Taxiarch Press

@TomaszFroelich @KONFEDERACJA_

about 2 years ago

TaxiarchPress retweeted

Imperium Press @imperiumpress1

about 2 years ago

A review of this book has been published by Arktos, covering not just the long-standing conflict between Russia and Islamic forces in the Caucasus, but also examining the implications for contemporary geopolitics and cultural identity. Read it here: https://t.co/d3i8zdJmi1

AntelopeHill's tweet photo. A review of this book has been published by Arktos, covering not just the long-standing conflict between Russia and Islamic forces in the Caucasus, but also examining the implications for contemporary geopolitics and cultural identity.

Read it here: https://t.co/d3i8zdJmi1

TaxiarchPress retweeted

about 2 years ago

NEW BOOK — Spengler's Political Essays https://t.co/Jn5f1ZRcaS “We Germans will not make it to a Goethe again, but we will make it to a Caesar.” Thus closes Spengler’s 1921 essay “Pessimism?”, and his bold prediction soon came true. In this collection of essays from 1921–1936, he expands upon the themes of his Decline of the West—pessimism, relativism, Caesarism—and tackles the burning issues of his time. At the heart of all of these writings is his concern for Germany to recover from the traumatic defeat of WWI and regain a position of greatness on the world stage. As in his magnum opus, Spengler’s essays draw heavily on history and empirical facts, not abstract theories, hence his prescience. This collection of all new translations—many translated for the first time—shows Spengler to be a master of the short form. https://t.co/Jn5f1ZRcaS

imperiumpress1's tweet photo. NEW BOOK — Spengler's Political Essays

https://t.co/Jn5f1ZRcaS

“We Germans will not make it to a Goethe again, but we will make it to a Caesar.”

Thus closes Spengler’s 1921 essay “Pessimism?”, and his bold prediction soon came true. In this collection of essays from 1921–1936, he expands upon the themes of his Decline of the West—pessimism, relativism, Caesarism—and tackles the burning issues of his time. At the heart of all of these writings is his concern for Germany to recover from the traumatic defeat of WWI and regain a position of greatness on the world stage.

As in his magnum opus, Spengler’s essays draw heavily on history and empirical facts, not abstract theories, hence his prescience. This collection of all new translations—many translated for the first time—shows Spengler to be a master of the short form.

https://t.co/Jn5f1ZRcaS

Books for today. Stories for all time.

about 2 years ago

Congratulations to Konfederacja on its result! We'd like to remind readers that we have Roman Dmowski's major works in English, and in glossy hardcover too, made available on request! Shoot us an email today, and we'll send you the links to purchase👍

TaxiarchPress's tweet photo. Congratulations to Konfederacja on its result! We'd like to remind readers that we have Roman Dmowski's major works in English, and in glossy hardcover too, made available on request!

Shoot us an email today, and we'll send you the links to purchase👍 https://t.co/F9vBRSKIbV

