Tohsaka

[Taketsu 🐉🔥 @TaketsuCorp]

Steam ha CAMBIADO su politica de regalos

Antiguamente no podias regalar a amigos de diferentes regiones, AHORA puedes regalar juegos directamente a tu amigo de cualquier region, Steam calculara el costo de la region de tu amigo al pasar por caja

Gano el Gaming

[Michael Shanks @MichaelShanks]

Un-fucking-believeable

[Miku @HatsuneMiku]

BREAKING: #Spain has officially won the Miku World Cup!!!

[Ｓｈａｍｅｌｅｓｓ @PointmanC]

NO !
NO! YOU DO NOT GET TO USE HIM IN YOUR POSTS AFTER THE WAY YOU ABANDONED HIM! YOU THINK THIS IS RIGHT?! GET OUT OF HERE!

I HAVE NO THE SIMPSONS!

[Terkmc @Terk_MC]

"What's Global doing now?"

[Joseph Mallozzi 🏴‍☠️ @BaronDestructo]

Remembering Don S. Davis - Hammond of Texas

My earliest memory of Don S. Davis is of a charming, bigger-than-life individual who greeted me with a hardy handshake and a boisterous “Hellooo, Jooooe! Welcome to Stargate!” on one of my very first days on set. This was back in season four, sometime between our second script (Window of Opportunity) and our third (Point of No Return). In those early years, Paul and I spent most of our days in our respective offices, writing, spinning or, in one inspired afternoon, creating the lyrics to the Stargate SG-1 theme. We were busy and, most important of all, we wanted to look busy. The last thing we needed was to be seen hanging around set, gawking at the actors when there were scripts to be written, brilliant ideas to be spun. But several weeks in, it became apparent to me that sitting alone in my office (or, occasionally, Paul’s office for a little variety) would inevitably drive me nuts – and the loss of my sanity would no doubt be reflected in the quality of my work. So I decided to start taking little walks. Pitch document or outline in hand, I would pace – up and down the corridors, in and around the building, and through the empty sets.

Except for one afternoon when I inadvertently strolled onto an active set where they were setting up for the next shot. Realizing my error, I immediately turned on my heels, prepared to march right back out when Brad Wright spotted me and called me over. “Joe,”he said, “I’d like you to meet Don Davis. Don, Joe is one of our new writers.” Don, who’d been standing by, waiting for that next shot, threw me his trademark ear to ear grin, gave me a firm handshake and bellowed “Hellooo, Jooooe! Welcome to Stargate!”

“Hellooo, Jooooe!” It was a greeting I’d come to associate with the man, a good-natured, self-deprecating southern gent who always had a story to tell but, more than anything, always wanted to hear how YOU were doing. “Hellooo, Jooooe! How’s that script coming along?”. “Hellooo Jooooe! How was lunch?” “Hellooo, Jooooe! How was your weekend?” Meeting actors for the first time can be a little daunting, especially for a newbie writer on his first big show, but Don’s down-home warmth and cordiality put me instantly at ease. And it was no different when he met the fans. I’ve seen convention-goers approach him with trepidation, perhaps fearful of overstepping their bounds and imposing upon him. But Don was never the type to be stand-offish or put himself on display. When you met Don, you weren’t meeting a t.v. star – you were meeting a regular guy. A regular, modest, kind-hearted guy who genuinely cared for his fans and the people he worked with. And, inevitably, those convention-goers who had, moments before, cautiously approached the man they knew as General Hammond would, moments later, be sitting, chatting and laughing, in conversation with good old Don.

If there’s one thing I’ll always remember about the man, it was his willingness to put others before him. Back when Rick was reducing his workload to spend more time with his young daughter, and the writing department was scrambling to come up with in-story reasons for O’Neill’s off-world absences, Don came up to the offices and offered a solution. “Have Hammond step aside and let O’Neill be General,”he suggested. I was floored. Here was a guy, perfectly willing to walk away from a plum role as a regular on a hit series, just to (in his mind) make it easier on everyone else. Of course we thanked him for his kind offer, but we weren’t willing to let George Hammond go just yet.

Ultimately, the decision was made for us when health issues curtailed Don’s involvement in the show. But even so, he continued to maintain a presence in the Stargate universe, popping up in occasional episodes and then in his final appearance in Stargate: Continuum. And every time he was on set, he would always make it a point to drop by the office to say hello.

As the years wore on, I saw less and less of Don. Still, I’d run into him now and then and whenever I’d inquire about him, he was always upbeat. There was never a trace of bitterness or remorse that he was no longer a regular presence on the show. “I have no regrets,”he’d told me on more than one occasion. And, always: “I’m the luckiest man in the world.” It was a wild, fun-filled ride and, finally, it was time for the southern gent to settle back and enjoy his retirement.

