makeely

amateur film history researcher @otoolearchive

[makeely @anatomyIesson]

the organist at st. vitus cathedral (1929)

[Para @parakerman]

The Mastermind (2025, dir. Kelly Reichardt)

[dr. olympia kiriakou @thescrewballgrl]

I adore photos of older Colbert because her vibrant, cheeky disposition shines through. My personal favorites are the ones where she's dressed on theme for a gala.

[makeely @anatomyIesson]

five years since ive seen modesty blaise and still not a week has passed without thinking of him at least once, generational impact

[makeely @anatomyIesson]

performance of the century

[miss world @filmvirgo]

what seeking connection feels like

[brian @brianonhere]

lotta gay ladies on dates with each other at the theater tonight. i misogynistically or perhaps homophobicly assumed most of them would be seeing camp miasma but so far the majority have been filing in to Tony

[Josephine (👻) @JosephineDocma]

Fassbinder has made so many movies about how fascism never left Germany and he was proven right since

[mercurian archives @pearlusconi]

Costume Design For The Ballet Narcisse, Léon Bakst, 1911

[makeely @anatomyIesson]

only recently found out gus van sant is gay

[makeely @anatomyIesson]

@narrowstairs oh no all good this isnt directed at you! the general public have found out it seems oops, the interview this is from he mentions his love for dead poets society a bunch

[makeely @anatomyIesson]

@gooddaymp3 we know this but actually acknowledging it is absurd

[makeely @anatomyIesson]

matt johnson self-described aussiephile we just keep winning

[callie ⋆˚࿔ @digitalcowgirl]

puppy coded matt getting excited over australia #hugeforme

[makeely @anatomyIesson]

@nirvannathewrld https://t.co/sxF6To47wY

[makeely @anatomyIesson]

@nirvannathewrld information designed to kill

[trintignant @rwcassavetes]

the greatest 2 minutes in cinema

[makeely @anatomyIesson]

favourite first watches of august 2026!
the history of concrete (2026)
kiss me deadly (1955)
zero day (2002)
bluebeard’s castle (1963)

[James @JamesDreamin]

One of the most important things a film must feature, in my eyes, is interesting faces.

Gala Mitchell, in Ken Russell's Dante's Inferno, has one of the most bewitching faces I have seen in a while. Both audience and character unable to stop looking at her.