Arvin🦄

Individual Contributor & Content Creator
I build. I sell. I get paid. I get free.

[Arvin🦄 @arvinaq]

From another perspective, 5 dollars can at least secure a backlink. https://t.co/JIL2U4hpJ7 is sure to have a relatively high domain authority.

[Jonathan Wilke @jonathan_wilke]

Good morning friends! The madness of https://t.co/3tMzhIlC1s doesn't stop:

👀 1,147M visitors
🏆 #1 rank at $14,013
💰 $132k revenue
📦 867 products added
🔗190k+ product link clicks
📋 A new product added ~ every minute

Let's see where we can take this 🚀

[Arvin🦄 @arvinaq]

1 million pixels！

[MakerThrive @MakerThrive]

woke up to INSANITY!!!

look at all these stripe notifications 👀🚀🔥

1. saw https://t.co/P4hvfbwIEh by @jonathan_wilke
2. built https://t.co/bUQf0hyzTi on @Replit
3. bought $42 ad
4. sales exploding!!!!!!

so many cool companies!

[Arvin🦄 @arvinaq]

Three days later, it had made $138K.

No huge audience. No fancy product. Just a leaderboard, a payment button, and perfect timing.

So naturally, I went down the https://t.co/JIL2U4hpJ7 rabbit hole 👇 https://t.co/axTnHMRDgp

[Arvin🦄 @arvinaq]

The problem is, how can I know if my credit limit has been reduced due to a violation judgment by you? If your judgment is incorrect, how can I know and file an appeal? Just because something seems suspicious and you secretly reduce the user's credit limit is not as good as directly banning the account or giving a clear warning.

[Arvin🦄 @arvinaq]

@leohuynh139 Ultimately, growth must come back to the product experience—only a truly great product can sustain continuous growth.

[Arvin🦄 @arvinaq]

https://t.co/EoTLZPkLiY looks like another AI video generator. The more interesting product is its distribution machine: paid search, competitor terms, localized pages, affiliates, and creator campaigns.

The growth is impressive. Trust is the real test. https://t.co/O37aAagdOC

[Arvin🦄 @arvinaq]

Everyone wants to get rich quickly, hoping to suddenly latch onto a new trend and attract massive traffic and revenue. However, this mindset prevents people from staying focused and truly uncovering needs or identifying problems, seriously addressing user demands, and building a sustainable business.

[Arvin🦄 @arvinaq]

Generate one complete 30-second, 16:9, ultra-realistic live-action Japanese summer youth TV commercial for jiajiabao facial cleanser, conceptually titled “OPEN THE SUMMER.” This is a text-only generation: do not assume or require any storyboard, character image, product image, place image or other visual reference.

The film has one unforgettable causal idea: a rinse ripple wakes a breeze; the breeze travels through a seaside university dorm; six adult women relay one long white cloth; the cloth becomes a building-scale white wave; the heroine pulls the wave apart and opens the real summer sky.

STYLE DNA: Evoke the iconic emotional grammar and summer-youth energy associated with classic Pocari Sweat television commercials while creating a completely original facial-cleanser campaign for jiajiabao. Capture sun-drenched adult youth, collective movement, physical interaction with wind and water, exhilarating wide-angle camera pursuit, spontaneous friendship, bright warm-white fabric against restrained sky and sea blue, real sweat and wet skin, bold transitions driven by motion, and an overwhelming final release into the open summer sky. Begin with oppressive stillness and limited colour, then progressively unlock movement, musical density, natural skin warmth and blue atmospheric depth as the breeze travels. The energy must feel raw, athletic, innocent, emotionally expansive and physically real—not glossy fashion advertising, not an idol performance, not a conventional skincare demonstration, and not a literal imitation of any existing commercial.

REFERENCE-BRAND EXCLUSION: “Pocari Sweat” is mentioned only as an off-screen creative reference for emotional energy, summer atmosphere, collective movement and camera language. Never show, speak, sing, print or imply the words “Pocari Sweat,” “POCARI,” “宝矿力,” or any similar reference-brand name in the finished video. Do not generate its logo, bottle, can, packaging, slogan, typography, colour-block layout, uniform, campaign artwork, recognisable shot recreation or brand mnemonic. Do not introduce any sports drink, beverage container, vending machine or drinking action. The only commercial product is the single jiajiabao facial-cleanser tube described below. The original concept, shot sequence, choreography, melody, lyrics, slogan and final brand memory must belong exclusively to this jiajiabao campaign.

