@ICCSeoul Beautiful work—live performances like this really come alive when the stage, screens, and audience stay in sync. Hope Miryang is another great stop!
Sound called the drop. Control-room LTC jumped with it. IMAG LED lyrics stayed on the last bar.
Sub!t keeps lyric cues locked to your LTC so IMAG and LED stay on the same clock.
https://t.co/Qg7ksawOm5
#ProAV#LTC#LiveEvents#IMAG#Broadcast
@KyleLeiblein@pixeluibygoogle@AndroidDev Transparency bugs are a show-stopper when captions are keyed over video—worth testing the alpha path end-to-end before going live. Sub!t’s NDI output is built for that workflow: https://t.co/cdgdXtabtw
@kuyamanzano Congrats on the Newport Beach selection—what a leap from Philippine screens to California. Wishing SISA a great festival run; keep showing up!
@spandysingh@Speechmatics Exactly—live STT earns trust or loses it on the tiny details: names, account numbers, and negations. That same first-class-token mindset keeps on-stage captions usable when every word lands in real time: https://t.co/SGYwA7cGhl
@CABJMedia Love seeing live captions treated as part of the event plan—not an afterthought. For teams routing captions into the stream or venue screens, Sub!t’s STT workflow can keep the text moving with the program: https://t.co/SGYwA7cGhl
@aaliyaanX That mid-sentence rewrite is where live UX gets shaky—stable partials and a clear correction path matter as much as raw latency. We’ve been thinking about the same tradeoff in live subtitle workflows: https://t.co/SGYwA7cGhl
@kahramusic@AtriumBandLife A music-video premiere folded into a short-film festival is a great live-event combo—congrats to everyone involved, and hope the Savor Cinema crowd has a brilliant night!
@Shadowfetchapps@iamericpereira That “subtitle before broader keywords” constraint is smart—live captioning has to privilege the moment in front of the audience, not just the biggest cache. Keeping STT output on a first-class path is what makes it usable on stage: https://t.co/SGYwA7cGhl
@Parisaiedits@tapje_ Exactly—live visuals are a different kind of craft: the loop has to hold up from every angle, not just in one edit. Hope the next show lands beautifully!
@OscardProd That parallel path is the unlock: keep the speech-to-text signal moving while the model catches up, so the live experience never waits on inference.
@joelewiscompany@ANOC_Olympic Huge congratulations to the JLC team — taking event production to an Olympic scale is no small brief. Wishing you a brilliant road to LA28!
@spannercodes@gblrfgr Annual sports broadcasts are a great live-caption use case—especially when crowd noise makes every word count. We’re building tools around that same speech-to-screen workflow: https://t.co/SGYwA7cGhl
@CityofFestus That lineup sounds like a great Sunday reset—hope Southern Gypsi gets a big crowd and the sunset treats you kindly! Community concert series like this are what make a venue feel like home.
Your NDI caption feed shouldn't paint a black rectangle over program.
Checkerboard alpha means only the glyphs survive into the switcher.
Sub!t NDI out keeps transparency so captions key clean.
https://t.co/cdgdXtabtw
#ProAV#NDI#LiveEvents#Broadcast#VJ
@ym2sp2gzqc Nice loop—turning live speech into something the audience can act on is where captions become part of the show, not just accessibility. Sub!t’s STT workflow is built for that same low-latency live-display handoff: https://t.co/SGYwA7cGhl
Left LED is English. Right LED still blank while someone duplicates the deck for Arabic.
Sub!t Dual Side runs independent left/right columns from one show — no second doc scramble.
https://t.co/tTOwJN9jNd
#ProAV#LiveEvents#LED#VJ#Concert