Whimsy Dino🌿 @TeaRexee - Twitter Profile

Pinned Tweet

Whimsy Dino🌿 @TeaRexee

almost 4 years ago

⭐️After 2 long years, here she is! And just in time for #JurassicJune⭐️

171

7K

1K

326

0

Whimsy Dino🌿 @TeaRexee

about 23 hours ago

This sounds amazing!😱

Culture Crave 🍿

@CultureCrave

1 day ago

'The Lost Wild' director Gary Napper shares new details about the game 🦖 "From the outset, our goal has been to create a world where dinosaurs are not framed as monsters, but as believable animals. They exist within the world with their own instincts, behaviors, and drives. This shift in perspective fundamentally changes the player’s role. You are not the dominant force, the hero or the conqueror, you are the outsider, vulnerable and exposed, trying to navigate a food chain where you no longer sit at the top" "We emphasize tension through vulnerability. The player is not equipped to kill these creatures, although they can find tools to defend themselves. The experience avoids gamified or arcade-like systems that would undermine that tone. There are no exaggerated weak points or predictable attack patterns designed for exploitation. Instead, survival depends on observation, learning, and reaction. When encounters happen, players evade, hide, create distractions, and use the environment to escape" "The environments in The Lost Wild are dense, claustrophobic, and unforgiving, with abandoned buildings embedded within an overgrown wilderness. This is not a wide-open safari, it’s a place where visibility is limited, paths are unclear, and the landscape itself can disorient you. Through this, we create the feeling of being lost, both physically and psychologically" "My experience working on 'Alien: Isolation' has inevitably shaped how I approach horror design and is definitely a lens I view this game’s design through ... In 'Alien: Isolation', the creature was terrifying not just because of what it could do, but because of what players imagined it was going to do. The sense of anticipation and fear built in the unknown. That same principle applies here in a lot of ways. By treating dinosaurs as systemic, unpredictable entities rather than scripted events, we create a more dynamic and personal form of horror. The difference here is not just that you can’t fight back, it’s that you feel like you shouldn’t. Maintaining a respect for the dinosaurs as living creatures, while trying to survive in a world with them" More broadly, I think there’s a growing appetite for experiences that move away from the power fantasy. Horror becomes far more effective when the player feels exposed, when control is limited, and when success is uncertain. The Lost Wild leans into that approach offering an experience where survival is never guaranteed and dominance is never assumed. "Ultimately, The Lost Wild is about placing players into a world that feels grounded, real, indifferent, and alive, and then asking them to navigate it not as a hero, but as something far more fragile but relatable. 'If I were there, what would I do?'" Releasing in 2027

CultureCrave's tweet photo. 'The Lost Wild' director Gary Napper shares new details about the game 🦖

"From the outset, our goal has been to create a world where dinosaurs are not framed as monsters, but as believable animals. They exist within the world with their own instincts, behaviors, and drives. This shift in perspective fundamentally changes the player’s role. You are not the dominant force, the hero or the conqueror, you are the outsider, vulnerable and exposed, trying to navigate a food chain where you no longer sit at the top"

"We emphasize tension through vulnerability. The player is not equipped to kill these creatures, although they can find tools to defend themselves. The experience avoids gamified or arcade-like systems that would undermine that tone. There are no exaggerated weak points or predictable attack patterns designed for exploitation. Instead, survival depends on observation, learning, and reaction. When encounters happen, players evade, hide, create distractions, and use the environment to escape"

"The environments in The Lost Wild are dense, claustrophobic, and unforgiving, with abandoned buildings embedded within an overgrown wilderness. This is not a wide-open safari, it’s a place where visibility is limited, paths are unclear, and the landscape itself can disorient you. Through this, we create the feeling of being lost, both physically and psychologically"

"My experience working on 'Alien: Isolation' has inevitably shaped how I approach horror design and is definitely a lens I view this game’s design through ... In 'Alien: Isolation', the creature was terrifying not just because of what it could do, but because of what players imagined it was going to do. The sense of anticipation and fear built in the unknown. That same principle applies here in a lot of ways. By treating dinosaurs as systemic, unpredictable entities rather than scripted events, we create a more dynamic and personal form of horror. The difference here is not just that you can’t fight back, it’s that you feel like you shouldn’t. Maintaining a respect for the dinosaurs as living creatures, while trying to survive in a world with them"

More broadly, I think there’s a growing appetite for experiences that move away from the power fantasy. Horror becomes far more effective when the player feels exposed, when control is limited, and when success is uncertain. The Lost Wild leans into that approach offering an experience where survival is never guaranteed and dominance is never assumed.

"Ultimately, The Lost Wild is about placing players into a world that feels grounded, real, indifferent, and alive, and then asking them to navigate it not as a hero, but as something far more fragile but relatable. 'If I were there, what would I do?'"

Releasing in 2027

60

5K

584

865

198K

0

6

0

1

458

TeaRexee retweeted

🦖 Dino Kia 🦖; 🏳️‍🌈 Proudly Surviving Earth @YutyTyrant

2 days ago

Year of the Allosaurus

5

872

103

78

11K

TeaRexee retweeted

定

@de3dsoul

3 days ago

33

13K

1K

942

121K

Who to follow

WUHD Fursuits

@WhatsUpHotDog

✨🌭✨Fursuit maker in California ✨🏳️‍🌈💖🏳️‍⚧️✨Etsy shop for premade paws✨🐾✨

Val / LatinVixen

@Latinvixen

Valentina - 2D/3D Artist - Costume/Toy Designer 🇨🇴🇺🇸 Owner of @mixedcandy @Chompfl @softcandytoys 💍🦝 @roscoraccoon

Primal Roots Crafts and Suits

@PrimalSuits

Formerly The Fur Collective! We make fuzzy costumes! For more info and prices, visit our website. Proudly 🏳️‍🌈🏳️‍⚧️ Questions? [email protected]

Whimsy Dino🌿 @TeaRexee

2 days ago

Horror has been put under the spotlight this year and IM HERE FOR IT

0

4

0

216

Whimsy Dino🌿 @TeaRexee

2 days ago

@andraconix Heck yesh! We will make it happen >:3

0

43

Whimsy Dino🌿 @TeaRexee

4 days ago

IM READY

DiscussingFilm

@DiscussingFilm

4 days ago

New poster for ‘THE END OF OAK STREET’, starring Anne Hathaway and Ewan McGregor. The film follows a family who discover that their neighborhood has been taken back in time to the prehistoric era.