On 12th March 2025, 5pm (UK time) I will contribute to an online conversation on the theme of theatre and memory with Eugenio Barba, Julia Varley (Odin Teatret) and Mattea Fo, chair of the Dario Fo and Franca Rame Foundation. Link in the webpage below👇
https://t.co/xbz2IENvwJ
Joining @TaPRA_ 2024 at Northumbria University as a co-convener of the Performance and New Technologies WG and sharing about Dance Plague with Flanker Origami🫶
As co-convenor of the TaPRA Performance and New Technologies Working Group I am delighted to announce that the CfP for the hybrid @TaPRA_ 2024 is out now! Deadline for submissions is 10th April and we are accepting in-person and online proposals.
👇👇👇
https://t.co/AtNq5cYbBS
Early bird registration for PSi#29 is finally open and will close on Monday, 04 March 2024. Assemble with us in London on 20 - 23 June 2024.
For more information on registration and ticket pricing, visit https://t.co/30phCfiihq
PSi#29 #AssembleWithUs
Restorative feeling leaving #TaPRA23. Conversations in the New Tech. WG have spanned AI & choreography, drone culture & ‘techno-gloom’, mid-pandemic performance through social media & eco-ethical digital scenography. Mind-expanding in lots of fertile directions @TaPRA_ #TaPRA2023
It was great to present my joint paper with Phil Smith ‘Dancing the Plague- Undoing Narratives of Social Media Connectivity’ at @TaPRA_ 2023 in the Performance and New Technology Working Group. Looking forward to the closing session today😊
How lovely to wake up to the idea that today I am going to present a joint paper with Phil Smith in an open panel session at #TaPRA23 with Andrew Goldberg and @LiamJarvis chaired by Anka Makrzanowska for the Performance and New Technologies WG. So many fantastic panels🙂 @TaPRA_
🎈Just a few days left to see this year's Mary Dick Award Winner, A Spectacle of Herself.🎈
Join Laura Murphy on a cinematic, [in]appropriately acrobatic odyssey through the frontiers of mental health, queerness, rage & the 21st Century space race. https://t.co/c0zftboheN
Celebrating the 50 year legacy of my Italian theatre family. In ‘Embodying the Performance Archive’, a panel I curated for the ‘Shaking the Archive’ conference at QMU in Edinburgh, we discussed how to embody the ephemerality of performance archives through digital assemblages.
***Dance Plague with Flanker Origami*** by Organic Theatre - dopamine dressed social media danced promenade from the theatres and streets of Edinburgh. Weds 17 May, 1.30pm on Facebook Live. Ready to dance? Join online https://t.co/hOexY7tb3D
Coming soon!! Organic Theatre’s hybrid performance-promenade ‘Dance Plague with Flanker Origami’ - a magical, carnivalesque danced drift out of the norm in the heart of Edinburgh’s most loved theatrical sites. Live-streamed on social media on Wednesday 17th May.
My latest article re-constructing the entanglement between the spectator’s body and the technology in Flanker Origami.
👉 Practice research in digital performance #digital#spectator#performer
https://t.co/z4sXnEUNge
@Csvich This is such an interesting question!
Body/somatic practices, digital pedagogy ( AI, platforms, hybrids), back to real places, bridging the gap between liveness in presence and online. Passing on theatre culture alongside theatre history/skills. Introduce practice research. Play
Yellow Fever: Odin Teatret in Paris my article on Total Theatre where I reflect on the extraordinary six-decade journey of the company, the crossroads they have now reached, and the home of their legacy. #theatre#performance#ensemble#teatrolaboratorio https://t.co/bCYn1iqJBo