It's #WorldArabicLanguageDay! Here is one of our TDC Award Winners, HudHud by Maha Akl of Cairo. Her typeface received a 2020 certificate in Typeface Design.
"Hudhud's concept is centred around mixing influences from the two constructions of the Arabic script: Solid and Fluid."
The stenciling in our new release, Kanun Stencil, though generally mechanical, also largely follows the stroke order and direction of Arabic writing, creating a human + machine amalgam.
It is also best appreciated in large sizes ๐๐
https://t.co/Np2RRPspt1
NEW RELEASE!
Kanun Stencil is finally here. Just in time for the holidays and looking festive! Kanun Stencil is a playful layered typeface with an industrial flair.
Have a look at the blog post to know more https://t.co/Np2RRPspt1
Two more weeks to snag one of our โBeirut my Homeโ t-shirt and support Lebanon! All profits will go to the Beirut emergency fund of @savethechildren.
A big thank you to those ordered it so far ๐๐งก๐๐ค
https://t.co/9rZtlNQSLR
#supportbeirut
The 19th Morrocan calligrapher al-Qandusi is known for his extreme stylisation of the Maghribi style (left picture). But he took inspiration from medieval examples, such as this Qur'an bifolio (on the right) sold in auction in 2011 and dated from the 11th-13th by radiocarbon.
Ping Arabic is now on @fontstand! You can try/rent it over there for a fraction of its price. Enjoy and do show us what you make with it! ๐
https://t.co/maXweIOAew
NEW RELEASE! After two years in development, Ping Arabic is here. A modern typeface rooted in geometry without discarding the organic aspect of writing.
Have a look: https://t.co/UjgoyZG1Fj
Ping Arabic is characterized by decidedly abrupt reductionist strokes and abstracted forms that reveal the geometric essence of the letterforms without discarding the organic aspect of writing.
https://t.co/UjgoyZG1Fj
Itโs no news that this year has been terrible in more ways than one to many people across the globe. TPTQ Arabic is one half Lebanese and in light of the events of the last year in Lebanon, starting from the economic collapse which led to the revolution of October 17, 2019 (1/4)
with 100% of the profits going to the Lebanese Red Cross.
We certainly did not stop doing what we love and continued developing new typefaces.
The world does not look much better today but life always continues, one way or another and we keep going. (3/4)