In celebration of @bridgeclimb's 21st birthday, The Works has created a brand new identity for the iconic tourist attraction. A contemporary new look for their first ever brand refresh! Read more: https://t.co/4TWXswKKYQ
#BridgeClimb#SydneyHarbourBridge#Branding#TheWorks
It's an iconic Sydney tourist attraction and as it turns 21 today, @worksagency unveils a modern new look for @bridgeclimb. via @AdNews
https://t.co/LkOvjP1i04
Happy birthday @bridgeclimb! 🎉 21 years young and adventuresome as ever. Over four million people have enjoyed the bright lights and vast city views from atop the iconic Sydney Harbour Bridge 134m above sea level. Will you be one of the next climbers? #ilovesydney#BridgeClimb21
Meet our 1998 Climb Leaders! They were the first Climb group out today for our 21st Birthday, setting off to catch the dawn at 5:15am. Mona Karam, Ali Crew, Rosemary Strachen, Michael Griffin, Rhonda Smart and Brian McDonald, pictured here with our CEO, @cbzumwalt#BridgeClimb21
Now THIS is a concert! 🙌 Want to see award winning DJ @diplo perform on top of the Sydney Harbour Bridge for @bridgeclimb's 21 birthday?! 😱🎤 Listen out for his song #WhereAreUNow during @kyleandjackieo and call us on 13 1065 to WIN! @SonyMusicAU
We’ve had the honour of hosting over 4 million climbers since 1998.
And on 1st October, we say THANK YOU, SYDNEY!
Tickets to our $98 Climbs are on sale 12th September: https://t.co/H1WLnZPpVI
#BridgeClimb21
🎉We’re turning 21 and can’t think of a better way to celebrate than with… YOU!🎉On Tues 1st Oct, we're throwing it back to the original 1998 Climb price of $98. That’s right, for one day only! On sale 9am Thurs 12 Sept - save the date now: https://t.co/6HDx0qb1df #BridgeClimb21
OMG! We are still swooning over a surprise proposal 134 metres in the air with unrivalled 360-degree views of Sydney, an Eternity Rose and a magical Valentine’s Day sunrise. Congrats to our five lucky couples who won our Valentine’s Day Competition! #ValentinesDay#bridgeclimb
Two people who collaborate well will be about three times as effective as each of them operating independently, because each will see what the other might miss—plus they can leverage each other’s strengths while holding each other accountable to higher standards.
In jazz, there’s no script: You have to figure things out as you go along. Sometimes you need to sit back and let others drive things; other times, you blare it out yourself.