🚨 ART MARKET ALERTS
New works available on the Art Market.
🔗https://t.co/aBEw23ou3r @objktcom
Note: offers outside the auction and listings will not be accepted.
See comments for the artists showcased ⬇️
Following the successful launch and first few days of the AGH1 Dubai exhibition by @kimasendorf, @andreasgysin and @lennyjpg, we are pleased to invite you to a special event taking place at Foundry Downtown on March 1st at 5 pm GST.
Presented by @fakewhale_xyz, under the curation of @G_Moscatello, with the support of @valuartdotcom & @prntdstudio.
On the occasion of his 'Draw me a Bull' exhibition at @ExpandedArt, @PauzePierre shares insight into how AI-generated works blend cryptocurrency data with imaginative visuals to probe the emotional and predictive depths of financial forecasting.
Discover the exhibition 🔗
https://t.co/djEUpbOd8x
Antimatter, 2021.
Collaborative work by @skygolpe, @JesseDraxler, and @blssnd for the @SuperRare Exhibition "Un-realism: bridging the digital and physical realms"
Born from an iconic collaboration bound to go down in history, this piece navigates the enigmatic annihilation of matter and antimatter into pure energy, simultaneously challenging and expanding the limits of human perception towards the unseen force of the void.
🔗https://t.co/Rom2GphGfM
A pioneer in the field of digital aesthetics, @kimasendorf is a German visual artist whose work is characterized by a fusion of conceptual strategies, generative systems, and a deep engagement with the digital medium.
The genesis of Kim Asendorf’s artistic path can be traced back to the early, exciting digital developments that defined the 1980s and 1990s — a time when the worlds within the screens of Nintendo consoles and the keys of Commodore 64 and Pentium 286 computers were not just gateways to new, yet unknown digital dimensions, but also the cradle of a new aesthetic sensibility. The limitations of early digital graphics, far from being a constraint, offered a playground for pure creativity and experimentation. It was here, among the blocky graphics and beep-filled soundscapes, that Asendorf began to see the potential for forms of art that could transcend traditional mediums and embrace the digital as not just a tool, but as a medium in its own right.
Kim Asendorf’s aesthetic philosophy is one of digital expressionism, where technology is a partner in the artistic process. His art is a dialogue, a series of questions posed about the nature of perception, the authenticity of digital experiences, and the possibilities of generative systems to create meaning. As part of a broader aesthetic inquiry, this approach considers the digital canvas as an infinite space for exploration, expression, and experimentation. Each work, whether it is an abstract animation, a digital sculpture, or an interactive installation, is a manifestation of his belief in the transformative power of digital art — and how it can be experienced in new, meaningful ways.
In his engagement with pixels and generative systems, he constantly seeks to uncover new visual forms through conceptual rules and algorithmic processes. In light of this, one of his most significant contributions to digital art was the creation and dissemination of pixel sorting, a technique — known for its signature streaked visuals — introduced over a decade ago and made open source in 2012 that has since then become synonymous with the aesthetic exploration of digital imagery.
To date his work has been shown at festivals and institutions including Transmediale, ZKM Karlsruhe, Edith-Russ-Haus für Medienkunst, NCCA Yekaterinburg, Eyebeam, NIMK, LEAP or the Overlapping Biennial Bucharest and at galleries and fairs like Unpainted (Munich), Moving Image Contemporary Art Fair (London), Creation Gallery G8 (Tokyo), Carroll / Fletcher (London), Office Impart (Berlin), XPO Gallery (Paris), The Photographers’ Gallery (London) and has received honorary mentions and sparked discussions on major blogs, media and art magazines and television.
Among these, AGH1 Dubai is currently exhibiting at Foundry Downtown, a collective project by Kim Asendorf, @andreasgysin and @lennyjpg presented by @fakewhale_xyz under the curation of @G_Moscatello.
Discover the full curation 🔗
https://t.co/fRe0esG25U
Alternate 2c1 by @kimasendorf is now minted in the Fakewhale Vault.
https://t.co/n3iQrWCRoj
Our expanding permanent collection underscores the importance of continuously documenting our era's artistic and cultural milestones, ensuring museums and institutions of the future have the resources to accurately represent this period's essence.
🚨 ART MARKET ALERTS
A new release on the ART MARKET featuring @ALCrego_ is now LIVE
1/1 auction - offers outside of the auction will not be accepted.
https://t.co/ugeWqwpqkD @objktcom
On the occasion of the AGH1 Dubai exhibition featuring @kimasendorf, @andreasgysin, and @lennyjpg, presented by Fakewhale and curated by @G_Moscatello, it seems only fitting to highlight a recent interview-article with Andreas Gysin focusing on his transition to physical installations combining visual communication, architecture, and technology.
Read now 🔗
https://t.co/Dz7gj4t6jP
Image Credit: Six Letters - Andreas Gysin & Sidi Vanetti
Fakewhale ART MARKET | Open Call
Get your chance to apply.
After the successful launch, we are ready to keep shaking the ground. To apply as a featured artist, email [email protected] or share an unminted work in the thread below. No links.
Deadline: Friday, February 16th - 00:00 CET / 06:00 PM ET ⬇
Fakewhale is proud to present AGH1, the collective project by @kimasendorf, @andreasgysin, and @lennyjpg exhibited for the first time in Dubai, curated by @G_Moscatello.
Hosted within the prestigious Foundry located at the heart of Downtown Dubai, the unique exhibition unveils an installation that captures the dynamic essence of this iconic body of work, blending generative and architectural forms as part of a continuous, evolving dialogue between hardware and software — a physical-digital clash further strengthened by fine-art prints that complement the installation.
Opening night is set for February 16th at 6 pm GST.
Special event during art Dubai to be announced soon. Our team will be on-site, we can’t wait to meet you all for this memorable IRL occasion.
Exhibition supported by @prntdstudio & @valuartdotcom. On display from February 16th - March 24th.
🚨 ART MARKET ALERTS
New works available on the Art Market.
Explore art by @mariafynsknorup, @johnreuss, @Imatroz & @Sko_hr
The ART MARKET is an ongoing exhibition. Share your portfolio via dm or via email at [email protected] to get the chance to participate.
🔗https://t.co/YOuceAUnZE @objktcom
The launch of the Fakewhale Gallery with its ART MARKET has taken off at a fast pace.
With just a few hours from the opening, lots of works have already sold out. ⚡
Our thanks go to the artists, along with a huge congrats to @objktcom for creating such a great tool for the future of digital art curation: the gallery is a standout with its specialized features, from the dedicated exhibition stats on the homepage, to the customizable interface for editorial content and option to filter artworks by artist.
Surprises are still in store. Many features are yet to be unveiled with the following releases, unlocking the full potential of this powerful tool.
Discover the new Fakewhale Gallery on @objktcom
https://t.co/ARlM8v4svR