Tomasz Froelich

@TomaszFroelich

about 2 years ago

Ich freue mich über das starke Wahlergebnis der #AfD bei der #Europawahl und über den Rechtsruck in ganz Europa, von dem aber nicht alle Parteien gleichermaßen profitieren konnten. Zu den großen Gewinnern - und das freut mich ganz besonders - gehört die @KONFEDERACJA_ aus Polen, die sich von 4,6 % auf 12,1 % verbessern konnte. Bei den Wählern unter 30 Jahren ist sie sogar stärkste Kraft. Die Konfederacja steht auf einem starken weltanschaulichen Fundament. Ihre Strömungen vereinen nationaldemokratische, rechtslibertäre, traditionalistische und erzkatholische Ansätze. Sie beschränkt sich nicht, wie einige andere Rechtsparteien, auf Populismus. Viele ihrer Vertreter verehren die wichtigste Figur des polnischen Nationalismus: Roman Dmowski. Vier seiner wichtigsten Texte sind vor Kurzem erstmals auch in deutscher Sprache erschienen: „Gedanken eines modernen Polen” von 1903, „Deutschland, Russland und die polnische Frage” von 1908, „Kirche, Nation und Staat” und „Der Hitlerismus als nationale Bewegung“ von 1932. Ich empfehle jedem die Lektüre dieser Quellentexte. Vielleicht werde ich demnächst mal einen ausführlicheren Artikel über Dmowskis Werk beisteuern. Auch @benedikt_kaiser könnte sich dazu äußern. Dmowskis differenzierte Ausführungen zur Psychologie des polnischen Volkes und anderer europäischer Völker, zur Geopolitik der damaligen Zeit aus Sicht des Realismus und zur bereits damals beobachtbaren Dekadenz des westlichen Liberalismus sind sehr erhellend und auf hohem analytischen Niveau, auch wenn man nicht alle seiner Ausführungen teilen mag. Ihm wird oft eine antideutsche Haltung attestiert, weil er für eine Annäherung Polens mit Russland warb. Mein Eindruck bei der Lektüre war, daß neben antideutschen Anklängen, die auf die Zeit der Teilung Polens zurückzuführen sind, auch viel Bewunderung für Deutschland aufgrund seines kulturellen und ökonomischen Attraktivität herauszulesen ist. In dieser Attraktivität erkannte Dmowski die Gefahr einer Germanisierung seiner Heimat. Die Gefahr einer Russifizierung, die teils mit brutaler Gewalt versucht wurde, stufte er aufgrund der mangelnden kulturellen und ökonomischen Attraktivität Russlands als geringer ein. Letztlich vertrat er in der Geopolitik einen realistischen Ansatz, der das nationale Interesse Polens in den Vordergrund rückt. Ähnlich bewerte ich den außenpolitischen Ansatz der Konfederacja, die nationale Interessen statt anachronistische Nationalchauvinismen in den Vordergrund rückt und sich so bspw. von der PiS unterscheidet. In Konfederacja-Kreisen ist häufig von einer multivektoral ausgerichteten Außenpolitik die Rede, die sich mit dem, was der AfD vorschwebt, ganz gut in Einklang bringen lässt. Ich verweise an dieser Stelle auf die sehr lesenswerten Ausführungen von @K_Kaminski_. Weil es lange Zeit in Deutschland keine rechte Partei von Relevanz gab, habe ich mich schon früh, wenn auch eher oberflächlich, für die polnische Parteienlandschaft interessiert: Dort gab es immerhin die Liga Polskich Rodzin (LPR), die Unia Polityki Realnej (UPR), später den Kongres Nowej Prawicy (KNP). Daß aber 2024 in Deutschland eine Partei wie die AfD bundesweit 16 % und in Polen ein Parteienbündnis wie die Konfederacja 12 % holen würde, hätte ich vor 15 Jahren, als ich publizistisch in der außerparlamentarischen Opposition aktiv war, kaum für möglich gehalten, auch wenn das, was bis hierhin erzielt wurde, nur ein Anfang sein kann. 2016, kurz vor meinem Eintritt in die AfD, interviewte ich für @efonline die damalige Aktivistin @EwaZajaczkowska, die es dann auch aufs Titelblatt geschafft hat. @ALichtschlag wird sich erinnern. Das Interview liest sich nach acht Jahren immer noch gut. Daß Zajączkowska nun, wie ich, ins EU-Parlament gewählt wurde, ist eine schöne Wendung! Quellentexte von Dmowski in deutscher Sprache: https://t.co/uPUqll57CI Interview mit Zajączkowska: https://t.co/MOZYFHhH05

TomaszFroelich's tweet photo. Ich freue mich über das starke Wahlergebnis der #AfD bei der #Europawahl und über den Rechtsruck in ganz Europa, von dem aber nicht alle Parteien gleichermaßen profitieren konnten.

Zu den großen Gewinnern - und das freut mich ganz besonders - gehört die @KONFEDERACJA_ aus Polen, die sich von 4,6 % auf 12,1 % verbessern konnte. Bei den Wählern unter 30 Jahren ist sie sogar stärkste Kraft.

Die Konfederacja steht auf einem starken weltanschaulichen Fundament. Ihre Strömungen vereinen nationaldemokratische, rechtslibertäre, traditionalistische und erzkatholische Ansätze. Sie beschränkt sich nicht, wie einige andere Rechtsparteien, auf Populismus.

