What made Penelope Keith's Margo unforgettable, though, was not only her gift for withering the people around her. Keith refused to play her as a caricature. Beneath the social anxiety, the impossible standards and the perfectly manicured borders was a woman who loved deeply. You laughed at Margo; Keith made sure you understood her too. The marriage to Jerry remains one of television’s most convincing: they exasperated each other endlessly, and the adoration underneath was never once in doubt.
The danger for an actor with her voice, her height, her bearing was a lifetime casting as “the posh woman.” In one sense that is precisely what happened. Yet she returned to those women – Audrey Forbes-Hamilton in To the Manor Born, and so many others on stage and screen – and made each one distinct: formidable, exasperating, vulnerable, lonely, unexpectedly warm, often inside a single episode. She never settled for a stereotype; she found the woman underneath and gave her intelligence, dignity and a private ache. She understood that the funniest characters are the ones who never suspect they’re being funny but believe, to their bones, that they’re right.
The impeccable Penelope Keith, by @gerrylb
https://t.co/heAqVJoPx3
"It's a total honour to have your artwork in the city that you're from" 💬
Jasleen Kaur's ‘Superstructure’ can now be seen along the North bank of the River Clyde as part of the Glasgow 2026 Festival!
https://t.co/y7DOa3U6bf
Clergy gather around Antoni Gaudí's Basilica of the Sagrada Família as Pope Leo XIV blesses the newly completed central Tower of Jesus Christ in Barcelona, Spain, Wednesday, June 10, 2026.
Beware using @RAC_Cover as they could leave you stranded in a rural location at 23:30 on a Sunday night after six hours previously saying they will send a recovery vehicle.