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@BlairMcNally1 Try the peach jumex juice, that’s the best 🤤

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Los mayores representantes de la música mexicana parece que son Fer de Mana y Alex Fernández… 🤢 Se ofrece una enorme disculpa al mundo por esta forma de tortura!

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@SkyNews @RobHarris @Claudiashein who is going to tell them that the Mexican government has other data that proves that they are wrong and that what they are watching and reporting is an alucination???

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@Claudiashein Me lo imagino cayendo en un bache de esos gloriosos de la cdmx, circulando por periférico, etc…

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@ClaraBrugadaM @ChapultepecCDMX Ya siéntese señora…

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@PCarrilloLavat Nada… un rollazo interminable, para que hacer hablar a una persona fallecida? (aún hecho por su propio hijo) y no hay como el impacto de la música, lenguaje internacional! 👎🏻

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@IntelPointAlert That’s a big anomaly…

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@TaraBull Never said it was only for US passport holders. It’s for all passport holders that are not from EU.

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@mario_delgado @B_Estefan Mediocridad absoluta, mentiras infinitas

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@ustoragemx alguien de servicio al cliente que pueda ayudarme?

[Erik Kuna 🚀 @erikkuna]

This is the shot you can’t get from the press site. This camera was sitting a few football fields from the SLS rocket at Pad 39B for days before launch, baking in the Florida sun, surviving rain, humidity, and whatever else the Cape threw at it. No photographer behind the viewfinder. Just a camera, a sound trigger, and a bet.

The way pad remotes work: you set your camera up days in advance, dial in your composition, lock everything down, and walk away. You don’t touch it again until after the launch. The shutter fires on sound activation
with a @MiopsTrigger smart+ trigger. With SLS, the four RS-25 engines ignite six seconds before the solid rocket boosters, so the camera is already firing before the vehicle even leaves the pad. You get home, pull the card, and find out if you nailed it or if a bird landed on your lens two days ago and left your a present and you got 400 photos of soemthing crappy.

There’s no formula for protecting your gear this close. Some photographers build wooden boxes with doors that pop open. Some use plastic bags and tape. Some do plastic or metal barn door rigs on hinges. I tend to leave mine open just in plastic rain covers because boxes limit my composition and setup time, but that means your cameras are more exposed to the elements and whatever energy and debris comes off the pad. You’re basically gambling a camera body every time you set one.

That’s what I love about this genre. There’s no playbook. You make it up as you go. Every time is an adventure.

📸 credit: me for @SuperclusterHQ - Artemis II pad remote | ~1,000 ft from Pad 39B | Kennedy Space Center

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@lopezobrador_ Mejor abran una cuenta para que tengan material médico en los hospitales, medicinas, VACUNAS… y todo eso indispensable que el sistema de salud carece

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@luiscon1705 La ibero no tuvo ninguna empatía por este accidente. Al contrario, las redes se llenaron de burlas y sentencias al tratarse de una universidad privada. Solo alimentas lo que criticas

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@tatianotzin @IBERO_mx El poder de poder opinar a toda costa…

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Cómo se deshabilita la “alerta presidencial”????? #sismocdmx

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@lopezdoriga Pero porque invitan a este ser a los conciertos??????

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@Wisdom_HQ Nobody called back

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@scholasticomx sus camiones escolares en sentido contrario en ejército nacional. Que riesgo para los niños y que caos crean pasándose los semáforos.

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@scholasticomx tu camioneta con número 1391, ruta 6 Interlomas, placas 54 RE 8G maneja como animal. Que irresponsables sus chóferes. Ojalá ya no lleve niños

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@ZBrownCEO What a nerve to write this down… total disrespect to Piastri