The last time I spoke to Don was when he called me up out of the blue after being tipped off that I’d mentioned him in a blog entry. In answering a fan who wanted to know why I didn’t keep in touch with Richard Dean Anderson, I responded: “We don’t talk a lot for the simple reason that he no longer works on the show. I don’t really talk to Don Davis that much and I love the guy. It’s nothing personal.” Less than twenty-four hours later, I got the call. “Ah luuv yoou tooo,“came that familiar low, Southern drawl. He‘d been tipped off to what I’d written and wanted to touch base. “It’s always great hearing from my fellow gourmand,”I’d written. “Apparently, 2007 was a busy year for him (which is great to hear), and he’s now enjoying some much-needed downtime." I'd expressed the hope that we would soon be able to get together for another culinary excursion. Sadly, that day would never come.

In my many years at Stargate, I’ve worked with actors whose company I have greatly enjoyed, but only a few would I actually be bold enough to call my friends. And among those few was the magnanimous southern gent who used to greet me with that familiar “Hellooo, Joooe!”, the always affable Don S. Davis.

He is truly missed.

(One of my favorite pictures of Don I snapped of him, happily eating chocolate in my office.)

[TheAngryTrapMidget @AngryTrapMidget]

Lunasia didnt have to go very far.

[Street Fighter Movie @Street_Fighter]

The comeback moment that made gaming history. #EvoMoment37 #StreetFighterMovie

Stop by the Street Fighter booth at @Evo and play Super Street Fighter 2 Turbo to get a poster. Limited availability.

[🍄ᗩᏀᗴᗰᗰᗩⲦᗩ🍄 @Agemmata]

Gen 5 is in the oven chat.

[Nina Infinity @Nina7Infinity]

Hey Stargate Fans please let @amazon and @AmazonMGMStudio know how you feel about them cancelling #Stargate

They MOCK us. They think they don't need us. Let them know what you think of that.

I won't be watching ANY other Stargate that is created without the OG creators /Gero being involved.

I'm DONE with studios SHITTING ON THE FANS AND KILLING IPS WE LOVE.

#stargate #stargatecanceled #amazon #amazonstudios #amazonmgmstudio

[Michael Shanks @MichaelShanks]

I’m gonna simply say this: if you are at all interested in a Stargate show with ANY of the original creators/performers involved, now is the time to say something. Otherwise it really will be the end of that chapter forever. Let them know you are THERE

[Joseph Mallozzi 🏴‍☠️ @BaronDestructo]

Nope. No. Sorry. Gonna have to push back on this. We were ever mindful of creating a show that would have broad appeal.

[FLAVA @_FL4V4_]

ゴッホの《星月夜》を、近づいて見たことはありますか?
青と緑の渦の中に、黄色が一筆ずつ、混ぜられずに置かれている。
モネの《積みわら》も同じで、影の中に、紫が「点」として打ち込まれている。

絵の具を混ぜず、純色を並べて、見る人の網膜の中で「色が振動する」——
これが、印象派以降の画家たちがたどり着いた、色彩の科学です。

1880年代に画家たちが平面で実証したこの論理を、
立体の、物理的な表面に持ち込めないか——
それが、私がずっと続けている個人的な研究です。

👉 画像4枚をスワイプしてみてください。これまでに作った3体です。
①ゴッホ風 —— 渦巻く筆致の運動を、装甲の上に
②モネ風 —— 混ぜずに並べる光学混色を、装甲の上に
③④ゲルググキャノン(2カット)—— その言語を、一台の模型の上で統合する試み

③の金属面の虹色は、スーラの点描から来ています。
分割された純色が、面の上で光のように振動する。

伝統的な筆塗りは、グレーズで「重ねて作る色」が主流で、
肌や有機物の柔らかさには完璧に向いています。
私が探っているのは、その別の道——「並べて作る色」。
純色を計算して並べ、プラスチックの表面に「振動する色彩」を生む。
二つは対立ではなく、場面によって使い分けるものだと考えています。

先日 National Gallery で、印象派〜新印象派の原作の前に立ってきました(その記録も、ここ数日で何枚か共有しています)。
改めて思ったのは——
絵画史で1世紀以上前に解決された色彩の問題が、
立体の物理表面では、まだ「未解決」のまま残っている、ということ。
そう考えると、面白くてたまりません。

これから、各作品の技法解析や制作過程を、順番にここで共有していく予定です。

Tangible Painting / タンジブル・ペインティング
——絵画の色彩論理を、立体の表面へ翻訳する。
#筆塗り #ミニチュア #ガンプラ #Warhammer40k #NMM #印象派 #VanGogh #Monet #Seurat

[Justin Wong @JWonggg]

If Chun Li gets parried by Ken I am legit leaving for sure

[Tohsaka @Tohsaka]

@On_TheBounce It was actually pretty good and fresh even.

[emini tic @TicTocTick]

In Texas primaries, the democrats have received 100000 more votes than the republicans.

In Texas .

[Anthropic @AnthropicAI]

A statement from Anthropic CEO, Dario Amodei, on our discussions with the Department of War.

https://t.co/rM77LJejuk

[Tohsaka @Tohsaka]

@BlackCompany666 And StV?