If anyone I know is still here... today is the final day in our Seed&Spark. We are matched up to $2k and I would be eternally grateful for a boost. https://t.co/wEEOZRHJ0f
@MichaelMatteoRo I mean, these ads which appeared like every 10 posts as I was scrolling through the comments kind of sums it up. I miss not feeling the need to compare myself to everyone on the planet at all times.
Apparently Tesla’s lane departure avoidance won’t work because the dashcam’s USB drive is full. Which is also weird because if all of Twitter can fit on one USB drive, surely it’s enough for my car? 🤔
@rianjohnson This is so valuable. I saw Glass Onion at the aero as I was navigating the layoffs at Twitter. It was so incredibly cathartic. I can’t wait to read it.
@americanmegalo At least here in Culver City…
(Though fun fact: I had never been to Ojai before, but I was there this weekend and literally left 30 minutes before the quake. We felt it on the road and thought it was hurricane wind)
@TillyBridges @OKBJGM OMG I was seriously just thinking of doing this for my own film after watching Close Encounters. The old cloud tanks they used to use for atmospheric effects would look amazing with the compositing abilities today.
@ItIsFinch@wolf2point0 Women seem underrepresented full stop. To say it’s representative because it’s reflective of the way the industry skews is not the same.
I've said it before. Others have too. exposure is something you die of, not a way that creatives should be paid. I've often been asked to work for exposure, The places that have the most money to pay, often believe that creatives should be thrilled to give their intellect away.
This is the beginning of the end for working class actors. I have never worked harder in my career to make less money, and I am not alone. Guest stars working for day rates, and now series regs reduced to recurring. https://t.co/mbbRJEOq6f