Viele ihrer Vertreter verehren die wichtigste Figur des polnischen Nationalismus: Roman Dmowski. Vier seiner wichtigsten Texte sind vor Kurzem erstmals auch in deutscher Sprache erschienen: „Gedanken eines modernen Polen” von 1903, „Deutschland, Russland und die polnische Frage” von 1908, „Kirche, Nation und Staat” und „Der Hitlerismus als nationale Bewegung“ von 1932. Ich empfehle jedem die Lektüre dieser Quellentexte. Vielleicht werde ich demnächst mal einen ausführlicheren Artikel über Dmowskis Werk beisteuern. Auch @benedikt_kaiser könnte sich dazu äußern.

Dmowskis differenzierte Ausführungen zur Psychologie des polnischen Volkes und anderer europäischer Völker, zur Geopolitik der damaligen Zeit aus Sicht des Realismus und zur bereits damals beobachtbaren Dekadenz des westlichen Liberalismus sind sehr erhellend und auf hohem analytischen Niveau, auch wenn man nicht alle seiner Ausführungen teilen mag.

Ihm wird oft eine antideutsche Haltung attestiert, weil er für eine Annäherung Polens mit Russland warb. Mein Eindruck bei der Lektüre war, daß neben antideutschen Anklängen, die auf die Zeit der Teilung Polens zurückzuführen sind, auch viel Bewunderung für Deutschland aufgrund seines kulturellen und ökonomischen Attraktivität herauszulesen ist. In dieser Attraktivität erkannte Dmowski die Gefahr einer Germanisierung seiner Heimat. Die Gefahr einer Russifizierung, die teils mit brutaler Gewalt versucht wurde, stufte er aufgrund der mangelnden kulturellen und ökonomischen Attraktivität Russlands als geringer ein.

Letztlich vertrat er in der Geopolitik einen realistischen Ansatz, der das nationale Interesse Polens in den Vordergrund rückt. Ähnlich bewerte ich den außenpolitischen Ansatz der Konfederacja, die nationale Interessen statt anachronistische Nationalchauvinismen in den Vordergrund rückt und sich so bspw. von der PiS unterscheidet. In Konfederacja-Kreisen ist häufig von einer multivektoral ausgerichteten Außenpolitik die Rede, die sich mit dem, was der AfD vorschwebt, ganz gut in Einklang bringen lässt. Ich verweise an dieser Stelle auf die sehr lesenswerten Ausführungen von @K_Kaminski_.

Weil es lange Zeit in Deutschland keine rechte Partei von Relevanz gab, habe ich mich schon früh, wenn auch eher oberflächlich, für die polnische Parteienlandschaft interessiert: Dort gab es immerhin die Liga Polskich Rodzin (LPR), die Unia Polityki Realnej (UPR), später den Kongres Nowej Prawicy (KNP).

Daß aber 2024 in Deutschland eine Partei wie die AfD bundesweit 16 % und in Polen ein Parteienbündnis wie die Konfederacja 12 % holen würde, hätte ich vor 15 Jahren, als ich publizistisch in der außerparlamentarischen Opposition aktiv war, kaum für möglich gehalten, auch wenn das, was bis hierhin erzielt wurde, nur ein Anfang sein kann.

2016, kurz vor meinem Eintritt in die AfD, interviewte ich für @efonline die damalige Aktivistin @EwaZajaczkowska, die es dann auch aufs Titelblatt geschafft hat. @ALichtschlag wird sich erinnern. Das Interview liest sich nach acht Jahren immer noch gut. Daß Zajączkowska nun, wie ich, ins EU-Parlament gewählt wurde, ist eine schöne Wendung!

Quellentexte von Dmowski in deutscher Sprache: https://t.co/uPUqll57CI

Interview mit Zajączkowska: https://t.co/MOZYFHhH05

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Who to follow

Passage Publishing

@PassagePress

Actaeon Press

@SchattigeDer

Literature, with a focus on Jünger. https://t.co/spbrcTzHkM Check out our books: https://t.co/WgpwzWbLzw https://t.co/nYb12Z1Tro

Preserving and translating censored and lost works for the modern American reader. Check out all our links at: https://t.co/bLvjLt6aE5

over 2 years ago

If you'd like to order some copies, send us an email 🇵🇱👍

about 3 years ago

Spots left on our order list for this month! Drop us an email and you can get your hands on these timeless hardcovers, in English for the first time. 🇵🇱🗣️

TaxiarchPress's tweet photo. Spots left on our order list for this month!

