Day 12 of having my @openclaw agent experiment with music production in REAPER
I had the agent use the new @FORMsonics SURREAL VST3 synth / step sequencer I posted earlier on this track
The overall production / song structure still ended up sounding a bit like an old casio keyboard preset song, so I’ll be exploring some new ways of training in tonight
The agent programmed and arranged the tracks in REAPER, mixed it with @FORMsonics effects, and captured the finished session with the master as soundtrack.
Here are the results:
“A Light Left On”
Warm upright piano and Surreal melodies drift through long, dark reverb tails. A minor-color bridge adds shadow before the melody returns with ride cymbal, layered backbeats, and tom fills.
90 BPM · C major · 3/4
Happy Wizzy Wednesday 🪄💨💨💨
Just added a content grid generator to the website!
You can search your wallet and create a GIF with your buds now at https://t.co/4J4sbFePob
@payamsky716@openclaw@FORMsonics@reaperDAWtips Yeah, I’m letting it make all of its own decisions. Just giving it documentation about music production and theory. Starting to train it on sound design as well. Has been an interesting experiment so far.
Day 10 of my @openclaw agent experimenting with music production in REAPER
The agent programmed and arranged the tracks in REAPER, mixed it with @FORMsonics effects, and captured the finished session with the master as soundtrack.
Here are the results:
“Slate Current”
A rounded synth motif and rubbery bass move through hazy minor chords, with dry snare hits and a syncopated electro kick. Filtered hi-hats and small metallic accents keep the groove ticking while spacious responses lend it a restrained, nocturnal mood.
116 BPM · A minor
@payamsky716@FORMsonics Yeah, you can select STEP in the modulation section and you can route it to cutoff, pitch, pan, and reverb mix
It follows the pitch value of each step though, so it’s not full parameter locks with independent knob settings per step