Beyond Fest

Movies forever

[Beyond Fest @BeyondFest]

We're running it back. After two epic, sold-out shows in LA and Chicago, we're bringing @KenjiTanigaki's action masterpiece back to LA. And this time with some very special guests. Sign up https://t.co/fIwayDH40w for tickets.

[Beyond Fest @BeyondFest]

THE FURIOUS isn’t the best action movie of the year, it’s the best action movie of the decade. @KenjiTanigaki has delivered an instant classic

[TheWrap @TheWrap]

It's too early to call Kenji Tanigaki's brutal brawler the best action movie of the year — but if it's not, we'll be impressed. https://t.co/xxykFRZLF4

[FilmBart @FilmBart]

new Spielberg releasing today, time to share the greatest video in internet history

[BenDavid Grabinski @bdgrabinski]

THE FURIOUS is one of the best Fight Movies of all time. It's got a perfect sense of escalation. It never feels repetitive. And the final fight is something I've literally never seen before. No clue how they even choreographed it. The movie fucking rules.

[temporarily After Hours fanmaster 🎸 @ot6gfriend_]

Actors from film #TheFurious performing slow mo fighting scenes for the film promotion today in China.

#JoeTaslim #XieMiao #BrianLe #YayanRuhian

[谷垣健治 @KenjiTanigaki]

ジェット・リー！ジェット・リィィィー！！

[Evrim Ersoy @EvrimErsoy]

Who knew when we World Premiered the film @BeyondFest at the historic Egyptian Theatre to a room full of lunatics that we would be getting an entire universe!

[Tom Chatalbash @TomChatalbash]

So…I’m like…supposed to watch other action movies this year after seeing #TheFurious? Hot damn, this one left me vibrating from head to toe! The direction, cinematography and ESPECIALLY the fight choreography are truly phenomenal, each set piece somehow managing to top the dizzying heights of the one that preceded it. The sound design is also bone-rattling, making you feel every punch, kick, slice and thump with visceral flair. This is genuinely some of the best action and choreography I’ve ever seen and the ways in which this incredibly talented team are able to utilize every environment to its full potential is wonderfully playful and immersive. This is one you NEED to see with a crowd and it certainly sets the bar ludicrously high for other action films set to release this year. Simply put, believe the hype and to the other action films of 2026 I say best of luck! Full review soon 👍

[ѕнσgυη ѕυρяємє @TimesSqKungFu]

Thanks to @Lionsgate for today's press screening of The Furious [2026] and @BrndnStrssng

Kenji Tanigaki put together one heck of an experience and seeing Kensuke Sonomura's choreography being used with Martial Arts out of his comfort zone is insanely marvelous. This is the defining film of this decade on Martial Arts Cinema and it set the template on what Kensuke Sonomura and his crew at @udenfw been building up for a very long time.

My mind couldn't comprehend Xie Miao doing Sonomura's choreography. The ferocious impacts and flow into stances followed by @udenfw trademark of grapple body movements it is something that is hard to explain with text and it has to be seen.

The film overall feels like that peak era of Hong Kong Cinema from the 80s and early 90s. From Sammo and Jackie Chan's output to the Girls With Guns genre. The English dubbing, dialog and humor in this film reminded me why I fell in love this genre in the first place.

Everyone in this film shines but Brian Le and Joey Iwanaga are the desserts after the main course and then some.

I cannot wait what Xie Miao and Yang Enyou are going to do in Eye for an Eye 3. I have more to later on once everyone sees it. Watch the #TheFurious on June 12th

[Steve Asbell @steveasbell]

No punny whale quips this time, just enormous gratitude to @BrianDuffield and his filmmaking team for delivering one of the boldest and most original movies I’ve ever been a part of. I mean, it’s honestly a little crazy that we made this, but I couldn’t be more proud or excited!

[Coop @tomlinsoncooper]

Little Toni’s in North Hollywood CA if anyone was curious! They were so great to us for the day we filmed there. Fun fact: it was the last day of filming!

[Americana at Brand Memes @americanamemes]

People in LA now that we don't have deal with Pratt for 6 more months:

[k @ysljennii]

why do white people get angry when racists are portrayed as bad

[Evrim Ersoy @EvrimErsoy]

It took me a minute but am happy to join the chorus of praise - Backrooms is an era defining horror film - it's a pinnacle point of anxieties and horrors we've been expressing all the way since Mark Z. Danielewski examined the corridor in the House of Leaves. I was petrified.

[Luke Barnett @LukeBarnett]

The Obsession art director post. Man, what a choice.

One year total experience. Only credit pre-Obsession is a single short film. Sign on to a low budget indie. Agree to rate. Movie explodes. You're suddenly the Art Director fo the most talked about film of the year.

If this ever happens to you, let me give one piece of advice. Embrace it. Use the credit to fight off offers, get a BTL agent, turn those difficult three weeks into an incredible career.

Do NOT cut every connection you have to the filmmakers, put out tweets about how you wish you'd shut down their production, and complain about the rate you agreed to (which isn't even like $100 or some student film sketchiness).

Do you know how many indies I have done as an actor for $240/day? A fucking lot. Every single time I know what I'm getting into and I hope to god it turns out well and leads to another opportunity. I cannot even imagine getting cast in Obsession and then putting out a career ruining post about it instead of trying to leverage it into more work.

[Zack Stentz @MuseZack]

The best part of writing Agent Cody Banks was getting Keith David to tell us behind the scenes stories from making The Thing, one of which included the line "And then John Carpenter walked in...MAD AS A MOTHERFUCKER."

[himpath (francis etc) @gorgeousbrains]

marvel trying to sponge a little clout off the backrooms. what a time to be alive.

[Evrim Ersoy @EvrimErsoy]

The amazing @FactionMan is so close to raising the funds needed to make his newest venture something really special - Manipulator | sci-fi/horror feature film - a Film and Theatre crowdfunding project in Glasgow by Graham Hughes https://t.co/kSXYUTK6pp

[American Cinematheque @am_cinematheque]

🚨 TICKETS ON SALE TOMORROW 🚨 THE ODYSSEY (2026) in 70mm at Directors Village in Westwood & Aero Theatre! 🎞️📽️

Details in caption:
https://t.co/ehgay5ynEm

[Beyond Fest @BeyondFest]

The craziest statement in the world. Incredible stuff.

[A24 @A24]

It's everywhere. Backrooms is the #1 movie in the world.

[Wells P @Wells_P]

86k and counting of y’all in LA are complete idiots. Absolutely insane