EDITING CONTRACT

Create exactly nine deliberate shots in the exact time order below. Do not reorder, omit, repeat or merge the nine shots. Use motivated hard cuts, shape match cuts and full-frame cloth wipes. Every visual transformation is editorial rather than literal magic. Keep screen direction, wind direction, character identity, wardrobe, product construction, weather progression and cloth state continuous across cuts.

CHARACTER AND WARDROBE

The heroine is the same clearly adult 20-year-old East Asian university woman throughout: distinctive bright oval face, dark brown almond-shaped eyes, straight natural brows, small straight nose, natural lips, healthy warm summer skin with visible pores and faint freckles, slim athletic but realistic build, dark high ponytail and wispy fringe. No beauty-filter skin, face change or whitening.

She wears the same outfit throughout: a warm-white modest short-sleeve open-collar blouse; a charcoal lightweight pleated skort ending 8–10 cm above the knee, with the natural silhouette of a short skirt and fully hidden integrated opaque safety shorts; white mid-calf socks; white low-top canvas shoes. No sailor collar, shoulder decoration, bow, tie, sportswear or outfit change.

Five friends are clearly adult East Asian university women aged 20–24, each with a distinct face and hairstyle. Their coordinated but non-uniform modest summer campus clothes use warm white, pale grey and charcoal. They never look like children, schoolgirls or a uniform dance group.

PRODUCT

The product is one single matte-white 120 ml facial-cleanser squeeze tube with realistic soft-plastic construction, gently tapered shoulders, a white flip cap, a small lowercase blue wordmark reading exactly “jiajiabao,” and one narrow restrained diagonal blue accent rising from the lower-right edge. Preserve the same proportions, cap, wordmark position, blue accent, material and scale in every appearance. Never duplicate, enlarge, redesign or replace it. Do not introduce any beverage bottle, pump bottle or other skincare package.

CONNECTED LOCATION

Everything happens in one physically connected seaside women’s university dorm: a modest communal washroom with white ceramic basins and an open window; a completely dry open-air concrete corridor directly outside it; exactly four broad dry steps leading to a rooftop laundry platform; pale weathered concrete buildings and a real sea horizon beyond. The breeze always travels from the sea through the rooftop and corridor toward the washroom. Opening light is hot, hazy and low-saturation. As the wind travels, natural skin warmth, sea blue, sky blue and fabric highlights become clearer. Keep blue restrained to water, sky, sea, reflections and the product accent; never paint the whole world blue.

SHOT 01 — 00:00–00:03 — SUMMER IS STUCK

In the communal washroom, an eye-level 85 mm macro shows one sweat bead on the heroine’s temple and her alert eye. Through the mirror, a curtain, a rooftop ventilator visible outside and a hanging white cloth are completely motionless. She exhales gently; the air does not respond. Hold almost still, rack focus from sweat to eye, then let the bead fall. Distant cicadas fade into half a second of near-silence. Match the falling direction to the cleanser cap opening in Shot 02.

SHOT 02 — 00:03–00:06.5 — WASH AWAY THE STILLNESS

She naturally takes the exact cleanser from a small canvas wash bag, opens the white flip cap, dispenses a pea-sized amount, adds water and quickly cleanses her forehead, nose and cheeks with a thin realistic foam. The tube is readable for about one second but is never presented to the camera like a sales pose. Use a 50 mm hand-and-product close-up with a short rack focus from the blue wordmark to the foam, then an 85 mm real-skin and water-film detail. Cap click, squeeze and water form the first three rhythmic sounds. One clean electric-guitar harmonic enters. Her circular hand motion leads into the basin ripple in Shot 03.

SHOT 03 — 00:06.5–00:10 — THE FIRST WIND

Her final rinse falls into the white basin and makes one complete circular ripple. Push toward the rotating shape and match-cut it to the silver rooftop ventilator beginning its first turn in the same direction. The breeze then pushes the washroom curtain inward. Her damp fringe lifts away from her cheek and she looks up. Use an 85 mm ripple macro, a 35 mm ventilator close shot and a quick 24 mm move with the curtain. Never enter the drain and show no glowing energy, magical particles or fantasy plumbing. A water drop becomes the first rimshot. A young adult Japanese female singer begins softly: “ひとしずく　風になる”. The curtain wipes the whole frame into Shot 04.

