culturelovers: Η Αλεξάνδρεια στον Ωξο– Aρχαιολογικά δεδομένα από ... https://t.co/O03kpSrHPZ Ηη ελληνιστική πόλη του Μεγάλου Αλεξάνδρου στην Κεντρική Ασία, αποκαλύπτεται ξανά μέσα από νέα ευρήματα στο Kampyrtepa: ναούς, παλάτια, επιγραφές και ελληνιστικά κατάλοιπα!
📢 «Η ανθρωπιά πρέπει να αποκατασταθεί στη Γάζα. Αυτό που συμβαίνει είναι αδιανόητο και απάνθρωπο!» - Δήλωση του Διεθνή Προέδρου των Γιατρών Χωρίς Σύνορα @DrChristou➡️https://t.co/PqLEkZ67h9
#Γάζα#Παλαιστίνη#Ισραήλ#GazaAttack#hospital
People often recognise Van Gogh’s works because of the wavy lines. The swirling brushstrokes give his works a lively style. In the final part of his life, Vincent used plenty of these rhythmic strokes and dashes in his work. 🖌️
‘There is enough to paint here for a lifetime’, wrote Claude Monet about Zaandam. At the time that Monet painted this picture, the 18-year-old Van Gogh was working in the warehouse of his uncle’s art dealership in The Hague.
🖼 Claude Monet, Windmills near Zaandam (1871)
🤔 Blanche comme neige, la #Grèce antique ❔ Loin de là ❕ On vous en dit plus sur notre obsession pour le #blanc avec les @EditionsduSeuil juste ici 👉 https://t.co/t76uOltdiU
📝 ‘I missed you the first few days, and it was strange for me not to find you when I came home in the afternoon’, wrote Vincent to his brother Theo in 1872.
Who are you missing at the moment? 🌻Vincent van Gogh, Houses Seen from the Back (1885-1886) #vangoghmuseum
Our thoughts are with the Afghan people, including those who are doing so much, at such risk, to preserve its rich heritage.
As Kabul's fall tragically reminds us, in any crisis, cultural racketeers stand ready to profit.
Please see this Press Release from the National Museum: