Play is solemnity, not silliness. Adults who try to “recapture their childhood” often do so by trying to capture the whimsy of childhood. But play is serious for children, not whimsical. It’s whimsical for adults to watch, so the wires get crossed. They are “recapturing” the feeling of watching themselves watch children, watching their own memories, not of being a child. To recapture your childhood energy, take something incredibly seriously.
@e_mersonnnnnnnn@soundeatergirl looked it up: "the full Os LP may have limited or regional streaming availability on Apple Music depending on licensing and the underground nature of the release" but it is available to listen on bandcamp! https://t.co/H8DQnQaspl
manhattan's chaos feels organic and pure because billboards are effectively outlawed and your eyes can wander without being assaulted by ads on every vertical surface
I support this content but these "every frame" accounts annoy my pedantic side because this is absolutely not the 1,334th frame of HEAT. The 1,334th frame would've happened at around 55 and a half seconds into the movie. HEAT has close to 250,000 frames.
Some tests done for 28 Days Later for CFX. These were shot using an early digital Canon stills camera on long exposure 1-3 secs.
Danny Boyle originally wanted the rage attacks to look somewhat like Francis Bacon paintings.