The Coco Republic

cacao nips n chocolate chips 18+ only 🍫 🫕 🍪 🍦

[The Coco Republic @TheCocoRepublik]

Līf is better this way....

[The Coco Republic @TheCocoRepublik]

Wow....cnt post shii on here haha

[The Coco Republic @TheCocoRepublik]

@NFTWannabe @MattiaC This is peak nft vibes right here 🫡

[The Coco Republic @TheCocoRepublik]

@drether81 @WeAreNotGTM @Ryanmatta Get more followers first 🤣

[The Coco Republic @TheCocoRepublik]

@bloomin_deserts @realstewpeters So much blocking to do...luh it

[Beatriz @mandolinaes]

“The institutions stole your JPEGs.”

Yeah. But they weren’t BlackRock or traditional banks.

They were the wallets inside the 6529 ecosystem itself: the museum, collection deployers, The Memes, and the entire internal infrastructure around them.

61,946 free mints in key wallets.
More than 21,000 just for the museum.
Paid mints: zero.

Meanwhile, regular community members fight gas wars, chase allowlists, or get left out entirely while the ecosystem quietly accumulates tens of thousands of NFTs without spending a cent.

This is the same project that spent years preaching:
“Don’t let institutions steal your JPEGs.”
“Memes as public infrastructure.”
“Real decentralization.”
“CC0 for everyone.”

And yet the actual mechanics reveal something very different: a system concentrating power and assets internally through privileged infrastructure.

This isn’t some selfless act of cultural preservation. It’s hypocrisy at scale.

It’s centralization wrapped in revolutionary language.

“The rules are for everyone else.
We control the deployers.”

Sure, people will argue:
“It’s for the museum.”
“It’s efficient.”
“They invested real money.”

Maybe.

But when a movement requires 60,000+ free mints to sustain itself, its decentralization narrative starts looking less like a philosophy and more like a slogan.

The loudest voice against institutions ended up reproducing the exact same dynamic it claimed to fight:
accumulating structural advantage while preaching equality.

The table doesn’t lie.
And more people are starting to look at it.

[The Coco Republic @TheCocoRepublik]

Fnd....never uploaded there

[Beatriz @mandolinaes]

That’s exactly what someone says when they gave in to pressure but can’t admit it.

[The Coco Republic @TheCocoRepublik]

@LauraLoomer Why bot hold the most antisemitic ppl accountable for their actions? THE ISRAELIS!!! 🤬🤬🤬

[The Coco Republic @TheCocoRepublik]

On brand for the "digital art" space. I'm sellin fancy shovels so the rest of these bums can shovel more dirt on this "movement". Yeesh

[🥤 Max ༒ Osiris 🔥 ௐ³⁶⁹ 🎩 maxosiris.eth 𑖭𑖰𑖟𑖿 @maxOSIRISart]

@SuperRare @synthesis_md I never thought I'd see something dumbr gayr and lamr than sacha styles pretending to be a poet and you've done it again, you funky little twats

[TheJPEGGallery ⌐◨-◨ @thepropgallery]

All artist should be paid more attention to regardless of their future potential financially

[ANgiE tAYLoR 🧷 🧷 🧷 @theAngieTaylor]

Possibly the most important message you can ignore at your peril 👇

[Hackatao ♛ @Hackatao]

She was artistically more interesting at 3 and 4 years old. Then it was based on a common aesthetic. Too bad. Let's go back to being children.

[Dan Bilzerian @DanBilzerian]

@WhiteHouse @POTUS What a lying sellout

[The Coco Republic @TheCocoRepublik]

I dnt need to prove my worth to collectors to get sales...

Most wont ever own my art but thats by my choice. You dont have the resources to acquire it 🖕

#fucktwitter
#thewealthiestpeoplearethepoorestversionofhumanity
#GalaxyAI

[The Coco Republic @TheCocoRepublik]

@nftlisa -xdc- c x

[The Coco Republic @TheCocoRepublik]

@nftlisa Slap some fresh paint on that old pig and call it something else. They never notice, works every time!

[The Coco Republic @TheCocoRepublik]

@toddrichman @nyknicks @Israel Better statement than looking the other way when children are being killed by the masses. 🎤

[The Coco Republic @TheCocoRepublik]

@theAngieTaylor I was just seein this the other day... theyre offering a nice stipend. Hmmm 🤔

[WG @WGMeets]

I’ve always mentioned this and still to this day feel it… many of those that came either a bit before my time in 2019 or around that and made their money, are the most quiet when it matters the most. Greed and entitlement is also definitely holding CryptoArt back.

[M I S S A L S I M P S O N @missalsimpson]

I have been a female artist with Super Rare for nearly 7 years now and for 2 consecutive years sold the most artworks on the platform but am never featured in any exhibitions, curations, shoutouts or tweets.

This isn't me having a moan. Performance in the market does not seem to translate into institutional visibility for many female artists in Cryptoart.

We should be asking why...