Here’s Part 1 of 5 videos I’ve posted on TikTok and IG (@pattersonmoscow) about an extraordinary unexpected portrait of an African-African man — & the stories & lives behind it — that I found in Moscow in 1992. Art, history, & a bit of art history.
https://t.co/t6mnN6uEX9
@SoVeryBritish Funny — currently in BVI gripped by grey damp lashings alternating with grim dark spells and promises of vacation-long growing grayness.
From a recent ig (@aaleddy) post about the ironic centers of a frame — the corners. Second image is a brilliant 20th c reduction of all the riotous blossoming corners of centuries past into four wee holes. Quite an evolution.
I’ve long said that frames are in the tough spot of having to simultaneously whisper and shout. There’s no competing with the dazzling colors in Filippino Lippi’s “Portrait of a Youth” o/p ca 1485, so this gorgeous tabernacle frame whispers in rolling crescendos. Bravura pairing!
@LizWebsterLD I ran Offa’s Dyke Path a few years ago, and one day these guys stood over my path. I took a long loop around. I’m a dog lover, too, but come on, give 🐄 a break.
@ErinNewtonTX Took us a minute or two, but came up with Bum Fuck Egypt. Haven't used/heard that in decades, but it was a standard term a good while ago. So, as for the general population, I'd say No.
This 1901 Picasso portrait of Pedro Mañach is framed twice. First in dazzling electric mustard and then in a gorgeous 17th c carved frame. This frame is the perfect usher into modernity. A near perfect ex. of the power of an antique frame to complement, illuminate, and magnify.
Willem Kalf still life from 1655 is filled with riches. Tortoiseshell & ripple molding echo the textile, the mottled fruit, light reflected in the glass & off the bowl. A perfection in this pair; the frame adds an exquisite, flickering finish to a gorgeous & quiet work. #ngadc