Sam Keene

Head of UX Engineering, Google Maps. I wrote a book about designing for VR ex @YouTube & @RGA (he/him)

[hal_0009 @hal_chemy]

W O R M S — OBS. ⅩⅢ

The worm genuinely believes it lives on a flat surface.

[TsumikiRoom / ツミキルーム @tsumiki_room]

点を打つ→線がつながる、を9通り
最小全域木・ボロノイ・等高線・ストリングアート・路線図...
#generativeart #creativecoding #p5js #codeart #computationalart #proceduralart #geometricart

[Pauric Freeman @pfree05]

Live AV
#audiovisual #electronicmusic #synthesizer #touchdesigner #digitalartㅤㅤㅤㅤ

[ひさだん @hisadan]

//#Processing
int n=999,c[]=new int[n],i,j;
float a[]=new float[n*2],x,y,d,p,q,r,s,t,k;
void setup(){
size(800,800);
for(i=0;i<n*2;)a[i++]=400-random(800);
for(i=0;i<n;)c[i++]=(int)random(256);
}
void draw(){
fill(-1,30);
square(-1,-1,802);
r=200+150*sin(t+=.02);
//cont.

[daniel petho @nonzeroexitcode]

making stuff

[Prathamesh @invinciDesigns]

imagine Frankenstein's brain glowing mid-experiment #p5js

[̶ʸ̶ᵃ̶ᵍ̶ⁱ̶ @capra_tail]

うごいた！すげー！

[dominikus @dominikus]

constellations

[Hasaqui Yamanobe @hasaqui]

#p5js

[Marko Vurnek @markovurnek_]

WebGL raymarching heightfield

[Jonny Summers-Muir @JSummersMuir]

you can just animate things

[Matheorems @matheorems]

Dashed lines radiate from the body like a dynamic vector field, syncing with each pose to form radial patterns.

Math visualization turning dance into geometry – parametric flow with discrete strokes in the studio. 2020.

[JunKiyoshi @junkiyoshi]

Log to Tower. Source code -> https://t.co/j7DUR3nLeh NFT -> https://t.co/IRt3cmb0MT #openframeworks #programming #creativecoding #プログラミング

[さかみち/sakamoto michihisa @SKMchiiiii_201]

直前にclaudeで実装したドローイングツールを使用して、自分のマウスの筆跡が宙を舞う塵のように離散するVJをしました。自分のマウスの軌跡をその場で載せていくのはある種ジャズ的な即興性があるなと感じておりました。VJ for @illequality

[日テレR&Dラボ @ntv_rd]

浮く瓦礫、動くバッグ。横手太紀さんの個展『to make today lovely, too / to make today lonely, too』。身近なモノたちが、普段と違う振る舞いを見せる不思議空間。機構を感じさせない設えも見事でした。馬喰町のparcel/CON_にて7/26まで！

[you tanaka @rettuce]

Weather Stage

東京（35.68N, 139.69E）上空の大気の鉛直構造を、平行投影に近い等角風の視点で分解したステージとして可視化する動的インフォグラフィック。地上・850・700・500・300 hPa の 5 層を鉛直に積み上げ、各層に (a) 気温で色が変わるカラーグリッド (b) 実際の風向に流れる流線パーティクル(c)雲量（低/中/高）のドット密度を配置。層間を鉛直ガイド線で結び、白い引き出し線＋丸囲み番号+実数値（気温℃・風速 m/s・ジオポテンシャル高度）のアノテー��ョンを添える。Open-Meteo（GFS）から48時間予報を取得し、1時間=2秒で補間しながら自動進行・ループする（取得失敗時は合成データにフォールバック）。データ出典: Open-Meteo

#fridaydebugview #debugart #creativecoding #glsl

[John Maeda @johnmaeda]

PRACTICAL ART: I first encountered kinetic art at Tsukuba University via my sculpture professor Morio Shinoda. It was a space where my computational training suddenly made sense as living in 3D and 4D, not just 2D. But the mid-century kineticists faced a hard truth: their pieces needed constant hands-on servicing, and many gave up. It's the practical reason I had chosen, at the time, to mostly make things for the computer instead of the physical world.

In the summer of 2008, Olafur Eliasson raised four waterfalls out of the East River in NY: scaffolding towers up to a hundred and twenty feet tall, pumping the river up and over to let it fall back into itself. The machinery and structure were not hidden. A waterfall in the city, he insisted, could be felt as a natural phenomenon and to be a cultural one at the same time. Not having had a chance to experience it, I was glad to recreate it in the spirit of summer. —JM

—

Work 16 in https://t.co/0Y1PdIFMcJ apps
Direct link: https://t.co/SPy2hMS6HC