The Arts Society Farnham

Enriching our lives through the Arts

[World's Amazing Things @Hana_b30]

Imagine this being the view you get to see immediately as you land in Kenya by air.🦒

[archéa @aurearch]

The beauty of the stained glass

[Sophia @SophiaFioren]

The Trembleuse Art Nouveau Dragonfly was crafted with aquamarine, diamond, and ruby in London around 1900.

[LeoDaVinciWave @LeoDaVinciWave]

Early 20th-century Lalique perfume bottles.
Which design is your favorite?

[soli @solisolsoli]

French armor, c. 1575

[HerodotusWave @HerodotusWave]

The contrasts Katsushika Hokusai's legendary woodblock print The Great Wave off Kanagawa with the jaw-dropping jewelry masterpiece it inspired.

[Massimo @Rainmaker1973]

The interior of the Mollabashi House (Motamedi House) in Isfahan, Iran, is a stunning showcase of Persian architecture and decoration.

Located on Hasht Behesht Street, this XVIII century residence is registered as national heritage since 2002 and is renowned for its intricate design and historical significance.

[Marysia @marysia_cc]

Botanical Applique Quilt
by Chinami Terai (Japan)

[World's Amazing Things @Hana_b30]

Imperial Faberge Egg. The Memory of Azov Egg. It was made in 1891 for Tsar Alexander II, who presented it to his wife, the Tsarina Maria Feodorovna, as an Easter gift.

[ArtNouveauDeco @NouveauDeco]

Minton's Art Nouveau ceramic wash set from c. 1895, England.

[DaVinci @BiancoDavinci]

Stained glass staircase in the Hakone Museum, Japan.

[HerodotusWave @HerodotusWave]

The Gatchina Palace Egg, an Imperial Fabergé egg created in 1901 under the supervision of Peter Carl Fabergé.

[#WOMENSART @womensart1]

Embroidered hanging of wool on linen depicting a pomegranate tree, roses and other flowers, foliage and birds, designed by May Morris, 1891, and worked by May Morris and Theodosia Middlemor. #Womensart

[HerodotusWave @HerodotusWave]

The Peacock Doors, were designed by Louis Comfort Tiffany in 1925.

[LeoDaVinciWave @LeoDaVinciWave]

Twisted Chimney In Wales.

[LeoDaVinciWave @LeoDaVinciWave]

Antwerpen-Centraal, Belgium often called the world’s most beautiful railway station, where every corner feels like a piece of art.

[ArchaeoHistories @histories_arch]

In 1985, a man named Douglas Simmonds walked into the British Museum, carrying a bag of old objects. His father Leonard had served with the Royal Air Force in the Middle East during and after the Second World War, and like many veterans stationed far from home, he had picked up curiosities along the way. Clay fragments. Small carved objects. Things that looked interesting without being obviously valuable.

After Leonard died, the collection passed to his son. Douglas wanted someone to tell him what he had. The man who looked at the objects was Irving Finkel — one of the very few people alive who can read cuneiform, the world's oldest writing system. Finkel looked at the tablets one by one. Then he picked up a small, damaged piece of clay — roughly the size of a mobile phone — and started reading. He went very still. The opening lines were famous to anyone in his field. They were the beginning of the Atra-Hasis Flood Story — one of the oldest narratives in recorded human history. A god warning a chosen man of a coming catastrophe. An instruction to build a great boat and save the animals. A story so ancient it had been told and retold across civilizations for thousands of years before anyone carved it into stone or pressed it into paper. But this particular tablet contained something that had never been seen before - construction instructions. Precise ones naming materials, measurements, quantities. A working blueprint for the ark itself — specific enough that a boat could actually be built from it. And the ark it described was nothing like the one in Genesis, it was round. A massive circular coracle — coiled from palm fiber rope, supported by thick wooden ribs, sealed with layers of bitumen that seeped naturally from the Iraqi earth. It was not designed not to sail anywhere, but simply to float, because it had nowhere specific to go, it just needed to survive.

Finkel was — in his own words — "wobbly with desire" to keep studying it. But Simmonds took it back, he wasn't oblivious about its significance. He was simply a man who had inherited a family treasure and wasn't ready to surrender it to a museum. He was, by all accounts, a person of considerable intelligence who knew exactly what he was carrying. But he just wasn't willing to leave it behind.

Finkel never forgot the tablet. For 24 years, he thought about those opening lines. Wondered what the full text said. Then, in 2009, he spotted Douglas Simmonds at a Babylonian exhibition inside the very museum where they had first met. He walked over and asked directly: please, bring the tablet back. This time, Simmonds agreed. What followed was years of painstaking work. The tablet's 60 lines of cuneiform covered both sides of the clay. Some sections were chipped or cracked, forcing Finkel to cross-reference fragments, compare symbols, and reconstruct meaning from what time had left behind. But the construction instructions were remarkable in their specificity — detailed enough that he eventually worked with ancient shipbuilding experts to actually build a replica of the round ark, at roughly one-third scale. When he launched it on a river in Kerala, India, with documentary cameras rolling, the ancient design held.

📷 : Dr. Irving Finkel, a philologist and Assyriologist, displaying a 4000 years-old clay tablet containing the story of the Ark at the British Museum

© The Stories They Never Shared

#archaeohistories

[🎶𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗠𝗲𝗹𝗼𝗱𝗶𝗲𝘀 ✨ @Old_But_Gold50s]

✨The return of the King’s bed to Versailles

The king’s bedroom in his private apartments had been empty for decades, if not centuries. After many years of research and work, Louis XVI’s bed was fully recreated based on rare documents describing it.

[#WOMENSART @womensart1]

Artist Isobelle Ouzman carves intricate 3D illustrations into discarded books found in dumpsters and recycling bins #womensart #BookArtWeek