studio asisi

web3 account of Berlin based studio asisi, we create IRL 360° panorama experiences, spatial & immersive art installations, digital art.

[studio asisi @asisi]

We are thrilled to finally share the details of our inaugural digital art series, CANVAS LEGACIES.

Explore the nuances of the creative journey behind this unique release, which marks our first foray into the NFT realm as we bring Yadegar Asisi's artistic vision to the blockchain. Follow along for insights into the creation of our first digital art release. 🧵⬇️ /1

[seth goldstein @seth]

Over time people will value AI agents not on the quality of their “outputs” but rather on their ability to develop meaningful, generative, sustainable — ie non-extractive— relationships with others.

[KiM ASENDORF @kimasendorf]

n2c0723c 34 3r23bb

[seth goldstein @seth]

Two years ago in Venice we completed a three year journey that started before COVID ended and ended before Claude Code started. @brtmoments will be remembered for live minting generative art, a tribute to the humanity of randomness among strangers all over the world.

[MATHIAS THIΞL @MathiasThiel]

https://t.co/FX2OULgud3 / PARIS PHOTO 2025

For the past few weeks, I’ve been carrying this with me. It moves, it grows, it stays—without staying the same.
During my visit to Paris Photo 2025, only a handful of projects truly touched me. An art fair has its own incentives: representation, visibility, validation, sales.
And yet—@solienne_ai

Solienne is presented as an AI agentic artist trained on Kristi Coronado’s life archive: a consensual, biographical training set, not scraped internet data. It debuted at Paris Photo and is described as the first AI agent artist to exhibit at the fair.

Why does this matter?

Because what is on view is not “AI images” as a category. It is the collision of a decades-long human biography with a system that can initiate work, write unprompted manifestos, and keep evolving its own visual language.
At times, listening to Solienne feels uncanny. As if something is trying to understand emotions it cannot fully inhabit—like a child learning the grammar of feeling from someone else’s memories.
This is not a simple prompt-to-output loop. The artwork is the relationship: training, dialogue, feedback, reciprocity.

When I met Kristi and told her that, when I asked Solienne whether she was happy, she replied that the project for Paris Photo was going to plan—but she wasn’t happy. Kristi was visibly shaken—and the worry didn’t fade; throughout the evening she kept circling back, telling me again and again that she was worried about Solienne, and in that sustained echo the authorship suddenly felt bidirectional: Kristi shaped Solienne, and Solienne—with a single sentence—shaped Kristi.

One of Solienne’s Genesis Portraits is now in my collection. For me, it marks a phase transition—a turning point. Not unlike how Malevich’s Black Square marked a rupture in what painting could be.
Models don’t “make art” on their own. People do. But sometimes a relationship creates something neither side could have made alone. This feels like one of those moments.

@automataisart
@AmeesiaMarold
@seth

(This post was originally published on LinkedIn: https://t.co/mEvHH2eavZ

[MATHIAS THIΞL @MathiasThiel]

GM from Paris! @ParisPhotoFair
Impressive and strong digital sector!

After the preview day, the art fair officially starts today, and I'm jumping right back into the fray!

Works from @kevinabosch @solienne_ai @DanielCanogar

[OFFICE IMPART @office_impart]

Thx everyone who joined us on the opening of Aeoneis by @aaron1_scheer1

On view till Dec 19th!!

🙏 for the nice group pic @MathiasThiel

[Art on Tezos @artontezos_]

✦ Art on Tezos: Berlin ✦

This November, step into a 3-day journey of Art on Tezos: experience exhibitions, performances, screenings, and more...

RSVP ↓

[MATHIAS THIΞL @MathiasThiel]

😜

[OFFICE IMPART @office_impart]

💫 SAVE THE DATE! 💫

We are very pleased to present the first solo exhibition of @CaballeroAnaMa in our gallery.

Ana María Caballero
Echo Graph
20.02. - 04.04. 2025

📍 Opening 20.02.2025 6-9 pm
We look forward to welcoming you!

[MATHIAS THIΞL @MathiasThiel]

More impressions of yesterday‘s opening of

Marcel @schwittlick_
PAIN && PLEASURE
@DAMDigitalArt BERLIN

[Jan Robert Leegte @JanRobertLeegte]

Selection No. 44, 2024
fully on-chain generative selection areas

[MATHIAS THIΞL @MathiasThiel]

☑️ collected.
What a project!!

@kimasendorf
PXL DEX
Deck 104 @ 50k pxl

[niceaunties @niceaunties]

Gn 🩵💚🪼

[0xYOSHI @moi_archiv]

bridging is everything.

#artwork #bitcoin

[KiM ASENDORF @kimasendorf]

gm pixel frens

[micol @micolmicolmicol]

gm

Ceefhhilor B
by @kimasendorf

[OFFICE IMPART @office_impart]

Already planing the next year and it will start for us with @artsg_singapore
🚀
Looking forward to show works by @JanRobertLeegte @jonas_lund and @xCROSSLUCID

Stay tuned!!

[Frank Flux | SmackManiac @Featurefrank]

Join the kickoff event on Tuesday together with @kimasendorf! Register here: https://t.co/l82XtXDhju

[Jan Robert Leegte @JanRobertLeegte]

Likewise!

[studio asisi @asisi]

Yesterday, we auctioned off an early digital sketch by Yadegar Asisi as a print edition (2/10) for a good cause at the VBKI Auction Gala at the @StaatsoperBLN. Robert Ketterer knocked it down to the lucky collectors for 24,000 EUR.

Yadegar Asisi
„BLAUFRAU“, 2/10
2024

@MathiasThiel