Drop us an email and you can get your hands on these timeless hardcovers, in English for the first time. 🇵🇱🗣️ https://t.co/Z1aKmCK08r

470

TaxiarchPress retweeted

over 2 years ago

We are proud to release Bare Fields: The Russians in Gallipoli, 1920-21 by Ivan Lukash, translated from Russian for the first time ever by @1147x1147 https://t.co/OJJXqodXf2 -- Nearing the end of the Russian Civil War, a large portion of the White Army, along with some of their families and other emigres, evacuated to Greek-occupied Gallipoli, taking with them the very soul of Russia, desperately hoping to see her in a new dawn. Among them was author Ivan Lukash, who penned the following collection of musings and observations during this time in Gallipoli from 1920 to 1921. Bare Fields paints a vivid image of their camps, from the bustle of the mornings to the late-night outings of both soldiers and locals, sprinkled with an abundance of anecdotes from such famed men as Pyotr Wrangel, Anton Turkul, Vladimir Manstein, and Alexander Kutepov. An overarching theme to the book can be illustrated with the following question: What will a Russian man do when he is deprived of everything—his homeland, his wealth, his family, when nothing remains but the dry, gray landscape of a once beautiful city, now turned into Russia’s foreign cemetery of ashes? As hope persists among some while others fall to despair, Lukash beautifully captures the varied answers to this unasked question in a way that is deeply insightful and surprisingly timeless. Antelope Hill Publishing is proud to present this first English translation of Bare Fields: The Russians in Gallipoli, 1920-21 by Ivan Lukash, translated by Elevenfortyseven, a delicate yet powerful testament to the Russian will. In the words of Lieutenant Misha, as recorded by Lukash, “We have become the living idea of Russia, and if she is alive, we are not dead either, because we carry Russia in us like the sun. And that is why everyone here has a burning soul.”

AntelopeHill's tweet photo. We are proud to release Bare Fields: The Russians in Gallipoli, 1920-21 by Ivan Lukash, translated from Russian for the first time ever by @1147x1147

https://t.co/OJJXqodXf2
--

Nearing the end of the Russian Civil War, a large portion of the White Army, along with some of their families and other emigres, evacuated to Greek-occupied Gallipoli, taking with them the very soul of Russia, desperately hoping to see her in a new dawn. Among them was author Ivan Lukash, who penned the following collection of musings and observations during this time in Gallipoli from 1920 to 1921. Bare Fields paints a vivid image of their camps, from the bustle of the mornings to the late-night outings of both soldiers and locals, sprinkled with an abundance of anecdotes from such famed men as Pyotr Wrangel, Anton Turkul, Vladimir Manstein, and Alexander Kutepov.

An overarching theme to the book can be illustrated with the following question: What will a Russian man do when he is deprived of everything—his homeland, his wealth, his family, when nothing remains but the dry, gray landscape of a once beautiful city, now turned into Russia’s foreign cemetery of ashes? As hope persists among some while others fall to despair, Lukash beautifully captures the varied answers to this unasked question in a way that is deeply insightful and surprisingly timeless.

Antelope Hill Publishing is proud to present this first English translation of Bare Fields: The Russians in Gallipoli, 1920-21 by Ivan Lukash, translated by Elevenfortyseven, a delicate yet powerful testament to the Russian will. In the words of Lieutenant Misha, as recorded by Lukash, “We have become the living idea of Russia, and if she is alive, we are not dead either, because we carry Russia in us like the sun. And that is why everyone here has a burning soul.”

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TaxiarchPress retweeted

almost 3 years ago

Our birthday sale continues today with a 10% discount using the code "happybirthdayahp"! But did you know you can save even more by purchasing one of our existing book bundles and collections? See the thread below!

AntelopeHill's tweet photo. Our birthday sale continues today with a 10% discount using the code "happybirthdayahp"! But did you know you can save even more by purchasing one of our existing book bundles and collections?

