Creative Innovation @Netflix (formerly Global Director of Virtual Production). Visualized movies in real-time at @DigitalDomainDD & @MPC_Film. Always tinkering.
@THR@tvaziri I think you’d appreciate Marion & Jabbar’s response to the question: “What’s something you wish more audiences took into consideration when they’re looking at effects or something about your artistry that you feel isn’t entirely recognized by viewers?”
Such a special night every year reconnecting with and celebrating visual effects at @TheAcademy bake-off, but what made this one so special was seeing the range of artistry on display, from indie to blockbuster and from truly global films to animation 🎥
Crafting a plane crash, and its aftermath, for @FilmBayona's ‘Society of the Snow’ --> Behind the scenes of the tale of the 1972 Uruguayan rugby team air disaster, including a special behind the scenes VFX video featurette. Watch and read at @beforesmag https://t.co/iywImJdo48
👏🏽 Love seeing directors celebrating ALL the crafts of moving movies 👏🏽
Even more invisible is the real-time virtual scouting @UnrealEngine & LED ICVFX with @disguise_one that brought the pre-production & on-set experience to life. Innovation can truly come from anywhere 🇪🇸
Yes, they are “invisible” but, trust me, they are THERE.
Take a look at the extraordinary job done by the VFX, special effects and stunt teams who made possible to tell the Society of the Snow true story with painstaking attention to detail and realism.
Thank you, @Laura_Pedro, El Ranchito VFX, @twinpinesVFX, @Lamppostvfx, @MiopiaFx and @GlassworksVFX!
#SocietyoftheSnow
#LaSociedadDeLaNieve
In theaters this week
January 4 on Netflix
.@ZackSnyder deserves a lot of credit for being personally open and eager to lean into new ways (and technologies) to connect with his fans - which makes our job fun 🚀
Here’s @ZackSnyder directing fans at #CCXP23. @netflix set up a virtual set for #rebelmoon & people can do a scene which is then inserted into trailer which you’re sent after. Tons of fans are here wanting to be directed by Snyder. I’ve never seen a director do this at a con.
I tend to be intentionally selective on where I speak publicly, but an area of personal passion is sharing my journey and perspective on innovation in entertainment with filmmakers and students of filmmaking. @TheAcademy
📺https://t.co/GqbXAHWbee
📚https://t.co/MPzY6nPsXV
An in-depth thread from our wonderful #LostOllie Showrunner @ShannonTindle_1 on our collaboration and VFX work on the show. Some great insight and stills of the love and artistry the team at @ILMVFX poured into the @netflix limited series.
Read and then watch!
I wanna know who edited this so I can bow down to them. I don’t think regular people realize how difficult it is to edit a multi-movie trailer like this, and to choose the exact right sound bites from both the movies and the overarching song. This is a masterwork.
@jnmograph 😏 There’s a reason I snapped a pic on this one 🌶️
@fxguidenews and @beforesmag have done great recaps on what they showcased. Multiple plane, cockpit, FX, and environment extensions grounded in practical photography