We want to acquire a small music catalog.
• Indie artist catalogs
• Small label catalogs
• Estates/archives
• Any with rights/admin challenges
Ideally ~$50k value, 20-500 tracks
Know someone considering a sale?
DMs open
#MusicRights#MusicCatalog#CatalogAcquisition
@OnRekord Really excited about this one.
Been speaking to a few artists and managers already and the reaction to instant payouts alone has been interesting.
Curious to see how this develops.
@OnRekord Seeing this all the time.
You've already created the magic. It just needs repackaging as a higher-value product and sharing with your audience.
@OnRekord Spending a lot of time speaking with artists and labels at the moment and the amount of value sitting in back catalogs is honestly staggering.
This isn’t about creating more content, it’s about unlocking what already exists.
If you’ve got a catalog, it’s worth a conversation 👍
We have an event tomorrow evening in London exploring how AI is reshaping voice, ownership, and payment in music, and what that means in practice.
There are quite a lot of artists, managers, producers, and technologists attending.
If any of my contacts working across music, film, entertainment or digital IP want to be a part of the conversation, drop me a DM and I’ll send over the details and invite link.
The event is at Access Creative College, E1, and kicks-off at 6pm.
#MusicTech #AI #CreatorEconomy #DigitalIP #MusicIndustry #FutureOfMusic #Web3 #LondonEvents
This is where things are heading.
As AI scales, control over identity, training data, and rights becomes even more important, although protection alone isn’t enough. Creators also need systems that can prove ownership and route payments back to them in real time.
This applies across all forms of digital IP - music, film TV, gaming, writers etc.
@muradsbtc@SecretNetwork@OnRekord Well said.
As AI scales, the question is both “who owns this?” and “can that ownership be trusted, verified, and monetised in real time?”
That’s the infrastructure gap we’re solving.
@MeoBlock5@SecretNetwork@OnRekord Interesting - though the bigger shift isn’t just speed or fees, it’s attribution and ownership.
If you can’t prove who owns what, none of the economics really work, especially with AI in the mix.
LEAONE - 10 Year Anniversary Album Archive Edition
• Unheard track
• Live BBC session
• Acoustic + remixes
• Lyrics, artwork, archives
Packaged as a collectible.
Own it today.
#LEAONE#MusicTech#CreatorEconomy#NewMusic#OnRekord
👇
https://t.co/LOZm9VaG8c
The numbers are staggering:
• AI voice fraud is up 3,000%.
• Billions lost to rights infringement.
• 1 in 3 creators have had their work scraped for AI training.
Creators are losing control of their identity.
We're changing that. @SCRT_Labs x @OnRekord
The numbers are staggering:
• AI voice fraud is up 3,000%.
• Billions lost to rights infringement.
• 1 in 3 creators have had their work scraped for AI training.
Creators are losing control of their identity.
We're changing that. @SCRT_Labs x @OnRekord
The numbers are staggering:
• AI voice fraud is up 3,000%.
• Billions lost to rights infringement.
• 1 in 3 creators have had their work scraped for AI training.
Creators are losing control of their identity.
We're changing that. @SCRT_Labs x @OnRekord
100%. Direct access builds deeper, higher-value relationships.
The real shift comes when the asset itself becomes the relationship layer.
We’re seeing the same from the release side, where a track isn’t just content, but a programmable asset carrying splits, rights, and fan engagement.
The boundary between the work and the relationship is starting to blur.