I don't write much on twitter but I wanted to share this little Montage of animated shortfilms I've made in the last 10 years...
Please don't watch it.
https://t.co/tP2quVn3U2
#shortfilm#animation#UnrealEngine5
THE FLASH is wildly entertaining. A tone reminiscent of some of your favorite 80s movies (one I’m thinking of is cleverly worked into the film itself), Ezra Miller’s winning performance (no, really), to a surprisingly emotional payoff, it ends the #Snyderverse in grand fashion.
All right, you asked for it!! Here is #AvatarTheWayOfTheWater VFX supervisor Eric Saindon of @WetaFXofficial breaking down a lot of the shots IN DETAIL with some never-before-seen VFX breakdowns, including the infamous shot from the trailer...
https://t.co/XtRy6s9sKG
@tvaziri https://t.co/DAv3XyoCZh
The first shot in a old reel was originally 1 minute 25 seconds ish. Unfortunately in the final edit it was heavily cut down and split into 2
Used to start with a close up of twitching eyes and fingers then pull out into and end later with more angryness
@tvaziri https://t.co/h02GuYGv3d
Jurassic park was the movie that made me want to be an animator.
I got to animate the long shot at 2:06 in this sequence. Apparently Colin was so happy he made weird noises in the review 🤣. A career highlight for sure! (Also did 1:38 and 3:06)
https://t.co/h02GuYGv3d
Spoilers for Jurassic.
Was a real honour to be a part of this sequence at ILM with the Jurassic crew
I got to animate the shot at 1.38, the long one at 2.06 and 3.06
It was great to watch it all on the big screen with the crew!
@ianfailes I feel like everywhere is severely understaffed. I'm happy to say that ILM and FS production management teams have kept overtime to a minimum for my shows in the last couple years during these crazy times!