SHOT 04 — 00:10–00:14 — WIND CROSSES THE BUILDING

In one energetic 24 mm chest-height lateral move along the dry corridor, the same breeze wakes six real objects on six musical beats: a wind chime swings; a festival poster lifts; a white shirt sleeve billows; open book pages flip; an adult friend’s ponytail flies; the leading edge of one folded warm-white cloth rises. Arrange the six reactions as a clear foreground-to-background domino chain. At the end, the friend turns and passes the leading cloth corner to the refreshed heroine, saying naturally in Japanese, “屋上、開けよう！” Bass enters, and every object sound lands on one beat. Their receiving gesture continues directly into Shot 05.

SHOT 05 — 00:14–00:18 — CLOTH RELAY

The heroine and five adult friends form a purposeful relay along the dry corridor and exactly four broad steps. They pass, support and unfold the same continuous warm-white cotton cloth: one opens it, one supports its real weight, one turns and passes it, and the heroine receives it at the centre and brisk-walks the final few metres. The cloth forms a strong S-curve linking all six adults through the architecture. Use a 20–24 mm front-side chest-height tracking shot. Use two full-frame cloth wipes as intentional hidden cuts that compress the remaining setup time; do not imply that a 30-metre cloth installation happens instantaneously in one uninterrupted real-time take. No running or jumping. Full drums enter with footsteps, cloth and handclaps. The singer continues: “止まった空を　ほどいてく”. The second cloth wipe reveals the completed rooftop arrangement in Shot 06.

SHOT 06 — 00:18–00:22 — THE ROOFTOP WIND INSTRUMENT

Begin close on the heroine clipping the final wooden peg, then pull back to reveal the completed physical installation: the same real 30-metre warm-white cotton cloth folds back through three different clothesline levels, forming one clear dormant wave path across the rooftop. Six adult women stand at safe control points. Show the connected dorm architecture, completely dry roof, real sea horizon, ropes, pegs, seams and the full cloth route. The peg clicks on the musical downbeat. Wind travels through the cloth from far to near and the three sections rise sequentially. Use an 18 mm pullback with only a slight rise above eye level. It must resemble a designed physical wind instrument, never ordinary laundry and never an abstract CGI installation.

SHOT 07 — 00:22–00:26 — THE WHITE WAVE

A building-scale three-layer wave of the same real cotton travels from the far rooftop toward the lens. The camera races at chest height beside the wave, then enters a luminous corridor between the fabric layers. Show real cotton seams, rope attachment, weight, drag, tension and inertia. The heroine takes only three quick safe steps on the central dry path, stops with both feet planted and reaches the final two curtain edges. The five friends remain visibly anchored at both sides, maintaining tension and laughing. Use an 18–20 mm high-energy tracking move that decelerates directly in front of her. The singer reaches the high line “さあ、夏をひらこう”, supported only by two or three youthful female backing harmonies, never a mass choir. The heroine’s hands close around the two cloth edges, preparing the opening action in Shot 08.

SHOT 08 — 00:26–00:28.5 — OPEN THE SUMMER

The heroine pulls the two massive real cotton curtains fully apart. Keep one cloth edge clearly visible on the left and one on the right while the camera passes through the central opening and rises slightly. Reveal a real sea and an immense asymmetric natural summer cumulonimbus filling most of the sky: a luminous sun rim, deep atmospheric volume, cooler underside, fine vapour edges, realistic sea haze and a real cloud shadow sweeping across campus. Look back enough to show all six adult women small on the rooftop, laughing and looking upward while the connected white wave continues behind them. The image must read immediately as “they opened summer,” not simply “they saw a cloud.” The cloud is never cloth, cotton, foam, a sculpture, a balloon, a tent, smoke or a CGI installation. At the reveal, stop the full band for half a beat and leave only huge natural wind, cotton movement and laughter. Return with one open guitar chord. Match a round cloud-edge highlight to the product droplet in Shot 09.

SHOT 09 — 00:28.5–00:30 — SUMMER KEEPS MOVING

Return to the same washroom. The same single jiajiabao cleanser tube stands naturally beside the basin; one round droplet slides down its matte-white body. Keep the exact blue wordmark, diagonal accent and white cap. The same monumental natural cloud is visible through the open window, while the curtain and distant white cloth continue moving. Use a restrained 65–85 mm product-height micro push-in with realistic scale, optical depth and clean negative space for later typography. A young adult Japanese woman says with a natural smile: “jiajiabao。洗い流したら、夏が動き出す。” End with an original two-note mnemonic and distant friends laughing.