See the thread below! https://t.co/nk08cjLKpy

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almost 3 years ago

Copies still available for September 🇵🇱🗣️

about 3 years ago

Spots left on our order list for this month! Drop us an email and you can get your hands on these timeless hardcovers, in English for the first time. 🇵🇱🗣️

582

about 3 years ago

Spots left on our order list for this month! Drop us an email and you can get your hands on these timeless hardcovers, in English for the first time. 🇵🇱🗣️

about 3 years ago

@CCrowley100 Thank you 👍

TaxiarchPress retweeted

Chad Crowley

@CCrowley100

about 3 years ago

"Who is more to be pitied, a writer bound and gagged by policemen or one living in perfect freedom who has nothing more to say?" — Kurt Vonnegut Dissident Publishing Houses: The Importance of Patronage Censorship, by definition, denotes the suppression or prohibition of any form of expression deemed objectionable, harmful, or dangerous by those in positions of authority or power. Moreover, due to the inherent processes of abstraction and fragmentation that define the dissolutive nature of our postmodern era, as epitomized by the digitization of knowledge and the financialization of the economy, The Regime™️ now possesses the unprecedented power to silence, suppress, censor, and even outright extirpate any works that are considered subversive and dare to challenge the dominant narratives and power structures that currently enthrall Western civilization and its people. The emergence of this censorious "Digital Totalitarianism" has bestowed upon The Regime™️ an unprecedented level of power to arbitrarily and summarily eradicate any information or modes of thought that pose a threat to its stranglehold on acceptable discourse and total political control. Furthermore, The Regime™️ operates within a philosophical framework and worldview so fantastically and utterly divorced from reality that its tenuous grasp on power must be sustained by the ruthless censorship of anything remotely deemed a threat to its metapolitical and political hegemonic dominance. The once-revered pursuit of truth, the very hallmark of Western civilization, has been perniciously hijacked by fanatics whose sole devotion lies in upholding the dogmatic strictures of their perverse ideology of decline. In Regime™️ Newspeak, Dissident Publishing Houses play a pivotal role in advancing the cause of free expression by amplifying the voices of the marginalized. Moreover, these publishers serve as a crucial means of safeguarding historical and cultural perspectives that would otherwise be summarily disregarded, or outright erased by the ruling power narrative. Whether in the realm of metapolitics or conventional politics, every transformational movement depends upon the support and patronage of individuals standing together in pursuit of a singular vision for change—this is particularly true in the face of the totalitarian censorship at the heart of The Regime's™️ insidious objective of total European ethnocultural erasure. However, by the simple act of purchasing a heterodoxical book, you are not only bettering yourself but also contributing to the vital mission of preserving our people's glorious ancestral legacy Thus, I implore all those with the financial means to consider patronizing any of the Dissident Publishers listed below. By purchasing physical books, we forge a tangible connection to the ideas and perspectives being shared, creating a powerful barrier against the suppression of knowledge that is all too easy when ideas exist solely in digital form. In short, buy physical copies of your favorite books. The list of Dissident Publishers below is far from exhaustive, so I encourage everyone to recommend any other Dissident Publishing Houses that merit consideration. On Twitter: @AgarthaB00ks @AntelopeHill @ArktosJournal @BooksBonfire @CarThulePub @Dissident_Rev @HistoryinReview @LancesLegion @MysteryGrove @PassagePress @PatriaPublish @RogueScholarPr @SchattigeDer @TaxiarchPress @terrorhousemag @Trad_West_Art @TsarPress @vdare Not On Twitter: American Renaissance Black House Publishing Counter-Currents Imperium Press Ostara Publications The Occidental Quarterly

CCrowley100's tweet photo. "Who is more to be pitied, a writer bound and gagged by policemen or one living in perfect freedom who has nothing more to say?" — Kurt Vonnegut

Dissident Publishing Houses: The Importance of Patronage

Censorship, by definition, denotes the suppression or prohibition of any form of expression deemed objectionable, harmful, or dangerous by those in positions of authority or power.

Moreover, due to the inherent processes of abstraction and fragmentation that define the dissolutive nature of our postmodern era, as epitomized by the digitization of knowledge and the financialization of the economy, The Regime™️ now possesses the unprecedented power to silence, suppress, censor, and even outright extirpate any works that are considered subversive and dare to challenge the dominant narratives and power structures that currently enthrall Western civilization and its people.

The emergence of this censorious "Digital Totalitarianism" has bestowed upon The Regime™️ an unprecedented level of power to arbitrarily and summarily eradicate any information or modes of thought that pose a threat to its stranglehold on acceptable discourse and total political control.

