Mira K1ll

me +2-1

[Sarah Kendzior @sarahkendzior]

1. Trust your eyes, ears, common sense
2. Don't have baseless faith in institutions
3. Don't look for saviors
4. Look out for those more vulnerable than you
5. Stop caring what people think of you
6. Don't lie to make people feel better -- including yourself!
7. Live your values

[Badchad Luvabich @mikeytvjonez]

They're all like
Somebody pleeease argue with meeee

.

Fukkoff dorks 😎

...and fence riders

[Power to the People ☭🕊 @ProudSocialist]

Americans don’t think we live under a dictatorship because we have elections, but the only reason we have elections is to preserve the illusion of democracy and maintain the dictatorship of capital.

Haven’t you ever wondered why regardless of who wins the election the bombs keep dropping and the rich keep getting richer while the masses struggle to make ends meet?

The reason is simple: There is no real democracy in capitalist society because all elections do is put a different face on the same barbaric system that exploits the labor of the masses to enrich the billionaire class.

Elections under capitalism are a sham because both parties the people are propagandized to vote for are bought off and bribed to serve big money and sell the people out at every turn.

It has been hiding in plain sight this entire time: The dictator that rules over every aspect of our lives is not a person, but a system that puts profits over everything including our own lives. The dictator is capital.

[James Lucas @JamesLucasIT]

This is not a photograph.

Every leaf and every reflection was put there by hand, in oil, by the Danish painter Peder Mørk Mønsted in 1894.

It is called Wooded path by a river, and it captures the hardest thing there is to paint: a forest in full sunlight. Light through trees never falls evenly. It scatters into countless flecks of brightness and shadow, a glow on one leaf, darkness on the next, a glint on the water that would vanish the moment a cloud passed. Get those even slightly wrong, and the whole thing collapses into a green blur.

Mønsted got every one of them right, and in doing so he captured something anyone who has stood alone in a wood will recognize immediately: that hush that falls over you, the sense of being completely at peace, and the feeling that the whole world has paused to breathe…

[Antifascist @GoodN67788]

#capitalism #climatechange #climatecrisis #gogreen #ecology #planet #greenparty #greenpeace

[Mira K1ll @aboodabba]

@makehistorycool Obviously a posed photo. They called them “stills” for a very good reason.

[Mira K1ll @aboodabba]

@ryanhallyall B.s.

[Mira K1ll @aboodabba]

@zackbeauchamp The termination can’t come fast enough.

[Zack Beauchamp @zackbeauchamp]

The best 9/11-era retrospective I've seen so far

[Rich O'Toole @RichOToole]

H-Town Babyyy 😭

[Steph in Space (0.5% OF//0.2% FANSLY) @stephinspace1]

Feeling goddess-like as ever in this body paint masterpiece by @RoustanNFT
✨💙⚜️

We had the honor of being featured in a documentary about societal perception of nudity where I spoke about my naked lifestyle and artistic expression. So fucking grateful for the opportunity!

[İ.REM @remdiren]

Hey @grok, why does sex end when the man finishes?

[https://shri.li TROPICALS DNI @shrili_]

Saturn

[Archaeo - Histories @archeohistories]

The Moche were a mysterious civilization who ruled the northern coast of Peru beginning 2,000 years ago. The Moche lacked written language, but were incredibly skilled in pottery and ceramics which they used to communicate ideas and express their lives by depicting detailed scenes of hunting, fighting, sacrifice, ceremonies, and sexual encounters in startlingly explicit detail. Little was known about the Moche civilization until 1980s when archaeologists began uncovering monuments and tombs containing detailed murals, and incredible ceramics that depicted detailed scenes of hunting, fighting, sacrifice, ceremonies, and
explicit sexual encounters. The erotic pottery left behind by the Moche represent one of the most detailed accounts of sexual customs ever left by ancient people. This last item, the so called “Sex Pots”, have been the subject of much research and study of sexual values in pre-Columbian Peru.

Of the thousands of ceramic vessels that have been recovered from Moche tombs, at least 500 of them display sexually explicit imagery, typically rendered as free-standing three-dimensional figures on top, or as part of, a vessel. Moche Sex Pots are actually functional clay post, with hollow chambers for holding liquid and stirrup-shaped spouts for pouring, often in the form of a phallus. They depict men, women and animals engaging in a variety of sexual acts, the most common of which is anal sex. Many of pottery bottles thus symbolized the emission of sexual fluids and would probably have been used in ceremonies and rituals. When Spanish invaders discovered them, the unabashed depiction of sodomy and masturbation so affronted their Christian belief that they had the posts smashed.

The anal sex in particular is reproduced over and over, in a variety of styles, indicating that it was produced by different artists over a long period of time. To remove any doubt that may arise in minds of the viewer regarding the gender of the penetrated figure, the artist often carved the genitalia carefully, despite their small scale, so as to demonstrate that it is the anus, not the vagina that is being penetrated. Scenes of vaginal penetration are itself extremely rare. Sometimes, accompanying the couples, one can see an infant suckling onto the breast of the female while she is having sex. There are also figures depicting women administering fellatio or masturbating. Some depict male skeletons masturbating, or being masturbated by living women.

“These pots clearly reflect very different notions of sex and reproduction from ones that prevail in the West, and, because of this, a lot of researchers have had trouble making sense of them,” writes UNEARTHING.

The Larco Museum (Museo Larco) in Lima, Peru, displays the largest collection of pre-Columbian erotic pottery. According to Museum, it presents “a conception of sexuality and eroticism inextricably linked to an integrated understanding of the world and its animating vital forces. In the Andean worldview, life is made possible through a generative encounter (tinkuy) between opposite complementary forces (yanantin). Female and male bodies are an expression of this duality.” The images below all come from their collection.

📷 : Stirrup vessel with fellatio scene; Peru, Moche civilization, 300-600 AD. (Larco Museum, Lima 🇵🇪)

#archaeohistories

[David Graeber Institute @Graeber_social]

In a conversation David Graeber had with Thomas Piketty, he had this to say about Neoliberalism.

https://t.co/FlaiETnUrD

[Anonymous @YourAnonNews]

The devastation visited upon this antivaxxer is highly enjoyable.

[BRUTALIST HAIRCUT @indranet777]

It was a really weird time I want to tell you all about it and all the places we went but some things must remain a secret