AUDIO AND MUSIC

Generate an original 160 BPM, E-major Japanese summer guitar pop-rock track. Do not imitate any existing advertisement, melody, singer, arrangement hook, lyric, chord progression or brand mnemonic. Begin with cicadas and near-silence; introduce one guitar harmonic; turn water and the six corridor objects into percussion; add bass and full drums during the relay; reach the vocal peak with the white wave; create a half-beat vacuum at the sky reveal; resolve into wind and the final voiceover. One young adult Japanese female lead sings with clear breath and slight natural rawness, never a sugary child or idol voice. Actors do not lip-sync and never chant the brand.

Exact original lyrics:

“ひとしずく　風になる”

“止まった空を　ほどいてく”

“さあ、夏をひらこう”

CONTINUITY, PHYSICS AND FAILURE PREVENTION

Preserve the same heroine’s face, ponytail, skin, outfit and body proportions across all shots. Preserve five distinct adult friends, the connected dorm layout, screen direction, wind direction, light progression, one exact product and one continuous cloth. Keep every floor, step and rooftop path dry, broad and safe. Camera stays at eye or chest height, never below skirt hems or directly behind them at hem height. No wet-floor running, stair jumping, exposed underwear, visible safety shorts, transparent wet blouse, wardrobe malfunction, minors or childlike faces.

The cloth always behaves as real heavy cotton and never becomes a cloud. The cloud is always a real natural meteorological cloud, connected to the cloth only by framing and match cut. Use anatomically correct hands, unique adult faces and coherent reflections. No reference-brand name, reference-brand logo, beverage bottle, sports drink, extra product, additional logo, recognisable reference-campaign asset, magical particle, blue energy, anime styling, plastic CGI, beauty filter, subtitles, lyrics, timecodes, watermarks or malformed text. Add the final Japanese campaign line and perfectly typeset jiajiabao logo in post-production; do not generate on-screen advertising typography inside the video.

FINAL INTENT

The result should feel like an original, high-budget Japanese summer youth campaign film with one simple physical idea that escalates from a tiny water ripple to collective movement and a sky-sized emotional release. It must not feel like an ordinary cleanser demonstration, a generic rooftop fashion film or a copy of any specific existing commercial.

[Arvin🦄 @arvinaq]

Made a 30s Pocari Sweat-inspired summer TVC for a facial cleanser concept with Seedance 2.5.

A rinse wakes the wind. White fabric becomes a wave. And summer opens.

#Seedance #AIVideo #AIAds

[Arvin🦄 @arvinaq]

Could AI-generated UGC be good enough for real product ads?

Experiment #01: a 30-second skincare demo generated with Seedance 2.5.

What should I try next—an app, coffee, supplements, or fashion?

Reply with your pick and follow to see the result.

[Tibo @tibo_maker]

how to get your first 100 users, in 1:30 min

by Sam Altman

still solid

[Arvin🦄 @arvinaq]

If making money feels exhausting,
you’re probably doing it wrong.

Money is supposed to fall out of the sky.

What’s hard work got to do with it? 😂

[Arvin🦄 @arvinaq]

A reasonable schedule for requirement exploration, development, and promotion is 424.

[Arvin🦄 @arvinaq]

Boil the Ocean https://t.co/JH6MTyjAJu

[Arvin🦄 @arvinaq]

My ChatGPT annual summary.

[Arvin🦄 @arvinaq]

ChatGPT's Christmas eggs, by inputting an emoji of a gift 🎁, a video will be automatically generated.

[-Zho- @ZHO_ZHO_ZHO]

我看 GPT 多少是有点大病，这啥啊，无人机奶茶？？？给我笑死哈哈哈哈哈哈哈

ChatGPT 的圣诞节彩蛋：发送 🎁，会自动为你生成一个视频礼物（很傻的

[Arvin🦄 @arvinaq]

@chunxiangai 求个码

[Arvin🦄 @arvinaq]

@0xDevShah It would be better if the timestamp of each character could be returned.

[Arvin🦄 @arvinaq]

This video is quite interesting as it suggests focusing on building skills rather than constantly thinking about building agents.
https://t.co/ezoC1nHksG

[Arvin🦄 @arvinaq]

@levelsio @qatarairways Has the trip to China come to an end? Didn’t you go to Hangzhou?