@evgheni_D Good call. Adding file paths / references next to each summary makes the fallback much cleaner — Opus can just point and pull instead of describing what it needs. Already testing this.
Getting tired of watching people still push everything through a single model.
In photography, nobody has been shooting with just one lens for a long time. A single lens can’t hold sharpness across the entire frame and control aberrations at the same time. That’s why they stack multiple elements. Claude is almost the same right now.
Haiku, Sonnet, and Opus 5.5 aren’t competitors. They’re three different elements of one optical system. When you assemble them in the right order, most errors disappear before the code even reaches the repository.
Here’s my current pipeline:
Haiku 5.5 only handles reading. It quickly goes through a large number of files, extracts signals, and compresses them into short context.
Sonnet 5.5 takes those signals and writes/edits the code + tests. It works in the middle layer — it doesn’t see the raw files, only the already prepared context.
Opus 5.5 almost doesn’t write. It plans at the beginning and does the final review at the end. It looks at risks, logic, and edge cases. It doesn’t touch the raw files.
The practical result: one iteration significantly reduces the number of issues you later have to catch by hand. Opus stops burning tokens on things a cheaper model can do, and the code goes through at least one proper review layer before you commit it.
How to set it up in about 10 minutes:
Open Claude Code with Opus 5.5 as the main session.
Spin up a Haiku 5.5 subagent only for read-only file search and analysis.
Spin up a Sonnet 5.5 subagent for writing code and tests.
In CLAUDE.md, set a simple rule: Opus plans first, then reviews, but doesn’t touch the raw files directly.
Throw a real task at it and watch how the quality of the output changes.
After that, it’s hard to go back to “just dump everything into one model and hope.”
Save it if useful. Full breakdown with rule examples and prompts — link below.
https://t.co/dugQkcUTah
We fully automated a slideshow farm that generates 12M+ views/month with AI agents. No filming, no editing, almost zero manual work. Here’s exactly how the pipeline is set up. https://t.co/Hns7MZmYzy
Getting tired of watching people still push everything through a single model.
In photography, nobody has been shooting with just one lens for a long time. A single lens can’t hold sharpness across the entire frame and control aberrations at the same time. That’s why they stack multiple elements. Claude is almost the same right now.
Haiku, Sonnet, and Opus 5.5 aren’t competitors. They’re three different elements of one optical system. When you assemble them in the right order, most errors disappear before the code even reaches the repository.
Here’s my current pipeline:
Haiku 5.5 only handles reading. It quickly goes through a large number of files, extracts signals, and compresses them into short context.
Sonnet 5.5 takes those signals and writes/edits the code + tests. It works in the middle layer — it doesn’t see the raw files, only the already prepared context.
Opus 5.5 almost doesn’t write. It plans at the beginning and does the final review at the end. It looks at risks, logic, and edge cases. It doesn’t touch the raw files.
The practical result: one iteration significantly reduces the number of issues you later have to catch by hand. Opus stops burning tokens on things a cheaper model can do, and the code goes through at least one proper review layer before you commit it.
How to set it up in about 10 minutes:
Open Claude Code with Opus 5.5 as the main session.
Spin up a Haiku 5.5 subagent only for read-only file search and analysis.
Spin up a Sonnet 5.5 subagent for writing code and tests.
In CLAUDE.md, set a simple rule: Opus plans first, then reviews, but doesn’t touch the raw files directly.
Throw a real task at it and watch how the quality of the output changes.
After that, it’s hard to go back to “just dump everything into one model and hope.”
Save it if useful. Full breakdown with rule examples and prompts — link below.
https://t.co/dugQkcUTah
@dsflowmind Thanks. Yeah, the biggest win so far has been stopping Opus from touching the raw files and search. Token usage dropped hard and the reviews got cleaner.
@evgheni_D Agree on the risk. That’s why the final reviewer (Opus) can still pull raw files or specific snippets on demand instead of relying only on the summary. It just doesn’t get the full dump by default — keeps the context clean while leaving the escape hatch open.
The phone-as-a-terminal idea is smart. Most people overcomplicate the hardware side.
I’ve been doing something parallel with Claude models — treating Haiku/Sonnet/Opus as different lenses in one pipeline instead of rivals. Keeps token costs down and catches more errors. Full setup here if useful:
https://t.co/ukcM2rlIOO
Getting tired of watching people still push everything through a single model.