Furthermore, The Regime™️ operates within a philosophical framework and worldview so fantastically and utterly divorced from reality that its tenuous grasp on power must be sustained by the ruthless censorship of anything remotely deemed a threat to its metapolitical and political hegemonic dominance. The once-revered pursuit of truth, the very hallmark of Western civilization, has been perniciously hijacked by fanatics whose sole devotion lies in upholding the dogmatic strictures of their perverse ideology of decline.

In Regime™️ Newspeak, Dissident Publishing Houses play a pivotal role in advancing the cause of free expression by amplifying the voices of the marginalized. Moreover, these publishers serve as a crucial means of safeguarding historical and cultural perspectives that would otherwise be summarily disregarded, or outright erased by the ruling power narrative.

Whether in the realm of metapolitics or conventional politics, every transformational movement depends upon the support and patronage of individuals standing together in pursuit of a singular vision for change—this is particularly true in the face of the totalitarian censorship at the heart of The Regime's™️ insidious objective of total European ethnocultural erasure. However, by the simple act of purchasing a heterodoxical book, you are not only bettering yourself but also contributing to the vital mission of preserving our people's glorious ancestral legacy

Thus, I implore all those with the financial means to consider patronizing any of the Dissident Publishers listed below. By purchasing physical books, we forge a tangible connection to the ideas and perspectives being shared, creating a powerful barrier against the suppression of knowledge that is all too easy when ideas exist solely in digital form. In short, buy physical copies of your favorite books.

The list of Dissident Publishers below is far from exhaustive, so I encourage everyone to recommend any other Dissident Publishing Houses that merit consideration.

On Twitter:

@AgarthaB00ks
@AntelopeHill
@ArktosJournal
@BooksBonfire
@CarThulePub
@Dissident_Rev
@HistoryinReview
@LancesLegion
@MysteryGrove
@PassagePress
@PatriaPublish
@RogueScholarPr
@SchattigeDer
@TaxiarchPress
@terrorhousemag
@Trad_West_Art
@TsarPress
@vdare

Not On Twitter:

American Renaissance
Black House Publishing
Counter-Currents
Imperium Press
Ostara Publications
The Occidental Quarterly

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TaxiarchPress retweeted

Rogue Scholar Press @RogueScholarPr

over 3 years ago

We are proud to announce the release of our third fiction book, "Worlds Separated" by Tyler Wilson. Buy it here: https://t.co/Kt4Is3Pgyy -- "Worlds Separated" is the story of a man on the run. Scorned by society and wanted by the state, Scott Austin makes his escape and...

AntelopeHill's tweet photo. We are proud to announce the release of our third fiction book, "Worlds Separated" by Tyler Wilson.

Buy it here: https://t.co/Kt4Is3Pgyy

--

"Worlds Separated" is the story of a man on the run. Scorned by society and wanted by the state, Scott Austin makes his escape and... https://t.co/8qV2T0QxwJ

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TaxiarchPress retweeted

over 3 years ago

Announcing our newest book: the infamous SEX AND CHARACTER by Otto Weininger Weininger develops a spiritual psychology of various types which had a major influence on Julius Evola, Ernst Jünger and countless other thinkers in the 20th century https://t.co/dZnN0ZYKPF

RogueScholarPr's tweet photo. Announcing our newest book: the infamous SEX AND CHARACTER by Otto Weininger

Weininger develops a spiritual psychology of various types which had a major influence on Julius Evola, Ernst Jünger and countless other thinkers in the 20th century

https://t.co/dZnN0ZYKPF https://t.co/TFIKWhmBEn

TaxiarchPress retweeted

Terror House Press @terrorhousemag

over 3 years ago

Terror House Press is pleased to announce its 42nd book: ART OFFICIAL by Kurt Cole Eidsvig! A satirical novel examining post-9/11 politics, the art world, and the hidden role of the government in shaping contemporary culture. COMING THIS FRIDAY!

terrorhousemag's tweet photo. Terror House Press is pleased to announce its 42nd book: ART OFFICIAL by Kurt Cole Eidsvig! A satirical novel examining post-9/11 politics, the art world, and the hidden role of the government in shaping contemporary culture.

COMING THIS FRIDAY! https://t.co/hmUFpFwWKI

over 3 years ago

@Sardiniade Thanks for letting us know. We have responded 👍