1/2
“Another parable put he forth unto them, saying,
The kingdom of heaven is like to a grain of mustard seed, which a man took, and sowed in his field:” 🌱
Controlling a robot in AR is one thing. A real working use case is another.
Air hockey vs my Vector Robot on @specs 2024 virtual puck, real goalie.
This thing is playful, but imagine how far it may go. Tell me your ideas in a commets.
Open source: if you have a Vector, you can run it and play. Build with CLAD ( Full downgrade path that we took in our blog). Link down in the comments.
Super excited about new @Specs and NDK -> if understand right that may be the way to run VectAR fully on glasses ->>>> no extra server on Mac!!!!!!
#Spectacles #AR #Robotics #Vector #SnapAR #AugmentedReality #buildinpublic @specsfordevs@lenslist@LensStudioDev
What’s the point of 4K?
Honestly, most people use 4K for those hyper-detailed, slow-mo macro shots. And I get it—they work because they grab attention. But I’m interested in something else: a raw, realistic aesthetic that feels less like a digital file and more like a real film—the kind that forces you to stop and watch, rather than just scroll past.
When @capcutapp invited me to try Seedance 2.0 4K, I didn't want to make just another promo ad. I wanted to see if I could push the tech into territory that feels like a real film.
I set up a few stress tests to see if this 4K could handle cinematic storytelling:
- Dark Environments: Low-light gradients that usually turn to digital mush at lower resolutions.
- Vibrant Color: Hyper-saturated schemes that often band and block.
- Macro Shots: Using those "attention-grabbing" angles, but giving them a narrative purpose rather than just using them as a gimmick.
I channeled the gritty, flashing-light aesthetic of Gaspar Noé for this. (A quick warning: his films are intense—careful.)
The result is "Salty."
Seedance 2.0 4K handled the mood and the detail better than I expected. Whether you're making films for fun or for a living, it’s a powerful tool for bringing those wilder, cinematic ideas to life.
Huge thanks to the team at CapCut for trusting me with early access to Seedance 2.0 4K. Getting to experiment within CapCut Video Studio was a true honor—I really appreciate the creative freedom they gave me for this film.
Salty
A film by Jordan Daniel Chesney
Produced by CapCut
Music by Brendon Moeller
@capcutapp #capcut
4K YouTube version in the comments.
Flat design was a solution to the problem of shipping things fast. We're entering into a fun design era again and I love it. The future is heavy on the craft side. The future is for the UI artists.
Septillions of snowflakes fall annually around the world, most of which are never seen by a single creature. Each snowflake is unique. Each one proclaims the majesty of their Creator.
@sweatystartup “For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life.”
John 3:16 KJV
https://t.co/vqst33MMUh
@theboymanager@StJsn1 “For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life.”
John 3:16 KJV
https://t.co/vqst33MMUh