@atiselsts_eth Good analysis per usual. Why is volume going down if the fees are passed to the LP's while users no longer have a front end fee? Shouldnt volumes be going up vs competitors who have user facing fees?
@saintniko@Flowslikeosmo This is not quite accurate either: "A portion of swap fees goes to the protocol, while the majority still goes directly to LPs. The objective is long-term sustainability, not inflated optics" considering the UNI protocol burns $43 million~ a year, but gives $68 million to Uni Lab
TYLER HOBBS ON SIGNAL AND NOISE
The artist (@tylerxhobbs) unveils a new series at Art Basel Miami Beach (@ArtBasel)
By Louis Jebb (@JebbL)
https://t.co/MDwq9ac8mM
Aaaaaand…the Sketchbook B code is now live on Verse.
What better way to bring some energy back to generative art than a DOUBLE giveaway of @williamapan’s SOLOS series and best work to date (in his own words)?
To enter - see below 🖍️↓
Aaaaaand…the Sketchbook B code is now live on Verse.
What better way to bring some energy back to generative art than a DOUBLE giveaway of @williamapan’s SOLOS series and best work to date (in his own words)?
To enter - see below 🖍️↓
Aaaaaand…the Sketchbook B code is now live on Verse.
What better way to bring some energy back to generative art than a DOUBLE giveaway of @williamapan’s SOLOS series and best work to date (in his own words)?
To enter - see below 🖍️↓
First post in a while. I’ve been diving into Études by William Mapan. Here are my favorite picks across its 10 evolution phases 🧵
My inspiration: to glimpse Mapan’s inner world through the lens of an algorithmic curator.
Aaaaaand…the Sketchbook B code is now live on Verse.
What better way to bring some energy back to generative art than a DOUBLE giveaway of @williamapan’s SOLOS series and best work to date (in his own words)?
To enter - see below 🖍️↓