In photography, nobody has been shooting with just one lens for a long time. A single lens can’t hold sharpness across the entire frame and control aberrations at the same time. That’s why they stack multiple elements. Claude is almost the same right now.
Haiku, Sonnet, and Opus 5.5 aren’t competitors. They’re three different elements of one optical system. When you assemble them in the right order, most errors disappear before the code even reaches the repository.
Here’s my current pipeline:
Haiku 5.5 only handles reading. It quickly goes through a large number of files, extracts signals, and compresses them into short context.
Sonnet 5.5 takes those signals and writes/edits the code + tests. It works in the middle layer — it doesn’t see the raw files, only the already prepared context.
Opus 5.5 almost doesn’t write. It plans at the beginning and does the final review at the end. It looks at risks, logic, and edge cases. It doesn’t touch the raw files.
The practical result: one iteration significantly reduces the number of issues you later have to catch by hand. Opus stops burning tokens on things a cheaper model can do, and the code goes through at least one proper review layer before you commit it.
How to set it up in about 10 minutes:
Open Claude Code with Opus 5.5 as the main session.
Spin up a Haiku 5.5 subagent only for read-only file search and analysis.
Spin up a Sonnet 5.5 subagent for writing code and tests.
In CLAUDE.md, set a simple rule: Opus plans first, then reviews, but doesn’t touch the raw files directly.
Throw a real task at it and watch how the quality of the output changes.
After that, it’s hard to go back to “just dump everything into one model and hope.”
Save it if useful. Full breakdown with rule examples and prompts — link below.
https://t.co/dugQkcUTah
We fully automated a slideshow farm that generates 12M+ views/month with AI agents. No filming, no editing, almost zero manual work. Here’s exactly how the pipeline is set up. https://t.co/Hns7MZmYzy
This is getting out of hand.
One Claude Code session just: • Migrated a prod database
• Moved 79 files from API v1 → v2
• Triaged 40 GitHub issues
All in under 40 seconds.
Opus 5.5 runs the show as the orchestrator.
Haiku and Sonnet do the grunt work.
Stop treating Claude Code as a chatbot.
Start turning it into mission control.
Full breakdown below 👇
https://t.co/6KfVFvuXV9
@airadar_1 Valid point. The whole point of the setup is the risk gate — anything above 0.85 waits for human approval before it can touch prod. Opus reviews the plan, tests pass, human still clicks OK. Not unsupervised.
This is getting out of hand.
One Claude Code session just: • Migrated a prod database
• Moved 79 files from API v1 → v2
• Triaged 40 GitHub issues
All in under 40 seconds.
Opus 5.5 runs the show as the orchestrator.
Haiku and Sonnet do the grunt work.
Stop treating Claude Code as a chatbot.
Start turning it into mission control.
Full breakdown below 👇
https://t.co/6KfVFvuXV9
@After_Dark_AI Agreed. The human gate + dry run on replica is non-negotiable.
The 40 seconds includes the dry run and approval step. Actual destructive changes only run after explicit OK.
Happy to share the high-level flow if useful.
@Bengiyai Exactly. The speed is the scary part.
Control won’t come from slowing the systems down — it’ll come from better guardrails, clearer ownership of decisions, and forcing the orchestrator to surface uncertainty instead of hiding it.
F*ck what is this
Claude just dropped a research preview where the AI doesn’t wait for you to prompt it.
It watches your stuff.
Flags what needs attention.
Continues tasks while you’re gone.
And only checks with you before it acts.
People are still treating AI like a chatbot you have to babysit.
Meanwhile the real ones are building agents that work on their own timeline.
This isn’t “better ChatGPT”.
This is the shift from tool → employee.
Most people will sleep on it for another 6 months.
Then act surprised when someone else already has a full system running.
Your father is an idiot! You don’t know what war is! Get it through your head—you’re just a tiny dog barking without knowing the truth, told to bark! A country that hasn’t attacked anyone has the right to act however it wants, because first of all, you dog, listen to me—drones are falling on people’s heads—we need to give them a taste of their own medicine so that the side that started the war first learns, even just a little, what war is really like.