🅱️en Harris

qu'est-ce que c'est?

[🅱️en Harris @benha77is]

locking in btw

[🅱️en Harris @benha77is]

@genuinedog they were

[Arizona Cardinals @AZCardinals]

Larry Legend 🐐

[OG4MVP @aidenknowsball8]

I genuinely can’t believe the Knicks won a championship in my lifetime man

[🅱️en Harris @benha77is]

canceled adobe creative cloud

[viehcy 🪅 @foreeeeeal]

hearing a beloved friend say the words “can i be mean for a sec” is like watching an angel descend from the heavens and kiss you on the forehead

[🅱️en Harris @benha77is]

polar bear with an “S” on its chest

[soulfulbody @soulfulbodyedit]

The Big 3 have never been more back.

[🅱️en Harris @benha77is]

also i burst out laughing when they clearly dual-purposed the reception set from the drama haha

[🅱️en Harris @benha77is]

it’s just so great. simply the best in the full 30-year spider-canon. nice! damn!

[New York Magazine @NYMag]

A24’s ‘Tony,’ starring Dominic Sessa as a young Anthony Bourdain, is an unexpected choice for Matt Johnson’s Hollywood entry. The 40-year-old Canadian filmmaker’s first two features — 2013’s ‘The Dirties’ and 2016’s ‘Operation Avalanche’ — were loose low-budget films starring himself, made by messing around with friends, and built on spontaneity and the belief that a movie reveals itself in the edit. Running alongside those two films was the project that made Johnson a cult figure: ‘Nirvanna the Band the Show,’ which was adapted into a feature film that sent Johnson crisscrossing North America on a nearly sold-out screening tour. Once known mostly to Toronto cinephiles, he now gets routinely recognized on the street — including when he spent a day with Vulture critic Nicholas Quah.

‘Tony’ is as much a biography of Bourdain as Johnson. The character of Bourdain’s mother, played by Dagmara Dominczyk, is directly inspired by Johnson’s mother, a physician whose exacting standards both intimidated and shaped him. The young Bourdain’s early self-mythologizing echoed Johnson's own instinct to invent himself before he'd earned it: “Lying and manipulating — putting on a false identity of somebody who has achieved something, even though I had done nothing — was a way to patch things over,” Johnson says, “because I felt there was an expectation on me to be great.”

Johnson talks about why he changed his mind about taking on ‘Tony,’ how he feels about his older comedy material now, and more: https://t.co/XBSHuv06QR

[jörg shidmann @tranz_schubert]

camera

[🅱️en Harris @benha77is]

👨‍💻

[Arizona Cardinals @AZCardinals]

Episode 8: The Number

"Number 11 meant it's two number ones" - @LarryFitzgerald

[Satchel Price @SatchelPrice]

The Strokes have multiple albums where every single song is better than Mr. Brightside

[🅱️en Harris @benha77is]

@mustardenemy i miss nj chinese food soooo much

[🅱️en Harris @benha77is]

possibly the greatest notification ever

[🅱️en Harris @benha77is]

excuse me did my eyes just see that modern baseball is back in action ?!?!?! playing music ?!?!??

[🅱️en Harris @benha77is]

Arizona I am going to start screaming

[🩵 BobbyG @KingBobbyG]

I think going from a freakishly tall basketball player to exclusively playing big gangly monsters in horror movies is the funniest pivot of all time