Yeah...I finally activated this... ^^;
So if you'd like to ask some slightly longer questions about anime writing/production, hit me up! https://t.co/bXEEDolire
Posting rushed, unchecked translations of non-fictional human statements is immoral. The whole "gotta be first even at quality cost" mentality is annoying with fictional works, but when it ends up misrepresenting real, breathing people, you cross a line.
Yatta-Tachi Monthly Resources Roundup:
July 2021 Manga/Light Novel/ Book releases:
https://t.co/kNsAgha0M1
Where to watch Summer 2021 Anime legally:
https://t.co/vOfJhuot3g
2021 Anime / Japanese Films Coming to U.S. Theaters:
https://t.co/88sJgQUC01
Please consider sharing!
NEW VIDEO UPDATE! 🔥
Basara and Mylene from FIRE BOMBER are here to rock in the MACROSS SUPER DIMENSION 3D LIVE WORLD TOUR 2021 AIR MACROSS 7!
Watch it on YouTube NOW!
https://t.co/i6yFHDij5b
※Not viewable from within Japan.
#Macross7#FireBomber#AirMacross7#Macross
@180223@Cacophanus My apologies. This webpage was created years ago in part as a response to an issue with faked interviews, and my wording reflects the deep suspicion many of us held at the time. I’ve edited that section to better reflect my personal concerns.
#DailyLum
The BBC dub of Urusei Yatsura is often notorious among fans for being terrible (the clip below often sighted as reason)
However not all is as it seems, it turns out were missing a lot of context and history
Here is the history behind "Lum the Invader Girl"
THREAD
For everyone planning to talk or write about Fall season:
Please remember that anime ‘writing’ is a COLLECTIVE effort!
One that’s usually led by the director (kantoku) or a development producer.
KyoAni's renowned quality is built upon a special culture and years of cultivating talent in many departments. Today we'll focus on their animation, with a lengthy roundtable involving the heads of the studio's animation department up till the arson
Read➡️https://t.co/ihXRramMT9
Since an article came out today regarding anime production, I'd like to highlight something I wrote a couple years ago as an introduction to production committees:
https://t.co/nzc1qv64zM
Today we'll cover another essential part of KyoAni: their energetic Osaka branch Animation Do, as seen by their two series directors. Enjoy this sincere dialogue about directorial worries, studio dynamics, and how much they screwed up as newbies!
Read➡️ https://t.co/zq8pPNllix
Interview: BEASTARS CG Chief Director and Orange President Eiji Inomoto • Kim Morrissy sits down with renown CG animation creator and Orange studio founder Eiji Inomoto to learn more about Inomoto's animation philosophy and what in… #anime https://t.co/gcaVRxhBDu
Please remember that #tv_free was always planned to be an anime before the commercial happened.
There were planning documents back in 2011, two years prior to the anime's airdate.
Saying "it was made because of the commercial" and/or "response to the commercial" isn't true.
And here's part two of the Koe roundtable, featuring representatives of various aesthetics departments at KyoAni talking about all the unique processes they had to come up with to produce such a stunning film. Both tl'd by @ultimatemegax!
Read✨➡️ https://t.co/ejeZ28iGcn