testing emotional delivery with Seedance 2.0 🔥🔥

[xIA @xiathis]

El CEO de Anthropic cuando vio este curso filtrado de 1 hora sobre Claude, donde un tipo literalmente muestra cómo automatizó todo su negocio y genera $100K al año en piloto automático

[Stijn Feijen @spwfeijen]

I made $16,000 last month.

Never showed my face.
Never hired a creator.
Never touched a camera.

Just 40 videos. A $20 Claude subscription. And a workflow that most people still don't know exists.

3 of those videos pulled 2 million views combined.

Back in the day, the biggest barrier to UGC was finding the right creator — negotiating rates, waiting on revisions, hoping they delivered.

Not anymore.

40 videos. A few hours of work. $16,000.
Here's the exact five-step build I used.

[Oriku @Oriku175]

A few weeks ago, I used this effect in one of my posters.

The post ended up getting:
• 9,000+ likes
• 300,000 impressions

A lot of people asked how I made it.

So here's the breakdown 👇

[ZOYA ✪ @HeyZoyaKhan]

1: Remove AI-Sounding Language

Prompt:

"Rewrite the text as if it were written by an experienced human writer. Remove corporate jargon, generic transitions, exaggerated enthusiasm, and AI clichés. Replace predictable phrases with natural language. Use a conversational tone while keeping the meaning intact."

Why it works:

Most AI text sounds robotic because of repetitive phrases like "delve into," "unlock the power," and "in today's fast-paced world."

[Smiling Khan @AIwithkhan]

Created this short story on @HailuoAudio

Using GPT Image 2 and Seedance

Surprise at the end

Prompt :

Create a Pixar-inspired 3D animated comedy short called "The Package."
A curious young man receives a mysterious cardboard package at his front door. There is no sender, no return address, and no explanation. He brings it inside. Suddenly, the package starts making strange tapping sounds. Close-ups, suspenseful music, dramatic lighting.
The noises grow louder. Neighbors become concerned. Rumors spread. Crowds gather outside. News reporters arrive. Emergency vehicles appear. Experts investigate. The situation escalates into a city-wide spectacle. Fast-paced comedic montage, cinematic camera movements, exaggerated reactions.
Unable to ignore the mystery, the man finally decides to open the package. Everyone watches in complete silence. Inside is another smaller box. He opens it.
Another box.
And another.
And another.
The sequence becomes increasingly absurd as dozens of boxes are revealed one inside another. The crowd becomes more invested with every opening. Suspense reaches maximum tension.
Finally, the tiniest box contains a folded note.
Close-up.
The note reads:
"Congratulations. You just got UNBOXED."
Confused, the man looks around. Then notices a hidden camera. His best friend steps out laughing. The crowd erupts in laughter. The man facepalms before eventually laughing too.
Final cinematic wide shot of friends and neighbors laughing together as the tower of empty boxes surrounds them.
On-screen text:
"Sometimes the biggest surprises are the ones that make you laugh the most."
Pixar-style 3D animation, mystery-comedy tone, expressive acting, cinematic suspense, smooth transitions, playful storytelling, dramatic build-up with humorous payoff, high-end animated short film quality, vibrant colors, 16:9.

[TechHalla @techhalla]

Yesterday this was just an idea.

Today it looks like a legendary FIFA World Cup ad.

Made with the Seedance 2.0 workflow below. Grab it, is yours! 👇

[TechHalla @techhalla]

Inspired by 'White men can't jump', the best basketball movie ever filmed.

Magnific AI workflow below (4 steps) 👇

[moose 🐦‍🔥 @usermooseontwt]

Crazy how a few years ago AI couldn’t even generate hands now we have Ideogram

[Jerrod Lew @jerrod_lew]

Reve 2.0 has been launched.

Image generation at 4K and with full editing capabilities.

Every image you generate is split into layers that you can individually reprompt.

Here's how it looks:

[Kling AI @Kling_ai]

Kling AI Debuts at Cannes — RAPHAEL

RAPHAEL, a 100% AI-generated feature film project, is a large-scale production being developed in collaboration between Mateo AI Studio and MBC C&I’s AI Content Lab, a leading force in AI video production in Korea.

Currently in production with the goal of a theatrical release in 2026, this project is leveraging Kling AI’s powerful video model throughout the production process to maximize distinctive visual effects and deliver a differentiated cinematic experience. It proves the industrial viability of pure AI filmmaking and marks a new trend for AI-native theatrical cinema.

[el.cine @EHuanglu]

AI is ready to make full films

Seedance 2.0 now can read your entire shot list to generate a full story.. keep characters, props and set design consistent with one image on BytePlus

duration and consistency is not a problem anymore

here's how with prompts: